Rhythm imbalance...

When a person always walks at the pace of walking, he suddenly bursts out at the speed of a hundred meters sprint. This imbalance that breaks the shackles of rhythm will bring a very prominent shocking effect. Even if this is a sixty-year-old man, his sprint at a hundred meters may be similar to the frequency of others jogging, but the visual effect is still very obvious.

This is what Lance's performance just now. He always maintained a calm and calmness, even severe. The sudden acceleration caused the rhythm imbalance, and the psychological impact brought by it was naturally thunderous. But in fact, if you observe carefully, you can find that Lance only drove the speed when he sat upright. In addition, he still maintained the rhythm of the previous performance. Even the sentence "Have you heard of Rwanda" calmed down again. The guttural voice from the depths seemed hoarse and rough. The vicissitudes and forbearance between the sharpening contrasted with the suppressed anger.

Vincent was finally angered in front of Max's at a loss and reluctance. His impatient irritability was like a bomb detonated by the deep sea. There was no sign on the surface, but the whole city was shaking.

Hayden was completely stunned at this time, holding the script in his hand, at a loss, and wriggled his mouth, but found that no sound was made. Lance rolled his eyes in his heart. At this time, it was the explosion point where Vincent and Max faced head-on. Vincent's sudden outbreak also angered Max, so Max would hit the wall and fight head-on. He was facing a bad guy who was undoubtedly a murderer, so he could also kill Vincent, so he didn't have to bear any responsibility or moral condemnation.

This is the basic argument of the "Rashomon" story, and it was first induced in the movie.

The next paragraph requires the cooperation of two people, and the rhythm of one question and one answer is maintained at the same level, but the emotional changes are always fluctuating violently like an electrocardiogram. Without Hayden's cooperation, he is alone and unable to sing.

Lance opened the taxi door and walked down. Looking at the two people who were completely stunned, snapped their fingers several times in a row, then they called their thoughts back. Lance adjusted his breathing and was about to ask Tom what he thought. Unexpectedly, Tom opened his eyes wide and said incredibly, "Hell Jesus, where did you come from the monster?"

Lance tilted his head, "Like you, in my mother's belly." One sentence made Tom break the task directly, and he smiled speechlessly, "God, God, you are such a fucking hell bastard." Lance shrugged, as if Tom was saying praise, and accepted it happily, and then said directly, "Do you feel a little bit now and still need me to guide you again?"

In a blink of an eye, Lance returned to normal and returned to the discussion. This really made Tom unaccustomed. He opened his mouth and wanted to say something, but found that his mind could not turn around at all. Whether it was the huge information and shocking experience brought by the performance just now, or the powerful strength shown by Lance as a "noble man", Tom couldn't react for a while.

Actually, the only thought in Tom's mind is: Is Lance really the first time he appeared in a movie?

Yes, this is the standard answer; but in the last life, Lance spent thirteen years of polishing and precipitation, and also studied at the Royal Academy of Drama Arts in the UK, and experienced vicissitudes of life. Therefore, things have never been that simple. There must be a cause. If you want to gain, you must have a harvest.

Lance suppressed the slightly bitterness in his heart, ignored the exploration in Tom's eyes, and then said, "Did you notice this scene just now, you need to suppress it, and then suppress all emotions, because Vincent is a professional killer. Before this scene, he was impeccable and flawless. However, facing a tricky person like Max, he almost wanted to kill him directly, and it was over. But the killer's instinct tells you that you must be calm. It is very easy to kill Max, but two consecutive accidents will only increase the difficulty of the task."

"Everything is related to the task." Tom suddenly realized.

Lance nodded, "So, you are suppressing, you are suppressing, you cannot leak your emotions. Then burst out at the right time, and the impact of that strong contrast is the core of this scene." If, according to the way Tom performed just now, irritability accumulates continuously and is always shown outside, it is completely inconsistent with Vincent's professional identity.

Michael Mann's version of "Killing with a Knife" has won many praises for Tom, but it has not won the Oscar nomination for Tom. This is the reason: the characterization is not perfect enough, and the main line of the character's emotional changes is not connected with the main context of the story, which makes Tom's performance explosive, but lacks details that connect the past and the future.

"In the next part that I did not demonstrate, Max's reluctance has annoyed Vincent, but Vincent cannot kill him. As time goes by, Max's resistance will become more and more intense, and Vincent's irritability will become more and more obvious." Finally, the transformation of Vincent and Max's strong position was completed. Returning to the core content that Lance said before, Vincent is hard on the outside and soft on the inside, while Max is soft on the outside and hard on the inside. Vincent relies on force to gain the upper hand in the first half, and Max relies on spirit to reverse the situation in the second half. "At the same time, the seeds about Rashomon also began to take root in Vincent's mind and finally successfully sprouted in the end."

Max hinted that after the beginning of Rashomon, they would be interrupted by the traffic police, causing the first confrontation to come to an abrupt end.

After listening to Lance's commentary, Tom was already dumbfounded. He has worked with many big-name directors in his career, including masters like Steven Spielberg and Stanley Kubrick, and everyone has their own strengths. But Tom has to admit that Lance's interpretation of the script and the role has once again opened a new door for him. Not to mention the quality of the finished film, Tom can believe that in terms of performance, Lance has indeed injected powerful power into the role from the core of the script and from the stories outside the script.

"Ba, bha" Lance snapped his fingers twice in a row and woke Tom up, "Wake up, it's not the time to be dazed. Note that this scene was my performance just now. You can interpret it in your way to perform, but the context should not be separated from this ideological trajectory, the most important thing is"

"Convergence." Tom took over the topic, Lanss paused, and nodded, "That's what I said." Thanks to the use of lights and lenses, the performance details will be infinitely magnified, so the actors need to use their own performance to "fill in the blanks" to make these details contain more profound meanings, but they cannot be too deliberate and cumbersome, otherwise they will appear very pretentious and false. This is the biggest test of acting.

"Tom, pay attention." Lance pulled Tom's attention back again, "Forget your previous performance style, forget your idol baggage, forget your comfort zone, follow the thoughts just now, follow Vincent's character context, and show the thickness of the performance. There is an old Chinese saying that "no breaking, no building, breaking, and then building. Now, it's time for you to break the framework" to be continued.

ps: Today's third update, the monthly ticket for 20 is given a request for double monthly ticket

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Chapter completed!