With such a luxurious lineup, except for "Teahouse" in 1992, which can be slightly compared, there is no other one in China.

But looking at it now, the quality gap in the scripts can no longer be made up by the actors' professional skills.

After Chen Ailin's monologue, Lan Tianye faced the non-existent "big tree", arched his legs like doing Tai Chi, beat the tree body rhythmically with both hands, and said while hitting it again and again: "I practiced this.

, called Shu Gong, this is what my grandfather taught me."

After Xu Rong was stunned for a moment, he turned his head and looked at Ren Ming to one side with doubtful eyes. Didn't you even ring the bell if the old man missed a sentence about the boss?

He remembered that this paragraph should begin with Huang Fangwu asking Yan Meiyi, "Did you sleep well yesterday?"

Ren Ming noticed his gaze and shook his head with a wry smile. But halfway through, he suddenly stopped and then quickly rang the bell at hand.

"Ring ring ring."

When Lan Tianye and Lu Zhong heard the bell, they immediately looked at Ren Ming, Tang Ye and Xu Rong who were sitting behind the director's desk.

Ren Ming pointed at Xu Rong and said: "Now, we don't have to hire professionals. Didn't Xiao Xu just learn from Shang Changrong? Let Xiao Xu show his skills."

After Lan Tianye was stunned for a moment, he laughed and said: "Yes, yes, show me one hand."

Xu Rong was confused. The lines in the scene they didn’t perform were:

"Huang Fangwu: Did you sleep well yesterday?

Yan Meiyi: I haven’t slept well these past few days. I keep hearing noises on the terrace. (Mei Yi hummed to the gongs and drums of Peking Opera and practiced the sword dance in the Peking Opera "Farewell My Concubine".)

Yan Meiyi: You can’t practice what I do, I’ll teach you how to do it with a mountain shoulder and do it. (He beats the drum in his mouth, making gestures.)”

All older actors have learned more or less about opera, especially Peking opera, and even the younger generation Yang Lixin can play a piece casually, let alone them.

Yan Meiyi's role in the play is that of a former Peking Opera master.

Under Lan Tianye's heckles, everyone in the rehearsal hall cheered up.

The news that Xu Rong went to Shanghai to study opera has spread throughout the theater. This year is the theater's 60th anniversary celebration, but the "eldest son" has disappeared. It would be unreasonable if he didn't produce results.

But everyone understands that three months will not produce any results at all in terms of Peking Opera.

Xu Rong glanced at the people who were looking at him, and suddenly felt on pins and needles.

During the Laorenyi period, Renyi and the Peking Opera Troupe jointly organized the troupe. Although the Peking Opera troupe at that time was not as luxurious as the National Peking Opera Theater headed by Mei Lanfang, it also included many famous actors such as Ma Lianliang, Tan Fuying, Qiu Shengrong, and Zhang Junqiu.

The old men and women sitting here may not be very good at studying, but their taste in theater is probably based on Qiu Shengrong.

His family members know their own affairs and are well prepared. He has only studied Peking Opera for three months. In the Peking Opera industry, he may not have started with Kung Fu. Although "Farewell My Concubine" and "Qi Ba" are all about showmanship, but

He is at the preschool level at best now, and what he shows today is just a gauze wiping his butt, leaving nothing behind.
Chapter completed!