(This chapter won't be finished until about 12:50, so don't read it yet...)

Simply speaking from the perspective of music audience, Gu Xiaobai has a large number of fans and the composition is also very complex.

Because his own music is very complex, it seems that he is willing to do anything as long as it is music. In his eyes, music does not seem to be high or low.

Among his music, there are "Song, Dance, Poetry", which combines Chinese classical music and modern music to the pinnacle, and can be called a living fossil of music resurrected; there are "Lingbo Immortal" and "Nishang Yuyi Song", which are completely Chinese

Restoration of ancient music; there are songs like "Zheng Ming Sword Shines in Luoyang City" that break through the existing instruments and playing methods, and even sound painful; there are songs like "Riding the Wind and Waves Trilogy" that can change the world structure; there are also

Songs such as "Hmph, I'm Angry" and "Meow is Cool" are suitable for all ages, and even kindergarten children can learn them.

Everyone from 80-year-olds to children learning to speak may like his music.

Walking on the road, you can hear the retired man walking on the roadside playing his "Peace in the Age of Prosperity"; the boy delivering the courier humming his "Champion Overture"; the children returning from kindergarten singing "The Great Peace".

"Meow is Cool" dances the cat paw dance; in university classes, professors are analyzing the relationship between his "Part" and the culture of the time... And in the conservatory, countless people are playing and learning his music.

It can be said that people from almost every class, from professionals to construction site uncles, can find something of interest to them in Gu Xiaobai's music.

The aesthetics of music are often directly related to economic conditions and academic qualifications. After Gu Xiaobai's interest turned to instrumental music, a group of middle-class and above people who stuck to their own style and were somewhat repulsive to Gu Xiaobai also joined.

Gu Xiaobai's fan group.

However, even they did not expect that Gu Xiaobai would turn to classical music.

Gu Xiaobai has always shown that

And now there is another song "North Atlantic Rhapsody" which mainly plays the erhu.

To be honest, even they didn't expect that they would see such a performance before coming here.

The combination of Chinese and Western music is dominated by a completely Chinese musical instrument, but it follows the path of Western classical music.

This is completely different from Gu Xiaobai's previous performances.

Before this, Gu Xiaobai’s performances were all based on Eastern drum beats.

What was the opportunity that made Gu Xiaobai start studying classical music?

Simply speaking from the perspective of music audience, Gu Xiaobai has a large number of fans and the composition is also very complex.

Because his own music is very complex, it seems that he is willing to do anything as long as it is music. In his eyes, music does not seem to be high or low.

Among his music, there are "Song, Dance, Poetry", which combines Chinese classical music and modern music to the pinnacle, and can be called a living fossil of music resurrected; there are "Lingbo Immortal" and "Nishang Yuyi Song", which are completely Chinese

Restoration of ancient music; there are songs like "Zheng Ming Sword Shines in Luoyang City" that break through the existing instruments and playing methods, and even sound painful; there are songs like "Riding the Wind and Waves Trilogy" that can change the world structure; there are also

Songs such as "Hmph, I'm Angry" and "Meow is Cool" are suitable for all ages, and even kindergarten children can learn them.

Everyone from 80-year-olds to children learning to speak may like his music.

Walking on the road, you can hear the retired man walking on the roadside playing his "Peace in the Age of Prosperity"; the boy delivering the courier humming his "Champion Overture"; the children returning from kindergarten singing "The Great Peace". "Meow is Cool" dances the cat paw dance; in university classes, professors are analyzing the relationship between his "Part" and the culture of the time... and in the conservatory, countless people are playing and learning his music.

It can be said that people from almost every class, from professionals to construction site uncles, can find something of interest to them in Gu Xiaobai's music.

The aesthetics of music are often directly related to economic conditions and academic qualifications. After Gu Xiaobai's interest turned to instrumental music, a group of middle-class and above people who stuck to their own style and were somewhat repulsive to Gu Xiaobai also joined. Gu Xiaobai's fan group.

However, even they did not expect that Gu Xiaobai would turn to classical music.

Gu Xiaobai has always shown that

And now there is another song "North Atlantic Rhapsody" which mainly plays the erhu.

To be honest, even they didn't expect that they would see such a performance before coming here.

The combination of Chinese and Western music is dominated by a completely Chinese musical instrument, but it follows the path of Western classical music.

This is completely different from Gu Xiaobai's previous performances.

Before this, Gu Xiaobai’s performances were all based on Eastern drum beats.

What was the opportunity that made Gu Xiaobai start studying classical music? Simply speaking from the perspective of music audience, Gu Xiaobai has a large number of fans and the composition is also very complex.

Because his own music is very complex, it seems that he is willing to do anything as long as it is music. In his eyes, music does not seem to be high or low.

Among his music, there are "Song, Dance, Poetry", which combines Chinese classical music and modern music to the pinnacle, and can be called a living fossil of music resurrected; there are "Lingbo Immortal" and "Nishang Yuyi Song", which are completely Chinese Restoration of ancient music; there are songs like "Zheng Ming Sword Shines in Luoyang City" that break through the existing instruments and playing methods, and even sound painful; there are songs like "Riding the Wind and Waves Trilogy" that can change the world structure; there are also Songs such as "Hmph, I'm Angry" and "Meow is Cool" are suitable for all ages, and even kindergarten children can learn them.

Everyone from 80-year-olds to children learning to speak may like his music.

