After tricking the detective ⑥ into not being allowed to climb from the 22nd floor, he used a watch to calculate the time it took for the detective ⑥ to climb from the 22nd floor to the 25th floor, and at the same time he observed the doorways of the two residents on the 25th floor.

There was a pair of slippers not put away in the shoe cabinet at the door of a house, and the toes of the slippers were in the opposite direction to the door, as if someone was going out.

There are garbage bags at the door of a house, which means that no one goes downstairs to throw garbage, and there is a high probability that there is someone at home.

Shao Zhuang counted the time and knocked on the door of the house with the garbage bag at the door, then turned around and ducked into the blind corner near the elevator.

The door of the room opened, and the person in the room looked out and found no one. He closed the door with confusion. The moment he just closed the door, the detective ⑥ arrived. Seeing the door moving, he naturally thought that Shao Zhuang was coming home.

.

He took a photo of the house number with his mobile phone, threw the fruit in his hand to the balcony, and took the elevator to leave.

After the detective ⑥ left, Shao Zhuang placed the fruit he left behind at the door of the house whose house number was photographed as a thank you gift, and then walked away coolly.

………

Mo Ye watched the entire filming process of this scene. When the crew finished filming, there was only one word left in his mind -

Damn, that’s awesome!

He swore by his profession that this was definitely a textbook stalking scene. Adding up all domestic and even international stalking scenes, this could be considered one of the pinnacles.

Comparatively speaking, if he were the one being followed in the play, he would definitely be eaten to death and there would be no way to find anything fishy.

Compared with this scene, Mo Ye felt that the stalking scenes he had seen in most film and television dramas were inferior.

If those stalking scenes rub the audience's IQ against the floor.

So the scene in "The Hairy Liar" is about killing the chicken inside the audience's skull. This is a kind of pleasure that makes the audience feel that their IQ is respected.

Not to mention the audience, Mo Ye, a professional actor, only watched the live filming, the plot was fragmented, and there was no editing or soundtrack. Logically speaking, the effect was weakened several times, but he felt a sense of excitement from the inside out.

trembling.

From this moment on, Mo Ye vaguely understood why Shanhe Drama could dominate the domestic TV drama market.

Some actors from the outside world, including some big names and veteran actors, are keen to participate in Shanhe dramas. Many of them are even proud of it.

There is no way, in this impetuous film and television industry where capital is king and production is shoddy, there are not many crews who take filming seriously, and their achievements depend on comparing themselves to each other.

In such an environment, a crew like Shanhe who can produce wonderful scripts, and have professional and reliable production standards and attitudes is too tempting for actors who really love acting or want to take their acting career to the next level.
Chapter completed!