Chapter 438 Study

Author: I'm Red

Chapter 438 Study

Xu Rong actually understands that he can be a director, but he may not be able to become a good director.

He still has this self-knowledge.

The reason why stage art is called art is not only composed of actors' performances, stage design, how sound serves scripts and even promotes plots, but also a profound technical activity.

If you want to be a director, you can restore the prescribed situation of the script at best. Even if the writer comes here, you will not be able to find any flaws.

Although this can surpass at least 98% of directors, 98% of them are not his pursuit.

If you can't do your best in your business, or you don't have the intention to become the best from the beginning, and there is no point in doing it.

He came from a film academy known for cultivating directors. After coming to the People's Art Theater, he learned too many directors' magical innovations and thinking.

In the early days of the founding of the People's Republic of China, the academy performed "Teahouse". Before a performance ended, Jiao Juyin hurried to the backstage.

Unlike the fully automatic curtains that can be controlled by switches now, the conditions in the yard were simple at that time, and the curtains required people to pull the ropes hard in the backstage to close.

Jiao Juyin went to the backstage and held a stool under his feet. As the plot ended, he slowly pulled the rope as thick as his thumb, and the curtain on the stage slowly closed. As he was about to close, his thin figure jumped up suddenly, grabbed the rope in the air, and instantly pressed all the weight of his body on the rope.

The curtain that was about to close on the stage was quickly closed, and under the action of inertia, the bottom of the curtains connected quickly swung to both sides after closing. However, the curtains were heavy after all, and could only make a small triangle, allowing the audience to vaguely see the final outcome of the characters on the stage.

Similar operations are not difficult to implement today's technology, but what is difficult is this kind of fantastic and whimsical idea.

Jiao Juyin can become the "Four Big Ones" rely on his extraordinary talent to turn decay into magic.

Asking for yourself, Xu Rongzhen dared not say that he also possessed such talent.

Pu Cunxi agreed with Xu Rong's decision to change careers and become a director. What he actually disagrees most was that Xu Rong was focused on the position of dean.

After Liu Jinyun left office and before Zhang Heping took office, those years were actually the work in the hospital, but even if he thought about it now, it was the most tiring years since he was admitted to the hospital.

The contradiction between the People's Art Theater lies in the fact that it is necessary to actively respond to the Party's call and profoundly reflect the people's call. It is to play a warning and education meaning, and to maintain its attractiveness to the people.

This is not an easy task, and the position of dean is like a daughter-in-law with an elderly and a young daughter-in-law. The upper part does not understand and the lower part does not like it. Whether it is doing things or not, it will always make people inside and outside.

Therefore, his highest expectation for Xu Rong is the director of the art committee.

"Have you heard of the recent rumors in the hospital?"

Xu Rong said carelessly: "I heard that the rumor is very good. He said he wanted to promote me to be the vice president. You may not believe it, but the colleague from the school called me to tell me."

Pu Cunxi looked at Xu Rong's ridiculous appearance and sighed silently. Not only Xu Rong, he also heard a lot of similar rumors.

After all, Xu Rong is too young.

He was silent for a while and asked, "Do you know the old dean?"

Xu Rong turned his head and glanced at Pu Cunxi, vaguely guessed what he wanted to express from his expression and the topic just now, and said, "I know, I don't like to listen to it. Maybe I know more about the dean than you."

"Hahaha."

Pu Cunxi smiled and asked, "Oh, then tell me why I want to mention the old dean?"

"In 1933, "Thunderstorm" was written between summer and autumn."

"In March 1935, I was inspired by Ruan Lingyu's suicide and wrote "Sunrise".

"Wilderness" was written in the autumn of June 1936."

"I wrote "BJ Man" in the second half of 1940."

Xu Rong paused a little and said, "At present, everyone generally believes that "BJ Man" is the pinnacle of the old dean in creation. Since "BJ Man", especially in the 47 years after the founding of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People of the People

"Hahaha." Pu Cunxi was amused by Xu Rong's statement.

Xu Rong saw that he was about to arrive in the yard and slowed down a little, saying, "I have thought about this question many times and asked the family of the old dean. The current common reasons are attributed to three points. First of all, the limitations of the times. Before the founding of the People's Republic of China, the life of the old dean was full of radiance, Zhou Puyuan, and Chen Bailu. The contradictions in society are highly concentrated, and the tragic fate of these characters has universal commonality and can also be understood and recognized by the public."

"The second is that the position of dean puts shackles on him. For example, "The Bright Sky" is a script written by the superior who wrote a letter to him. It is not a little difficult to become a classic for such propositional essays."

"There are also some people who say that the old dean has separated from the people. He is a contemporary great writer and one of the 'Lu Guo Mao Ba Lao Cao'. He is in contact with the public servants of the people at the highest level of the entire country. He can no longer understand the sufferings of the people at the bottom, or he understands it, but for the second reason, he cannot write."

Xu Rong said, drove the car into the yard and said, "Actually, I have to say that you were almost the same as before."

Pu Cunxi turned his head in surprise and looked at Xu Rong who was about to get off the car. He didn't expect Xu Rong to suddenly shift the topic to him.

He is the vice chairman of the Federation of Literary and Art Circles and the chairman of the Drama Association. Whether he is in the industry or his friends in the media, no one has ever said that he has a bad acting role or has a problem with his level.

There is a reason why Xu Rong commented on Pu Cunxi this way. Before Zhang Heping arrived, Pu Cunxi's creation almost fell into a stagnation.

