"I personally think it is a kind of compensation for actors, and compensation for taking roles seriously and studying them seriously."

When Yang Mi heard the example given by Xu Rong, she was stunned. After a while, she said, "Teacher Xu, when did you see these?"

"Aren't these very basic things?" Xu Rong asked back.

“…”

"Hahaha."

Xiao Zhang smiled inappropriately. Although she had never seen it, it seemed as if she had seen it at this time.

Jiao Junyan's body was slightly straightened and asked, "Is it the same? For example, how should I adapt to the crying scene?"

"If emotional creation is created, I remember Mr. Kang Zhilin summed up a sentence, 'What others cry is tears, and what actors cry is drama'. The crying scenes do not make you really cry. The emotional experience created by our actors should definitely not be emotions in a natural state. Emotions are always for the play. Our emotions should be emotional experiences of the characters under the stimulation of a specific environment. The purpose is to highlight the role. In addition, the audience must also consider the degree of acceptance. When you act, you cry beautifully and experience it is very real, but if the audience does not feel sympathy and sad, it is a failure."

"In short, emotions should be a fictional or false. From the various emotional memories stored in the past, you can find an emotional basis suitable for the role. In this regard, you can take a look at the experience of Mr. Hu Zongwen when he created "Thunderstorm".

Jiao Junyan continued to ask, "Since the emotions are fake, how can the audience feel real?"

"This is more complicated." Xu Rong thought about it, "There is a more wrong perception that no matter what type of character the actor creates, he must try to fall in love with this role. I think this is a ridiculous way of performing."

"In the process of expression, there are two experiences, one is emotion, and the other is emotion. Emotion is a stable and long-term attitude, and emotion is a response to external stimuli in a prescribed situation."

"When dealing with a character, you must start from yourself. For example, playing a bad person, you must maintain real emotions and real emotions for the character. Emotionally likes it means liking, hates it means hate. Emotion is real feedback of stimulation in a specific situation. Let me give you an example, for example, Xiao Zhang is naughty and I hit her. The emotions and emotions in this process are different. Emotionally, I like her, but emotionally, some of her behaviors make me angry. These are two opposite experiences, but what is it presented? I will hit her where the flesh is thicker or I will deliberately control my strength. From these aspects, you can feel my true emotions and real emotions."

"It depends on how you fight..."

Xu Rong frowned and looked at Jiao Junyan muttering. She always felt that something was wrong with her.

"But on the other hand, if I hate a role, wouldn't it be impossible to act well?" Yang Mi glared at Jiao Junyan and quickly changed the subject.

"The same goes for the other way around. If you hate a character emotionally and you also want others, that is, the audience, to hate this character, then during the performance, you will instinctively devote yourself to creating real emotional experiences, allowing the audience to deeply feel the annoyingness of the character. If you like a bad person, the emotional experience may go astray. For example, if you don't think the character's behavior is despicable, then your expression will not show an abominable side, and it will not be so hateful when it falls into the eyes of the audience."
Chapter completed!