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Chapter one hundred and sixteen beautiful poems(1/2)

On the big ship.

Most people are still chewing on the meal.

Seeing that Liu Ziye had finished eating, he said he wanted to take a look.

Since he had already said it, it was natural that Li Zong would not not show it to him.

After checking...

He then signaled to the maid and moved the entire table over.

actually--

The light on the boat is not very good.

Although there was a lantern shining next to the location, he was writing just now.

I still feel a little bit difficult, especially because the paper is too small and the number of words is too large.

He had to squint his eyes and write with all his attention to ensure that the paper is neat and the font is neat.

But despite this, the dim light gave him a very good feeling.

It's very simple, as if under a yellow roll and green lamp.

Writing poems silently.

...

The table quickly moved towards Liu Ziye.

Li Zong also turned around, looked at Ying'er, and then looked at the princess No. 5 Yinling again.

One of them wanted to see if the two were having a good meal.

The other one is also observing Ying'er.

He is so powerful today, would he be a little scared?

But... he has laid the groundwork before.

It should... I'm afraid it won't happen anymore.

The poem on the Moon Night of the Spring River is different from the previous poems.

Maybe the previous poems are also very good.

However, this song is so good that it is not as good as a normal person can write it.

Li Zong was actually mainly worried that Ying'er would not accept it.

...

Ying'er naturally didn't know why his husband suddenly turned around to look at her.

actually……

She couldn't accept it now. To be precise, she couldn't accept it.

——Why is it okay for her husband to write a poem, but why does it keep coming out?

In addition...and that little lady.

She didn't think that her husband would have any thoughts about the little lady.

But a woman's natural intuition told her.

You can't let your husband get too close to this person.

At this moment, she saw her husband's gaze, and frowned slightly, and then she came to her senses.

My face turned red immediately.

Li Zong didn't know why, but suddenly wanted to raise his glass to have a drink with her.

When he saw his husband suddenly picked up his wine glass and looked at her.

It seemed like an invitation to her. It was just...

This is still in public.

Even if the lights are not very bright, they can't do this, right?

On the fifth Yinling, his silver teeth were broken.

Why can these two people regard her as if she does not exist?

...

Li Zong's small actions did not attract too much attention from the people present.

The main thing is that everyone is busy having meals, and the second is that everyone is attracted by the moving table.

Just when Li Zongxiang Ying'er invited him, Ying'er didn't want to respond to him at all.

I don't want to respond to his flirting.

Liu Ziye has also obtained poetry here.

And from top to bottom, from right to left, in the first column, Liu Ziye had already seen the title of the poem.

‘Spring River Flower Moon Night.’

"It seems a bit inappropriate when the spring river flower moon night, after all, it's already summer now."

Liu Ziye explained to everyone on the spot what Li Zong wrote on this.

After roughly reading the title of the poem, Liu Ziye continued to read it. He was eighty-pointed with emotion, but this feeling was not anything else. He probably pretended to be profound and pretentious, and said word by word: "The spring tide is connected to the sea level, and the bright moon on the sea is born with the tide."

“Huh?”

The first sentence at the beginning surprised him a little.

As we all know, the ancients read books from top to bottom, from right to left. Although some people may be able to read them at a glance, most of them should still be ten lines. At this time, when Liu Ziye was reading this poem, there were ten lines, but here it was not that he read them very seriously.

Instead, it was precisely because of his ten-eye-on-one-line approach that he could not have a general understanding of this poem, and this first sentence surprised him a little.

Then next...

Wouldn't he be even more surprised?

He couldn't help but start to be serious and start chanting again, and at the same time he spoke a little faster than before: "The tide of spring river is connected to the sea level, and the bright moon on the sea is born with the waves. The rippling waves are thousands of miles away, and there is no bright moon in the spring river."

The four simple sentences directly describe the scene of the spring river, the bright moon, the tide, and the tide finally connected to the calm sea.

Just by reading this, it seems that the picture has become very quiet and beautiful. And in the quiet, it is also moving. After all, it is a tide and it cannot stop. The word "sheng" is written as its movement.

In the last sentence, where is the spring river without the moon? This seems to be a sure thing, but also seems to be a rhetorical question.

then……

This made those who have read it couldn't help but continue reading with the spirit of inquiry. Let's see what you want to say.

However, at this time, the following poem did not write this again, but suddenly four more sentences appeared.

"The river flows around the fragrant land, and the moon shines on the flowers and forests all look like sleet.

The frost flows in the sky without realizing it, and the white sand on the ground cannot be seen."

The four purely descriptive sentences are not visible yet, and they are mainly the scenery around you. However, this metaphor is used to fly.

If the first four sentences are written from a large environment, then these four sentences temporarily retract the environment to a relatively smaller place, probably where "you" can see it.

This description of scenery can only be said to be simple and yet charming.

Liu Ziye paused, allowing everyone to react, especially the sentence "Frost flows in the sky and does not fly" is actually not easy to understand.

but!

Even so, as long as you imagine it, you can probably guess what it is saying.

Until everyone looked at him with awesomeness.

Even Ying'er is no exception.

Liu Ziye then continued to chant:

"The river and sky are all color without dust, and the lonely moon in the sky."

There is nothing to say about this, as I said before, the lens has shrunk, so the moon in front is the bright moon on the sea, and now it is the moon on the river. How about the moon on the river? Here we use the color of the river and sky without any dust, and then in the air, a lonely moon is bright and bright.

If you can write scenery like this, and the words and sentences are not complicated at all, it feels like this is the only poem in today's world.

Do you think this poem is not gorgeous?

No!

In fact, it is also very gorgeous, but it can be written so that you can understand it. Instead of reading it with difficulty, it makes people feel a little difficult to read. It is not difficult to read at all, but it makes people feel catchy and the sound is very beautiful.

Just when everyone was moved by such a beautiful scenery.

Next, the man asked:

"Who first saw the moon by the river? When did the moon in the river shine on people?"
To be continued...
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