In the past, Wu Zhenyu always felt that he was an actor and an elite in the entertainment industry. He begged Duan Zihao to give such an important role, but in the end, he ruined him.??

Seeing that Wu Zhenyu couldn't find the feeling, Duan Zihao couldn't help but feel a little calmer. He wanted to scold him loudly, but it was a little difficult to speak-----Acquaintances were just this difficult thing.

Fortunately, Brother Fa came to rescue him at this time.

Zhou Runfa sat aside and rested, but saw Duan Zihao keep getting stuck because of Wu Zhenyu.

So he put down the mineral water, walked over and said to Wu Zhenyu: "Zhenyu, your grasp of the role is too mechanized. In fact, the biggest difficulty for us to be an actor is to play the role like a person, not like a character."

"You have to remember that you are not Wu Zhenyu now, you are Acheng, Acheng with ulterior motives, so the tone and eyes of your speech must be changed---You must not be nervous, relax from the inside out, imagine yourself as a character, what he will do at this moment, what he will do..."

"There is actually no skill in acting. If there is one, it is to erase your own shadow. Don't leave any clues about yourself in the role, then you will be successful in transforming."

...

Brother Fa taught Wu Zhenyu's acting skills, and Wu Zhenyu listened carefully.

Although Brother Fa didn't say much, Wu Zhenyu understood a little.

When the next filming was taken, Wu Zhenyu made a lot of progress, at least he did not let Duan Zihao continue to get stuck.

Regardless, the shooting continues.

Next, the filming is a highlight and the most classic scene in "The True Color of Heroes" in his previous life.

Ah Cheng betrayed Song Zihao and joined forces with the Taiwanese boss to frame him. Brother Ma knew the truth and thought it was all the Taiwanese guys, so he broke into a nightclub alone and shot the Taiwanese boss.

There is a Fujian-language episode in this drama. In conjunction with Xiao Ma Ge's cool shooting action, it will be remade or learned from many movies in the future. The most talked about is that Brother Fa hides his guns one by one in the flower plate and then breaks into the Dragon Pond alone. The root of the root was made into a comedy by Zeng Zhiwei.

At this moment, Duan Zihao asked the staff to set up the shooting tracks and the corridors, and the location of the flower pots must match the position of the camera, because Fa Ge will take this as the main line and conduct an assassination operation.

The most rare thing in action scenes is the trajectory of the character's action. If it is not done well, it will jump out of the camera and cannot grasp the focus. Therefore, it must design the trajectory of the action in advance. This is like throwing a ball into the air. You must grasp the trajectory of the throwing arc tightly so that the object can always move in the center of the lens.

Not long after he was a director, he only filmed "The Legend of Ah Fei" before, but he was very skilled in camera conversion and scheduling, which even Wong Kar-wai, who was the deputy director in the early stage, was amazed.

But the drama "The Legend of Ah Fei" is an art film after all. The camera changes and dispatch are not so frequent and intense, so "The True Character of Heroes" is different. Because there are large action scenes in the drama, the director is required to pre-shoot the action scenes during photography, so that the actors can move accurately.

Duan Zihao is a man who made action movies and has the most contact with this type of movie. Therefore, although it was the first time to shoot a gunfight scene, it was also very experienced.

Everything is ready.

Duan Zihao took out a draft of the shooting he drew to tell Fa Ge.

When Fa Ge saw it, he was stunned. He saw a man in a windbreaker vividly painted on the sketch draft, and then developed according to the plot. The man in a windbreaker's various behaviors... It can be said that he could completely regard this draft as a comic.

In fact, the habit of shooting action scenes was learned from Dao Zihao with his elder brother Xu Ke. Xu Ke liked this the most, for example, when he filmed "A Chinese Ghost Story" and "Taking Tiger Mountain with Wisdom", especially when filming "Die Renjie: The Empire of the Heaven" and "Die Renjie: The Dragon King of the God Capital", he even drew many incredible dream drafts.

It can be said that these drafts are almost called works of art. They are of great collection and retention value.

