"It only took twenty minutes to perfect the character of Kenshin Himura. Compared with the time of "Five Centimeters per Second," Director Emiya has really made greater and greater progress in "Rurouni Kenshin."

"

Tokyo Times Cinema.

Akai Souta felt deeply while taking notes.

In his opinion, the handling of "Rurouni Kenshin" in the early stages of the film was all exquisite.

Whether it is about the interweaving of multiple memories in the main plot or the use of a large number of symbolic techniques, they are all textbook-like applications of montage theory.

The development process of the play and the combination of the pictures are so smooth that people are amazed.

"As for the lines in the script..."

Akai Sota used a red pen to draw a circle on it, and then specially marked a triangle symbol.

Judging from the performance of this 20-minute movie alone, the movie's lines have never let him down. The images of the two characters Heimura Kenshin and Hiko Seijuro can be established in such a short period of time. These are quite tasteful lines.

It definitely takes more than half of the credit.

"It still feels familiar."

Akai Souta seemed to have returned to a few months ago.

I came to Times Cinema alone to watch "5 Centimeters per Second".

At that time, it was the same.

Continuously interspersed memories and long internal monologues.

Sure enough, it all still feels familiar.

"Then what are you going to do next, Director Emiya?"

Akai Souta, who was full of expectations, put away his thoughts and continued watching the movie.

In the rainy alley, the fight scene between Himura Kenshin and the Shadow Assassin gave most people an indescribable feeling.

For a good fighting scene, first look at the action and secondly look at the storyboard.

Of these two, Emiya can be said to have achieved the best of what he can do.

Of course, it took three whole nights to carefully produce the finished film, and its effect is self-evident.

"You...really...can bring about...a bloody storm."

When Xuedaba, who was holding a purple flower umbrella, said these words in the alley where rain and blood met, everyone felt a sense of shock from the spiritual level.

"It's obviously a very bloody scene, but it gives people an inexplicable sense of beauty."

"When I heard that Emiya's new movie was about swordsmen in the Tokugawa period, I was a little worried about whether the old villain could handle the fighting scenes well. But now it seems that the worries are unnecessary."

"To be honest, it's hard for me to see someone using such a bloody and violent scene to depict a shot with a strange aesthetic. If Director Emiya had been moving towards the aesthetics of violence, we would have been in the aesthetics of violence.

There will definitely be one more master!"

On the other side, Tanegashima.

Gohei Ikegami looked at the screen, his expression sluggish.

It was not until the end of this episode that Gohei Ikegami slowly came back to his senses, but the song just now was still playing in his mind.

"This soundtrack..."

Ikegami Gohei didn't know how to describe the performance of the soundtrack when Kenshin and Tomoe met just now.

To put it more vulgarly, it is a god-like BGM!

"Buy! I will buy the original soundtrack collection once it comes out! This will be my spiritual food for the second half of the year!"

The encounter between Yukiyoba and Himura Kenshin instantly caused a stir on the scene.

Just when everyone was expecting something to happen, the show seemed to have officially entered the period of Kenshin and Tomoe getting along just as they thought.

However, I always feel like something is a little weird...

"Old thief Emiya, this bastard! He definitely did it on purpose!"

Of course Gohei Ikegami knew something was wrong.

Because the relationship line was clearly explained in the early stages of the movie, the person who killed Kiyosato was Kenshin.

Therefore, the scene that seemed quite warm now felt indescribably awkward in his eyes.

"I beg you to be a human being! In the past, "5 Centimeters Per Second" was just for giving out candy, but now it's better to just add poison to the candy! Old thief, you are so cruel!"

What kind of story is about a dog? Look at the look in Ba’s eyes. Can this be called warmth?!

"I suddenly want to know the old thief's life experience and what kind of mental stimulation led him to have such a distorted judgment."

"Yukidaiba shouldn't know that Kenshin is the one who killed his fiancé, right?"

"How is that possible! Didn't you see the look in Tomoe's eyes before giving Kenshin the shawl, that murderous aura that was about to solidify? How dare you say that Tomoe didn't know?!"

"Um... To describe it as murderous is a bit exaggerated, right? However, Yukiyoba must have known that Kenshin was the one who killed Kiyori."

"Let's not talk about it for now, why should Yukiyo Tomoe be the scabbard of Kenshin? Isn't this a bit too cruel for Tomoe?"

On the eve of the Ikedaya incident.

Katsura Kogoro made a request to Yukiyoba, wanting Tomoe to become Kenshin's scabbard to prevent Kenshin from eventually becoming a mad sword due to his crazy ideas.

"It's been a long time since I tasted the real taste of wine."

During the festival, Kenshin, who had an appointment with Yukidaiba, said these meaningful words in a tavern.

Hearing these words, Gohei Ikegami felt very uncomfortable.

"After getting along with Tomoe, Kenshin really changed a lot. From his eyes, to his behavior, to his feelings, it was as if he had been saved."

In the past, Kenshin felt so guilty after killing someone that even his drinking smelled like blood.

But now, Kenshin actually said that he tasted the real taste of alcohol.

There is no doubt that it is the role of Xuedaba, but...

"Ba, do you really feel no pain like this?"

Although he did not agree to Katsura Kogoro's request, Yukiyoba was also trying to save Kenshin in his own way.

Many viewers may not understand what Xuedaba did at first.

But recalling what Yukidaiba said when he and Kenshin got along, they fell silent again.

"In your eyes, when Kenshin is not killing people, he is actually just a child, right?"

Does Tomoe hate Kenshin?

There are signs that she hates him.

But through the time spent with Kenshin, Tomoe understands that a person who hugs his sword while sleeping and has no safety is actually just a child.

"I'm the opposite of you."

Xuedaba put down the wine glass and said softly: "I rarely drink alcohol recently."

"Isn't it delicious?"

"No, I don't want to drink to drown my sorrows like before."

After Xuedaba explained this, he added another sentence that sounded inexplicable.

"It's incredible."

"Let's drink to drown our sorrows... right?"

Kenshin seemed to realize something.

But he has never been one to ask about other people's difficulties. Xuedaba didn't take the initiative to mention it, so he had no intention of continuing to ask.

But the audience is different.

Although I know Kenshin's philosophy, I know Kenshin's character, I know Kenshin doesn't know the reason for the matter at all.

But they still couldn't help it.

"Ba is so pitiful."

"I can't blame Kenshin, because he kills people with a sword for his own ideals, and I can't blame Tomoe, because she is so kind... So! Old thief, come out and die on your own!"

"Ba, how painful must it be now?"

on the screen.

Yukidaiba stared at the scar on Kenshin's cheek.

"Will your face still bleed later?"

"Already forgotten."

"So, does that mean your wound has healed?"

"It just doesn't bleed anymore."
To be continued...