"Huh? What happened?"

Listening to Takaki Tono's tone, Uncle Tanaka suddenly felt something was wrong, but he couldn't explain why.

Just like he doesn't understand why Emiya would choose an outsider, Uncle Tanaka still can't understand that there is a person in this world who perfectly fits the script.

The script is a second life outside the dimension.

Takaki Tono looked at the camera this time without fear anymore. His eyes had regarded the people and things outside the script as nothingness.

"Tono, let's go to club activities."

Listening to his friend's question, Takaki Tono turned around, quietly put the letter into his pocket in a casual way, and then said slowly and apologetically: "Well... I won't go to the club today."

Takaki Tono's face is hidden in the dim light, and people instantly realize that this young man is full of worries.

The friend also noticed it at this time. He hesitated slightly, thinking that Guishu was feeling a little sentimental because of the transfer of schools, so he casually asked: "Are you ready to move?"

"Almost, I'm sorry."

Takaki Tono, who understood that his friends might have misunderstandings, realized that his state might seem strange to others, but he did not intend to explain anything, so he stood up and continued.

As soon as he finished speaking, Takaki Tono made an apologetic expression, turned around and left.

"Cut! Perfect!"

After Emiya issued the command, he stood up suddenly and gave Takaki Tono a thumbs up: "I knew there was absolutely nothing wrong with you."

Takaki Tono, who was reborn after a brief period of confusion, was also very happy in his heart, but he understood that this was just the beginning and he could not be happy too early.

However, at this moment, he began to understand a little bit about the fun of shooting.

"This...what happened?"

Uncle Tanaka stood behind the camera, looking confused.

If a newcomer is not in the right state when filming and encounters several NGs in one scene, in many cases, this will undoubtedly be a devastating blow to the newcomer, and may even cause some doubts about life.

Uncle Tanaka clearly saw that Takaki Tono's acting was far from up to standard, but why did he suddenly get into the mood and directly improve his acting to a perfect level with one shot?

That look, that tone.

From his perspective, the acting in the scene just now can definitely be considered excellent.

"What kind of crew is this?"

Uncle Tanaka felt that the surface of the crew in front of him seemed to be shrouded in a mysterious veil.

At first, he thought that this movie was just a play for a wealthy second generation. He probably read the script just to remember some of his past feelings. Later, Emiya's professionalism in his role made him gradually realize that,

This crew seems to have something going on, at least on the surface it looks quite professional.

But now, after seeing the performance of Takaki Tono, Uncle Tanaka gradually realized that something was not quite right.

This kind of acting skills is beyond comparison with those little fresh meat.

"This director named Emiya doesn't really want to do something big, does he?"

Uncle Tanaka was silent.

Inside the venue.

Emiya calmed down and ordered the rest of the crew: "Next, shoot some close-ups and empty shots as supplements, and then shoot the next shot."

"clear."

The entire crew became busy again.

Most of the close-ups are supplementary with small details, but Emiya pays special attention to the shooting of these small details.

"Five Seconds" is a very literary anime film, and it must not be bad in the handling of details. In the original work, Makoto Shinkai also used close-ups and various empty shots many times to arouse the emotions of the audience.

After working hard for half an hour, the crew began to deal with the equipment and prepared to leave the classroom.

The next few school shots we prepared were relatively simple, and only about ten seconds were needed to be shown on the movie screen.

All the scenes required during this period were played by Takaki Tono.

If the initial shot can still be considered a coincidence, then the series of one-off shots that followed will completely convince everyone.

Why choose him as the protagonist?

Why not cast an experienced actor?

Do you understand now?

Uncle Tanaka was slightly dazed, as if he heard Emiya whispering in his ear.

While he was still lost in thought, a loud noise interrupted his thoughts.

"Sakamoto, are you really just learning photography?"

"To be precise, I should have studied it for about a week. However, theory and practice are two different things after all. This is my first time using this type of camera, so the techniques are still a bit unfamiliar."

Sitting in front of the camera with an indifferent expression, Sakamoto slowly told the camera crew members gathered in a circle a fact that surprised them all.

"Really? Are you sure it's only been a week?!"

"I never lie." Sakamoto's expression remained calm.

"Damn it, then I've learned photography for more than 20 years in vain."

"This talent is too terrifying."

Tanaka hesitated for a moment, but decided to step forward to see what was going on.

In a film crew, the position of the camera crew is undoubtedly very important. If there is any internal problem with the camera crew, the filming process will not continue harmoniously.

Of course, in this crew where Emiya invests as a producer and also serves as a supervisor and screenwriter, these troublemakers are likely to be kicked away by him.

This is not necessarily the case for a crew with other producers. If the director is not well-known, has weak abilities, and cannot handle the problems of the camera crew, the producer will most likely be replaced by a more capable person as the director.

So whether it's from the front or the side, this reflects the unique position of the camera crew in the crew.

"Let me see what's going on."

Tanaka didn't intend to disturb everyone. As the person with the most experience and the most stable skills in the photography team, he had been identified as the temporary manager of the photography team when Emiya confirmed the list, and he had the right to help Emiya handle some less important matters.

things.

At this moment, Sakamoto was in the middle of the crowd, calmly looking at the shots he had just taken, including some close-ups of letters and people.

“The zoom lens when shooting letters is very stable, and the close-up shots of people’s faces are also very good.”

Tanaka first mentally commented on the lens in front of him, and then he heard the young photographer next to him discussing Sakamoto.

After a long silence, Uncle Tanaka looked Sakamoto up and down carefully, then left with slightly trembling fingers, muttering something in his heart.
Chapter completed!