Duan Zihao learned from Xu Ke that although his skills in sketching were a little bit poor, the meaning he wanted to express was still very clear. Therefore, after getting the draft, Fa Ge looked at it for a few seconds and understood the main content and the key points of the action to be taken later.

After talking about the show, Ji Zihao asked Brother Fa if he understood? Brother Fa said he was relieved. If the filming starts, I will do it at one time.

So Duan Zihao smiled and shouted loudly: "Everyone is ready, everyone is ready to start shooting!"

With the order from Duan Zihao, everyone took action.

As a photographer, Du Kefeng threw away the cigarette he held in his mouth and adjusted the focus lens.

Zhang Shuping, who works as an artist, also hurriedly made the scene board, just waiting for the order to start shooting.

Everyone is ready.

"Preparation---Ike God!" After Duan Zihao issued the order, the scene record in charge of making the decision popped up and took out the decision and shouted: "The seventh act of "The True Heroes" and the 39th scene begins!"

...

The camera is aimed at the male protagonist Fa Ge.

Brother Ma, played by Brother Fa, appears in the camera, holding a toothpick in his mouth, hugging the dancer left and right, coming in from outside, and then the familiar Minnan songs sounded.

During the camera conversion, in a private room, Taiwanese bosses and a group of brothers were eating, drinking and having fun.

Then Brother Ma hugged the dancer and walked along the corridor, hiding his pistol in the flowerpot at the corner.

His elegance is so strong that it is impossible to think of a killer who helps the boss take revenge.

In the close-up of the camera, his eyes fell on the private room of the Taiwanese boss not far away. There was someone guarding him at the door of the private room.

So Little Ma pushed the dancer away in his arms and then strode over. The guard saw him and was about to stop him, he handsomely lifted his windbreaker---

In the close-up, Brother Ma took out two guns from behind and shot at the guards.

The next shot is slow motion, with the guards and enemies who broke out from both sides falling to the ground and killing them.

Bullets flew out, blood splattered!

One shot, one life!

In this scene, Duan Zihao perfectly brought the violent aesthetics of John Wu in his previous life to the fullest.

There is no traditional flesh and blood flying, but blood blooms like flowers.

There is no traditional sword light, but bullets are fired like ghosts with fireworks.

Of course, Duan Zihao would never copy all the scenes of this drama in his previous life. On the contrary, he took the essence and discarded the trash. He removed some of the rough citrus, thereby adding some more exciting scenes, such as - Bullet Time.

The concept of bullet time comes from the Hollywood science fiction blockbuster "The Matrix" in the previous life. In which Neo, played by Keanu Levitra, was fighting with the enemy, a series of bullets shot in. He bent down to avoid it. The magical scene of bullets flying over his cheeks from above him is known as the most classic picture in science fiction action movies.

Now Duan Zihao has transplanted this picture into this "Heroic Reality". Of course, considering that Xiao Ma is a human and not a god, when designing this picture, Duan Zihao intentionally asked him to get shots when he bent down to avoid bullets, puff, puff, and blood splashed onto the camera lens, with an extremely strong sense of reality.

Here, in addition to praising Duan Zihao's design skills, we also praise Du Kefeng's capture skills.

There is a kind of magic trick in the magic world called "Catch Bullets". During the performance, the magician can use magical power to grab the shot bullets in his hands or bite them in his mouth.

In the photography industry, the most superb photographer must also have the ability to "catch bullets".

Fortunately, Du Kefeng has this kind of skill. Therefore, the scene designed by Duan Zihao was perfectly photographed by him. The entire shot and picture can only be described in one sentence, that is: "Great!"

After the editing of the camera was completed, Zhang Shuping, as an editor, couldn't help but praise him, "This can even be shortlisted for the Best Action Design of the Academy Awards!"

"Haha, Hong Kong's action design requires realism. Unlike Hollywood, most of them are special effects." Duan Zihao smiled.

This is indeed the case.

Hong Kong's actions focus on hard bridges and hard horses, but Hollywood likes to use machines instead. In the future, they have to learn from Hong Kong filmmakers. Chinese Kung Fu exports Hollywood, but we can never learn what others have.

This is the gap! (To be continued, please search for Astronomy, novels are better, updated and faster! u
Chapter completed!