After lunch and resting for a while, Xu Rong came to the girls' dormitory, stood in front of the flower bed, waiting for Xiao Zhang, while thinking about what was related to her in his mind.

Xiao Zhang did not write Mu Wanqiu's biography, nor did he write creative notes.

Her exploration of prescribed situations, adaptive choices to behaviors, and even the correlation between body and psychology, still stays at a relatively shallow level.

Xiao Zhang's sense of drama is not bad, and her adaptability to actions is basically qualified. After several rehearsals, Xu Rong saw the clues, but she was basically in an instinctive state in the emotional creation of the character.

As for further reflecting the role with form and language, it is better.

Because of talent.

If she has an explosive talent, like Zhou Xun, she can do whatever she wants. There is no need to invest too much energy in her adaptive choice of action. When she constructs her mental image, the rest will be done by instinct.

But Zhou Xun only has one.

At this time, he also understood the reason why the school looked at the face when enrolling students. In the impetuous environment, few students would seriously study theories and techniques. In this case, they had more outstanding appearance and more opportunities.

On the other hand, the general environment affects not only students, but also teachers.

Seventy percent of the teachers in the school have no practical experience, but they have trained batches of actors.

Just like the mind-image structure mentioned by the teacher before, in order to find a suitable method, he used to refer to many materials when studying, such as Yu Zhi's "Mr. Jiao Juyin's "Mind Image" Theory", "I Play Cheng Madman", Liu Changchun's "Stage of Stage Art in Teahouses" by Lan Tianye, Li Rentang's "Life, Skills", Lu En's "Fu Yi and Me", Zheng Rong's "A little experience of playing Chang Siye" and Wang Shangxin's "I Play Lei Juncheng", etc. After searching through these materials, he also analyzed and compared the relevant image data.

Finally, I combined a set of methods that I used more conveniently.

In comparison, the content in the classroom is extremely simple, and it only talks about some relatively general theories.

This is just a more basic aspect of mental image construction in performance.

In this case, if you want to shape a complete mental image, you can only hope that students can make up for the missing theories through a lot of practice.

When it comes to the Central Academy of Drama, when it comes to school, the one thing that I remember most deeply and hates is just one thing, rehearsing the show.

Four major universities have been rehearsing for four years.

The most important thing for students at Beijing Electric is to delay classes.

The result is also extremely obvious.

"Teacher Xu."

At some point, Xiao Zhang jumped and interrupted his thoughts.

What surprised Xu Rong was that her three roommates also followed her.

He looked at Yang Mi and the other two who were following Xiao Zhang and followed him and asked, "You guys, did you happen again?"

Xiao Zhang put his hands in his pockets, shook his head and said, "No, Teacher Xu, they want to play for us. I've watched it. People have to help you get in the position for several scenes."

Xu Rong glanced at her and did not expose her lies.

A few minutes ago, in the dormitory.

When Xiao Zhang put on his clothes quickly and packed up and was about to set off, he looked at the three roommates who were also well-dressed and asked in confusion: "There is no class in the afternoon, are you going out shopping?"

Yuan Shanshan came up and hugged Xiao Zhang's shoulder and asked, "Xiaofei, how do you think I treat you normally?"

"It's pretty good."

"So, can your boyfriend share it?"

"No!" Xiao Zhang refused firmly. Even though she knew Shanshan was joking, she was quite worried about her because this guy always sighed in the dormitory when the school started in the first year of school.

Yuan Shanshan said with a bitter face: "Okay, I admit that your teacher Xu is very good. Didn't the teacher say that at noon today? If you have the chance, let us practice with him. Xiaofei, please help me, bring us with you?"

Yang Mi added: "And you need someone to help you with your lyrics when you are rehearsing the show."

Xiao Zhang just hesitated for a moment and nodded. Who made them praise Teacher Xu for being so amazing?

Xu Rong vaguely guessed the idea of ​​Yuan Shanshan and the other two, but did not refuse. If the performance was so easy to learn, it could not be called a technique.

After arriving at the practice room and rehearsing for a play, Xu Rong did not continue, but talked about the things to pay attention to when rehearsing, saying: "For an actor, the most important thing is the action of adaptation. Only when the action is accurate can the role appear reasonable. Remember, it is not correct, it is precise. This is the easiest way to transform the mind into an image."

Jiao Junyan sat on the side with her legs crossed and asked: "Teacher Xu...I have a question, why many people who have not learned systematic theory can become good actors."

Xu Rong looked at Jiao Junyan with a puzzled look on her face, her lips squirmed a few times before she smiled bitterly: "This is more complicated."

He paused for a while, ignored her inquiring eyes and said to Xiao Zhang: "After the basic clues of psychology to body are determined, you must seriously feel the accuracy of your actions. How to determine the accuracy? Find a certain part from yourself and enlarge it. Just like the scene you just arranged, when you face my nominal wife, you will be angry, then roll your eyes, be angry, and have a thorny tone."

"Nonsense, I don't!" Xiao Zhang immediately said guiltily.

The one who cooperated with them just now was Yang Mi.

Yang Mi smiled and said, "Xiaofei, why are you blushing?"

Xiao Zhang's ears were red and his neck was stammering, and he said, "No, I don't!"

"Ha ha."

Xu Rong smiled and wanted to reach out to rub her head, but she might as well hide and avoid it: "Teacher Xu, don't."

In front of her roommate, she was a little embarrassed.

