Thanks to Yukiyo En's outstanding performance, the plot development of the third episode has entered the final stage so far.

In fact, it stands to reason that Yukiyo En's scene in the third episode should include a private meeting with Iizuka in front of a hut, revealing that he did not return to Edo as his sister requested.

But this scene in the play takes place in early winter, when the leaves have fallen and there is already a layer of snow on the ground.

Although the weather in Gifu has been getting cooler recently, transitioning from summer to autumn, it is still a long time before there is snow on the ground.

However, when filming a movie, due to the time span, it is common to encounter different seasons.

Emiya knew that he couldn't always be as lucky as when he was filming. Whatever he wanted, he just happened to get it, so he didn't feel much about it.

When we shoot the scene on the snow mountain, we will add the Yukiyo Yuan scene.

As for other scenes of snow accumulation, Emiya also decided to solve them at that time. Finally, with the special effects, the final result will not be too bad.

After Emiya finished writing the plan in his notebook, he stood up from the monitor again.

Look around.

On the cultivated farmland in front of the cabin, a group of staff were happily pulling out radishes, and were discussing whether to let the logistics team stew the radishes tonight.

These are the radishes they bought from the market the day before yesterday and planted them in the ground again.

After all, it has been less than a month since the filming of the third episode. If you want to pull the radishes out of the ground, you can only use some special methods.

Emiya smiled and did not interfere with them.

As for what will be done with the carrot in the end, in fact, as they said, it will become the ration of the entire crew in the past few days.

After leaving the place, Emiya once again found Yukiyo Yui who was staying alone.

"Xiao Yuan, there is something I want to discuss with you."

Yukiyo En heard Emiya's voice and casually retracted his gaze from a distance, looking at Emiya Shirou.

"What's up?"

Emiya didn't say any unnecessary nonsense and made his intention clear directly.

It's the end of August now, and there's not much time left before school starts.

Due to schedule arrangements, the remaining scenes of Yukiyo En may have to be postponed until September, so Emiya planned to ask if Yukiyo En had any comments.

"I have no objection."

Yukiyo Yuan said easily: "Even if I go to Hokkaido for filming, I can find time to rush there on weekends."

Emiya smiled and said: "Your guess is correct. If you want to see the real scene, you can only go to the deep mountains in Hokkaido."

"It doesn't matter, I can do it anyway."

Yukiyo Yuan shrugged his shoulders.

"Okay, that's it. Then I will adjust your scenes to the weekend."

After explaining the matter clearly, Emiya was about to leave, but found that Yukiyo En's eyes fell on Shinta and Tomoe who had just changed clothes.

Emiya suddenly thought of Yukiyo Yui's wonderful performance yesterday.

The hateful face left in front of the camera couldn't help but put more thought into it.

As if Yukiyo Yuan noticed something, he turned his head and looked up at Emiya again.

"how?"

"...Xiao Yuan, your condition during the past two days of filming looks pretty good."

"It's nothing, I just thought about it and put some personal feelings into it, so I didn't get stuck." Yukiyo Yuan said in a young adult tone again: "But you don't have to worry, I think clearly, the fictional world will eventually

If it’s not real, I won’t put the emotions of Yukiyo Yui in the play into the real world.”

Emiya rubbed Yukiyo Yuan's messy black hair and said with a smile: "Xiao Yuan, the tone of your words made me think I was discussing philosophical issues with a philosopher."

“What’s wrong with a man being more mature?”

Yukiyo Yuan slapped Emiya's hand away and said dissatisfied.

"You're still far away from the word 'man', kid."

Emiya smiled slightly.

After joking with Yukiyo Yuan for a moment or two, the entire crew began to pack up and prepare to return.

After returning to the small village.

Emiya took out the laptop from the suitcase, and while waiting for dinner, Emiya began to deal with some post-processing work.

According to usual habits, today I should organize materials.

But Emiya thought about it and decided to finish another thing before talking about it.

That's the BGM in the movie.

The importance of BGM to a movie is naturally self-evident.

On the premise that the story is relatively weak, such great results can be achieved, giving the audience an extremely strong sense of involvement. A large reason for this is also related to the excellent BGM.

Including the theme song, Emiya used a total of eleven songs in the series.

These eleven songs perfectly fit the atmosphere of the movie. The tunes are long-lasting and sad. In line with the popularity of the movie, the soundtrack's recent sales far exceed those of other singers' albums.

Of course, with Emiya's talent and ability, he has not yet reached the stage of creating his own divine song.

In the original film, the music composed by Tianmen for this film is already excellent enough, so there is no need for Emiya to add any extraneous details and just move the original music into the film.

Although he wears the cloak of 'talent', Emiya knows exactly where his abilities should lie.

What he can do for He is to control the pictures more accurately and make effective corrections to the storyline.

Regarding things like creating his own music, Emiya said that even if he couldn't play it, the music library he had saved in his previous life was enough for him to squander.

At least in this life, the glory of Yonezu Hiroyuki's vest will only become more and more prosperous and will not dim.

Needless to say about the BGM, the original soundtrack was all composed by Taku Iwasaki, a famous composer from the island country.

When evaluated in previous lives, almost all of the reviews for its soundtrack were perfect and the soul of the whole drama was the highest praise.

Therefore, there is no need to say much about the combination of Takuka Iwasaki.

Emiya didn't want to make up all kinds of weird things, so he started to compose the music according to the melody in his memory.

At seven o'clock in the evening.

Emiya relied on his memory and the professional knowledge he had gained over the years to play down all sixteen of the songs.

After more than ten years of training, I have become more and more proficient in my special skills as a copywriter.
Chapter completed!