The teachers of this period may have really good moral ethics, but teachers also have preferences.

Teachers will naturally care more about students who study well and are sweet-mouthed.

As for students who don't study well and are usually bored, the teacher will naturally care less.

In other words, in school, classmates are also divided into three, six, and nine grades.

Maybe people don't divide you into different classes based on your parents' status, but they do divide you into different classes based on your academic performance.

Those who learn best are on one level, those who learn secondarily are on one level, and those who learn poorly are on another level.

Different classes are clearly distinguished, and it is basically more difficult for the lower class to integrate into the upper class.

These things are actually reality.

It's just that Cao Zhiqiang showed these realities in a very subtle way. He didn't say it explicitly, but quietly showed this reality through small and unconvincing remarks and real-life examples.

For example, after Xia Qiu found out about the male classmate who framed Teacher Wen Xue, she plucked up the courage to go to him and ask him to tell the truth and apologize, but he was immediately ridiculed by him.

The biggest reason is not that the male classmate is shameless, but that the male classmate is a good classmate who studies well and is very different from Cao Zhiqiang in class.

Therefore, even for the sake of face and identity, the male student who stole Teacher Wenxue's bra and made Teacher Wenxue fall into rumors and slanders would not agree. After Xia Qiu continued to ridicule him, he became angry and found someone to beat Xia Qiu together.

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Throughout the whole process, the cowardice and hypocrisy of the students were vividly displayed.

At the same time, it also shows that students who study well are not necessarily students with good moral character.

In other words, Cao Zhiqiang hid metaphors everywhere in this movie. In the 21st century, this would definitely be a bad movie.

But in this era, it is synonymous with rich content and profound meaning.

Today's movies, especially feature films, are all about depth.

If you don't have any metaphors, you'd be embarrassed to tell people that your film is a feature film.

Of course, Cao Zhiqiang hides not only ordinary moral issues, but also the seven deadly sins of arrogance, jealousy, rage, laziness, greed, gluttony and lust, which is a more Western metaphor.

For example, the bad classmate's father was a fat cook who liked to take home meals from the government. He also liked to eat and drink too much. He was also in a relationship with a widower, which corresponded to gluttony and greed. He was obviously based on Fool Zhu as his prototype.

The mother of the bad classmate is obviously synonymous with anger and arrogance.

As for the bad classmate who stole Teacher Wenxue's bra but didn't dare to admit it afterwards, it was obviously lust, jealousy and laziness.

In short, Cao Zhiqiang never thought that he could let various actors express what he wanted to express in a movie just like writing and painting.

This feeling of commanding others and performing what you want is really not an ordinary feeling, it even gives you a feeling of being in control of your life.

No wonder they say that movies are the director’s world, and it’s true.

The reason is that the plot of the movie is more condensed and more coherent, and it is a coherent movie-watching experience, so it is more about the director's integration ability.

Unlike TV dramas, which are shot one episode after another, it depends more on the screenwriter's scripting ability. The quality of the director cannot be said to be unimportant, but it is not that important.

Movies are different. The director controls the camera and can change the script and characters at will. He has absolute power.

But the most dominant one is Cao Zhiqiang's state, that is, producer, director, screenwriter, and starring, all in one!

The most inconspicuous but most important role here is actually the producer.

Because as the producer, he is responsible for distributing the money.

And everyone is willing to come over to shoot because they are doing it to make money, and have no other unnecessary thoughts.

In this situation of controlling the money bag, Cao Zhiqiang has the highest decision-making power, and naturally has the right to speak on the entire set.

Once you have the right to speak, and you have a good director and actors to assist you, and the other crew members are obedient, then everything will come naturally.

Therefore, even though this was Cho Chi-keung's first attempt at making a movie, since he had a high position from the beginning and had a different status from the beginning, he also enjoyed the supreme treatment from the beginning.

As a result, the entire crew seemed to be revolving around him, as if he was supporting the entire crew on his own.

This is of course an illusion, reality is not like that.

But to a certain extent, it is not unreasonable to say that one person supports the entire crew.

After all, from the beginning, Cao Zhiqiang was actually responsible for all the expenses of the entire crew.

The one who gives the money is the boss, I am honest and don’t bully you.

This also reminded Cao Zhiqiang of Aunt Ximen.

No wonder Aunt Ximen was so handsome at that time, and she could act as the most beautiful woman with a group of young talents at that time. Isn't it because she was the financial sponsor?

The sponsor’s father is the real father!

In this way, in this situation where the whole crew is almost talking, or a crew revolves around one person, the filming process is quite fast.
Chapter completed!