I will lead you through the ancient road outside the fence,

In these turbulent years, even breakups are silent.

The ancient rhyme of the lyrics, the retro style of the music, the arrangement of the music with the ancient instruments Pipa, Erhu and piano, and Yang Ming's low singing transport the listener's soul to the world of Tang and Song poetry.

"It's hard to say goodbye when we meet. The east wind is powerless and the flowers are withered."

"Little building, there was an east wind last night, and the motherland cannot bear to look back at the bright moon."

Many viewers with relatively high literary literacy not only thought of similar poems when they heard the song "East Wind Breaks".

The weak and sad east wind has stirred up the inner literary complex of many intellectuals. They wish they could take advantage of the emotions brought by the songs and recite one or two ancient poems to show their nobility.

Yang Ming's song "East Wind Breaks" is so in line with the taste of literati like them.

Or to use a common saying, it's so bourgeois, it's a dish specially prepared for this group of people.

However, some professionals in the music industry, while indulging in Yang Ming's singing, are also thinking about the significance that this young man's composition of "Dongfeng Break" brings to the local music scene.

Although no one had a clear definition of the so-called Chinese style before.

Even though Keiyo Oki has made certain achievements in this area, he is not recognized by the Chinese music scene.

In addition to the dignity factor of the pride of a big country, the Chinese-style songs represented by "River Moon" composed by Keiyu Ohki have indeed not yet reached the point where everyone is convinced.

But now, as soon as the song "Dongfeng Break" sung by Yang Ming appeared, many professionals in the music industry realized that this is the real Chinese style.

From ancient poems to songs, the ancient poems are integrated with modern pop music, breaking the current separation pattern of new poems and lyrics.

Yang Ming used his outstanding talent to create lyrics that alternate between ancient and modern times, and have a sense of intertwining time and space. "Dongfeng Po" is the new term that represents this song.

This is Chinese style.

If we only look at it from the surface, that is, adding some ancient Chinese allusions to the songs as a creative background, and using modern music to sing a classical flavor, then it is Chinese style.

But if it were just that simple, then Keiyu Oki would not be recognized by everyone as his status in Chinese style.

Even Keiyu Ohki's song "Moon Shadow" today included many Chinese folk instruments, but it didn't make people feel bright and stunning.

But Yang Ming did it.

It can be said that Keiyo Ohki’s Chinese style is just a formal resemblance rather than a spiritual resemblance.

Yang Ming's song "East Wind Breaks", although he used a lazy and gentle singing voice on the stage to express an implicit, euphemistic and slightly sad feeling of teenage first love, in terms of singing skills, he did not surpass Keiyu Oki by much.

But the song itself surpasses "Moon Shadow" by so much.

Although "Moon Shadow" itself has traces of Chinese style, it is still lingering outside the door, but "East Wind Break" is different. This song has opened the door of Chinese style and told everyone that this is the real Chinese style.

The style of music leans toward traditional oriental performance, with some oriental instruments added. The tune has a melodious and loopy tone, giving it a traditional oriental beauty.

When all professionals in the music industry hear this song, they can't help but think of the main melody of ancient Chinese music, "Gong Diao".

The five-tone mode is a unique national mode of China. The names of the five tones are: Gong, Shang, Jiao, Zheng, and Yu.

"East Wind Break" is a good blend of ancient Chinese music style in this aspect, but "Moon Shadow" is too far behind in this aspect. It doesn't mean that you use many Chinese national instruments in the soundtrack and accompaniment, it is Chinese style.

The lyrics have the color of traditional Chinese poetry, follow the route of five-tone palace tune, have the sad and graceful style of Chinese classical music, lazy and gentle singing, and the intoxicating accompaniment of pipa and erhu.

Yang Ming used a melodious song, as if he was composing a beautiful landscape painting, blowing up a long wind that quietly goes eastward. In the wind in the painting, the sad and lonely "East Wind Breaks" tells the world that this is the real
Chapter completed!