The cinema is pitch black.

On the screen, there was an extremely vicissitudes of voice at the beginning, which was John Ford's.

"When I was 25 years old, I was the sheriff in this place. My grandfather was, and so was my father. I think he must be very proud of it."

Amid the vicissitudes of life, next is a set of empty shots.

The empty western United States is a wilderness, with the sun rising, lonely, cold and solemn.

Next, the plain monologue completely pushed the solemn and empty scene at the beginning of the film to the top of the **—"A while ago, I sent a boy to the electric chair. I arrested him and provided testimony. He killed a 14-year-old girl. The newspaper said that he committed a crime for impulse, but the boy told me that he was not impulsive at all. He said that he wanted to kill someone since he was accused of me, and if he was released, he would do another vote."

"Interesting, I like this beginning." Liu Bieqian nodded beside Victor.

The old director who had become famous in the 1920s turned his face and looked at Victor: "Victor, is it very innovative about this beginning!"

"Good! The lines are very good." Frank Capra laughed.

If the beginning of "Old Nowhere to Belongs" suddenly condenses the atmosphere at the screening scene, then the appearance of the perverted killer makes everyone nervous.

On the screen, a police car stopped, and the police grabbed the perverted killer into the car and brought a high-pressure oxygen tank. Next, in the police station, a young policeman called, and the killer came over from behind without a sound and strangled the police cleanly.

Everyone's eyes widened when Victor plays a perverted killer appearing on the screen.

Victor was originally very handsome, but the one on the screen with a shawl hair, with a pale face and weird eyes, was like a neurotic character, and the audience sat upright.

"This character is amazing in image." Director Raoul Walsh, who thinks he is famous for his character design, couldn't help but say.

"But what is the dog-skin jar in that guy's hand for??" Many of the audience were so enchanted by the high-pressure oxygen tube held by the killer.

Within five minutes of the opening, the movie completely attracted everyone's attention.

Very good! Very good! Victor said in his heart.

Soon, everyone in the cinema covered their mouths at the screen and made a huge scream-

On the screen, Anthony, the escaped killer, stopped a car and he got the driver out of it.

The driver stared at the oxygen tank in Anthony's hand: What is this?

Anthony: I'll ask you to get out, sir.

Driver: What's wrong?

Then, the audience saw Anthony pointing the oxygen pipe nozzle at the driver's forehead.

All the audience stared at the picture and had no idea what would happen next second.

Even a suspense master like Hitchcock is now completely fascinated, and he said: "What the hell is it..."

Before he finished speaking, on the screen, killer Anthony gently pressed the high-pressure oxygen tank spurted a blood hole on the driver's forehead. Blood splashed everywhere!

"Oh, my God!"

"Oh my God! It turns out that it was a murderer!"

"So it can kill people like this!"

"It's so scary!"

...

There was a scream in the cinema. Everyone covered their mouths.

"This... is so... so creative!" Adolf Chuck simply applauded: "Bitch! I have watched so many movies, all the killers are either guns or swords, and no killer has ever been able to create such creative things!"

"Okay! Wonderful! So wonderful!" Lemmer nodded straight: "What a talent! Victor, your trick is really great!"

"Incredible...incredible...this...is not bad..." Even Hitchcock had to nod.

"Old Nowhere to Belong" opened in less than ten minutes. The perverted killer played by Victor conquered all the audience with his cold, weird, and neurotic words and deeds, and with his extremely creative killing oxygen tank!

"This movie has a big deal!" Sam Warner was so happy that he couldn't stop talking: "Victor, can you imagine what the audience would look like now in thousands of cinemas?"

"I don't care. I just hope they feel that their money is not spent in vain." Victor Le.

When all the audience was terrified to see what the perverted killer was going to do next, the screen changed, and the old cowboy Moss, played by Jali Cooper, appeared.

Hunting footage, old cowboy shoots prey in the empty Gobi Desert, the prey runs away, and the old cowboy carries a gun and tracks the prey...

With a series of shots, Jiali Cooper fully interprets the experienced, tough and wise Western cowboys!

"Jalley, not bad! It has great potential. I always have a premonition that this guy will be a big star sooner or later. He will be the second John Wayne." Sam Warner nodded repeatedly.

The ordinary audience behind them was confused.

"I want to see that killer! Where is the killer!?"

"Yes! How could a cowboy come! What's the good thing about hunting? What about killers!?"

"What does this person have to do with the killer!?"

"There should be a story, stop arguing, damn it, read it down!"

...

"Let's structure be two-line." Hitchcock looked at Victor.

"Dual-line structure? Can this kid play such a complex structure? Does he have the ability?" Chaplin was very suspicious.

"What's the complexity of the double-line structure? I think it's probably more than that. Looking at this movie now, whether it's structure or character shaping, it's amazing!" Director John Houston admires this movie very much at this moment.

On the screen, the highlight of the old cowboy Mos soon emerged - he discovered the scene of the drug dealer fire, the body was messy, bloody, and the person was killed in the car accident.

"Damn, so many people died."

"The old cowboy is in trouble."

There was a lot of discussion among the audience.

On the screen, the old cowboy Moss calmly checked the scene. He threw away the Mexican who was not dead in the car and judged that there must be another person who ran away. He followed the bloodstain and found the person under a tree.

The old cowboy did not walk forward. He sat in the scorching sun and waited. After a few hours, he walked over and walked under the tree.

"This cowboy is too smart."

"Calm down. Kill. This is the man in our west."

The audience who just complained about the appearance of the old cowboy began to fall in love with this man at this moment.

The cowboy found the escaped drug dealer and found a box of money.

"Good, so much money!"

"Haha, I'm rich."

...

Then, the audience saw the old cowboy carrying the money home, and then the woman played by Bergman appeared. The poor life between the couple and the relationship between the two made the audience very satisfied.

"I usually treat my women like this."

“It’s very real. Exciting.”

Then, the old cowboy poured a bucket of water and returned to the crime scene.

"Oh my God, this man's head is flooded, why should he go back??"

"I'm afraid there will be trouble!"

...

Seeing the cowboy return to the drug dealer fire and the scene, the audience's heart was lifted.

"Don't let anything happen." Liu Bieqian's nervous face made Victor laugh.

It seems that everyone brought it in.

"This guy will meet that perverted killer! These two people are fighting to the death, and they are very good-looking. They are amazing." The picky Hitchcock finally said something admirable.

The movie is here, it's very good!
Chapter completed!