Although these names bring certain conveniences, they are not all benefits. Just like Jiang Kun, who has improved the situation of Deyun Club and his reputation has gradually declined, if he does not have so many civil affairs, his achievements in the field of crosstalk may not be worse than Deyun Club.

"Then you still?" Pu Cunxi was stunned for a few seconds before returning to his senses.

After getting off the car, Xu Rong and Pu Cunxi walked side by side to the office building and said with a wry smile: "If I say I was actually forced to do anything, do you believe it?"

"Since the day I was admitted to the hospital, you have said that I am hope and the future, and I have never listened to my opinions and I am not allowed to refuse."

"Later you said I was the eldest son, but I still didn't allow me to refuse."

"Now, I want me to be my successor again. Is there any room for me to refuse?"

"Of course I can refuse, but you should know that the dean. You can't ask what he doesn't give, you can't ask what he gives you, you can't ask what he gives you."

Pu Cunxi knew that this was the typical mentality of every superior. If I gave it to you, you must continue, otherwise it would be disrespectful to me.

In the eyes of most people, Xu Rong should feel grateful to have reached this point, but he was once in Xu Rong's situation and knew his difficulty and helplessness. Many times, it was not because they wanted to do it, but because they had to do it at this point.

At the group creation meeting of "Jiaziyuan", among dozens of people, Xu Rong sat in a corner of the table without saying a word, listening to the older and younger ones who made their comments and thoughts.

He did not have much thoughts about this drama, which was comparable to Wan Jiabao's "Bright Sky", which was also a topical essay. Perhaps the level of the two was slightly worse than Shu Qingchun. The topical essay written by Shu Qingchun was called "Teahouse".

The overall level of "Jiaziyuan" is obviously far from "Teahouse".

However, good scripts are polished bit by bit. He doesn't know what "Jiaziyuan" will eventually become, but what is certain is whether Zheng Rong, Lan Tianye, and the old ladies will definitely act according to the script. The rehearsal process of good actors is also a process of helping the playwright the script.

According to his earlier plan, before the rehearsal of "Jiaziyuan" officially began, he went to work while learning Peking Opera with Shang Changrong.

However, under the witness of many masters in the opera world, Xu Rong had to quit her job in the nursing home after the apprenticeship ceremony.

Because Peking Opera master Shang Changrong’s home is in the Demon City!

In order to avoid the delay of time flying back and forth between the two places in the capital, he temporarily moved to the Demon City to live.

I moved to a place where I considered to come to the Magic City to buy it very early.

Before formally studying with Shang Changrong, Xu Rong finally asked about his doubts, what kind of school should he be considered?

Pu Cunxi said that Shang Changrong was a Hou Sect. Some people said that he inherited Shang Xiaoyun's Shang Sect. However, at the apprenticeship ceremony, Shang Changrong neither asked him to kowtow to Hou Xirui's photo nor asked him to incense the photo of Shang Xiaoyun.

Facing Xu Rong's question, Shang Changrong did not answer him immediately, but asked back: "What kind of faction do you think you are from?"

Seeing that Xu Rong didn't seem to understand what he meant, Shang Changrong added: "Don't you often talk about the experiential school or the expression school in your drama industry? What kind of school do you think you are from?"

"I" Xu Rong opened his mouth, but there was no sound.

If he is a experiencing school, he cannot fully agree with it, because now he is no longer a pure Serial system, and in the past he occasionally used the skills of the technocratic school.

Nowadays, he is more willing to try and explore new methods and new techniques.

For example, joining "Jiaziyuan" as a director is his boldest attempt, otherwise, if the old man and the old lady join, he would not be willing to be the second director.

But he was embarrassed to say that he was a "Xu faction" or a "Harmony faction" because he did not form a complete system.

In short, everyone sitting is garbage, and even this garbage includes itself.

Because he knew the gap between himself and the "master".

With each question and answer, Xu Rong also had a deeper understanding of Shang Changrong's opera level, not as good as the plum blossoms, but he stands out for most of his peers today.

The reason why Xu Rong was obsessed with learning from Shang Changrong was that he felt that his "form" beauty and "spirit" were true when he was on stage than other actors. However, when he really started to learn, he realized that the beauty of form and spirit was not as simple as he thought.

Even though the more basic La Shanbang practiced for a whole morning, Shang Changrong commented that Wei was "a little bit meaningful."

He is not a whiteboard without any foundation, but a top actor in related industries.

During the days of preparing for "Jiaziyuan", Ren Ming always felt something was wrong, but he couldn't figure out what was wrong. It was not until the day before the crew officially rehearsed that he realized what was wrong.

"Director: Ren Ming, Tang Ye, Xu Rong."

"Xu Rong?"

He stared blankly at the words on the poster. If it weren't for this poster, he would have forgotten that there was another deputy director in the crew of "Jiaziyuan"?

But in essence, Xu Rong showed up on the day he started the group, and then he seemed to have completely disappeared.

Is this something a normal person can do?

Guo Na didn't know what was going on. The list was given to him by Tang Ye. When she asked her husband Xu Deliang to help design the poster, her husband wondered why Xu Rong changed career and became a director?

Looking at Ren Ming's eyes wide open, she asked with some uncertainty: "Ren Yuan, did I write it wrong?"

Ren Ming did not answer immediately, but looked at Tang Ye: "Xiao Tang, do you know what Xu Rong is doing recently?"

"Captain Xu?"

Tang Ye hesitated for a moment before whispering: "I heard that he is learning Peking Opera recently."

"Learn Peking Opera?"
To be continued...