It was difficult for Jiao Junyan to interrupt, but Xiao Zhang didn't have so much concern and said, "Teacher Xu, I'm very surprised by what Junyan said, why?"

"What?"

“It’s why many people who have not learned systematically can become good actors.”

Xu Rong could ignore the fooling words of Jiao Junyan, but he could not answer Xiao Zhang's questions without answering them, and sighed silently: "Talent."

"Of course, you guys have a very good sense of drama, much better than mine, have good talent, have poor talent, and have poor talent. Those like me can only learn skills honestly."

The practice room suddenly became quiet. When Xu Rong was not famous, no one said that he was not talented. Maybe someone said that he had said that, but they had never heard of it.

After Xu Rong became famous, whether in school teachers or peers in the industry, he was mostly evaluated by words such as "good talent and high professional level".

Seeing the four people believing that you have a ghost expression, Xu Rong did not argue, saying: "The purpose of rehearsal is not only to adjust the correctness of the action, but also to deepen the understanding and feeling of the purpose of the role's action, so as to arouse the impulse and desire for action, that is, the role's behavioral motivation, which is an important part of the character's internal character."

"Of course, sometimes when I realize that it is difficult to amplify, I occasionally use the method-substitution method, but it is recommended not to use it frequently. This method is simpler than amplifying a certain part of myself, but sometimes it is not very friendly to my own spirit."

Xiao Zhang immediately retorted: "But the teacher said before that emotional preparation and action guidance can be adjusted at the same time?"

"Yes, of course, it's possible, just like when Teacher Lu En created the role of Su Yi, her actions before going downstairs were motivated by her actions, but this is talent."

"The premise that she can do this is that she has created internal and external prescribed situations, found the uncontrollable motivation of Su Yi to meet Zhou Ping, and basically felt the internal and external characteristics of the character who dared to love and hate and had no scruples."

"Engels once said that the character's character is not only reflected in what he does, but also in how he does it. In other words, we must find a way to adapt to the character's personality traits, which is what I call precise action."

"But what is the most appropriate way to adapt?"

Xu Rong saw that Xiao Zhang understood and said, "There is a classic case. After the actor who played Hamlet pretended to be crazy, he loved Ofilia when he saw Ofilia's scene, but he knew that someone was secretly monitoring him. He could not tell Ofilia about the love buried in his heart and his difficulties. So the way he chose to adapt was to say words and sentences insult her in one's mouth, and on the other hand, all his physical movements were trying to get close to her, to pull her hands, hug, and kiss. Under such adaptation, those who monitored him thought he was really crazy, and the audience could not only see but also feel his love for her."

"There is also the part where the officer played by Teacher Lan Ma in "On the March 8th Parade" participated in the peace negotiations, so the part where Teacher Zhi played Wei Le lost the last card in "Foreign Mahjong" corresponds to the character characteristics of the character."

Seeing the four people's increasingly confused faces, Xu Rong shook his head with a smile and said, "I'll talk about the scene. I'll imagine, what would you do if you met a beggar begging you on the street?"

Seeing that the four of them seemed to dare not answer her, Xu Rong said to Yang Mi and Yuan Shanshan: "Yang Mi, come and play the beggar. Let's tell Shanshan later that you are good, you can do it well, and then Shanshan, give her money, and use your lines at will. You two will act."

Yang Mi widened her glasses and pointed her nose: "Why am I playing a beggar?"

"Because you have made many scenes, it's more similar to your performance."

"Okay." Yang Mi felt that Xu Rong had a problem starting point, but the other party's reasons made her feel that something was right.

Xiao Zhang turned his head and looked at Xu Rong. He frowned at first, but he quickly smoothed it out.

She believed that Teacher Xu should not have done it on purpose.

Well, certainly not.

"Let's get started."

Yang Mi sat on the ground and waited for Yuan Shanshan to pass by her. She whispered: "Miss, okay, okay."

Yuan Shanshan took out a bill from her pocket and handed it to Yang Mi: "Buy some food."

"Ha ha."

"Teacher Xu, how about it?"

Xu Rong did not answer Yuan Shanshan, but turned to look at Xiao Zhang and Jiao Junyan and asked, "How do you think the two of them were adapting just now?"

Seeing Xiao Zhang and Jiao Junyan look at me, but I look at you, but I don’t say anything, Xu Rong smiled helplessly: “It’s okay, don’t be afraid of destroying the unity of the dormitory.”

Xiao Zhang frowned and thought for a while, saying, "I feel pretty good."

Xu Rong scratched his head and said, "Then I'll do it once, Yang Mi, you can play with me."

"good."

"Sir, okay, sir."

Xu Rong frowned first, then took out his wallet from his pocket, pulled it open, reached in, touched it twice, and finally took out a smallest coin and gently put it in Yang Mi's hand.

Yuan Shanshan looked at Xu Rong and her performance that had not changed much before and asked, "Is this very common?"

Xu Rong smiled and said, "Yes, this is very common."

"Take out the smallest coins in your wallet is the way an ordinary person can adapt to action."

"Is this improvisation?" Yang Mi said, and in no trace, stuffing Yuan Shanshan's tickets and the coins given to her into her pocket.

Xu Rong shook her head and said, "This is a normal reaction. If you want to watch improvisation, you can go and watch the third act of Molière's comedy "The Hypocrite". The scene of the scene that Diorf teases Mrs. Orgon was exposed on the spot. That is the famous scene of improvisation."
To be continued...