Walking on the road, you can hear the retired man walking on the roadside playing his "Peace in the Age of Prosperity"; the boy delivering the courier humming his "Champion Overture"; the children returning from kindergarten singing "The Great Peace". "Meow is Cool" dances the cat paw dance; in university classes, professors are analyzing the relationship between his "Part" and the culture of the time... and in the conservatory, countless people are playing and learning his music.

It can be said that people from almost every class, from professionals to construction site uncles, can find something of interest to them in Gu Xiaobai's music.

The aesthetics of music are often directly related to economic conditions and academic qualifications. After Gu Xiaobai's interest turned to instrumental music, a group of middle-class and above people who stuck to their own style and were somewhat repulsive to Gu Xiaobai also joined. Gu Xiaobai's fan group.

However, even they did not expect that Gu Xiaobai would turn to classical music.

Gu Xiaobai has always shown that

And now there is another song "North Atlantic Rhapsody" which mainly plays the erhu.

To be honest, even they didn't expect that they would see such a performance before coming here.

The combination of Chinese and Western music is dominated by a completely Chinese musical instrument, but it follows the path of Western classical music.

This is completely different from Gu Xiaobai's previous performances.

Before this, Gu Xiaobai’s performances were all based on Eastern drum beats.

What was the opportunity that made Gu Xiaobai start studying classical music? Simply speaking from the perspective of music audience, Gu Xiaobai has a large number of fans and the composition is also very complex.

Because his own music is very complex, it seems that he is willing to do anything as long as it is music. In his eyes, music does not seem to be high or low.

Among his music, there are "Song, Dance, Poetry", which combines Chinese classical music and modern music to the pinnacle, and can be called a living fossil of music resurrected; there are "Lingbo Immortal" and "Nishang Yuyi Song", which are completely Chinese

Restoration of ancient music; there are songs like "Zheng Ming Sword Shines in Luoyang City" that break through the existing instruments and playing methods, and even sound painful; there are songs like "Riding the Wind and Waves Trilogy" that can change the world structure; there are also

Songs such as "Hmph, I'm Angry" and "Meow is Cool" are suitable for all ages, and even kindergarten children can learn them.

Everyone from 80-year-olds to children learning to speak may like his music.

Walking on the road, you can hear the retired man walking on the roadside playing his "Peace in the Age of Prosperity"; the boy delivering the courier humming his "Champion Overture"; the children returning from kindergarten singing "The Great Peace".

"Meow is Cool" dances the cat paw dance; in university classes, professors are analyzing the relationship between his "Part" and the culture of the time... And in the conservatory, countless people are playing and learning his music.

It can be said that people from almost every class, from professionals to construction site uncles, can find something of interest to them in Gu Xiaobai's music.

The aesthetics of music are often directly related to economic conditions and academic qualifications. After Gu Xiaobai's interest turned to instrumental music, a group of middle-class and above people who stuck to their own style and were somewhat repulsive to Gu Xiaobai also joined.

Gu Xiaobai's fan group.

However, even they did not expect that Gu Xiaobai would turn to classical music.

Gu Xiaobai has always shown that

And now there is another song "North Atlantic Rhapsody" which mainly plays the erhu.

To be honest, even they didn't expect that they would see such a performance before coming here.

The combination of Chinese and Western music is dominated by a completely Chinese musical instrument, but it follows the path of Western classical music.

This is completely different from Gu Xiaobai's previous performances.

Before this, Gu Xiaobai’s performances were all based on Eastern drum beats.

What was the opportunity that made Gu Xiaobai start studying classical music? Simply speaking from the perspective of music audience, Gu Xiaobai has a large number of fans and the composition is also very complex.

Because his own music is very complex, it seems that he is willing to do anything as long as it is music. In his eyes, music does not seem to be high or low.

Among his music, there are "Song, Dance, Poetry", which combines Chinese classical music and modern music to the pinnacle, and can be called a living fossil of music resurrected; there are "Lingbo Immortal" and "Nishang Yuyi Song", which are completely Chinese

Restoration of ancient music; there are songs like "Zheng Ming Sword Shines in Luoyang City" that break through the existing instruments and playing methods, and even sound painful; there are songs like "Riding the Wind and Waves Trilogy" that can change the world structure; there are also

Songs such as "Hmph, I'm Angry" and "Meow is Cool" are suitable for all ages, and even kindergarten children can learn them.

Everyone from 80-year-olds to children learning to speak may like his music.

Walking on the road, you can hear the retired man walking on the roadside playing his "Peace in the Age of Prosperity"; the boy delivering the courier humming his "Champion Overture"; the children returning from kindergarten singing "The Great Peace". "Meow is Cool" dances the cat paw dance; in university classes, professors are analyzing the relationship between his "Part" and the culture of the time... and in the conservatory, countless people are playing and learning his music.

It can be said that people from almost every class, from professionals to construction site uncles, can find something of interest to them in Gu Xiaobai's music.

The aesthetics of music are often directly related to economic conditions and academic qualifications. After Gu Xiaobai's interest turned to instrumental music, a group of middle-class and above people who stuck to their own style and were somewhat repulsive to Gu Xiaobai also joined. Gu Xiaobai's fan group.

However, even they did not expect that Gu Xiaobai would turn to classical music.

Gu Xiaobai has always shown that

And now there is another song "North Atlantic Rhapsody" which mainly plays the erhu.

To be honest, even they didn't expect that they would see such a performance before coming here.

The combination of Chinese and Western music is dominated by a completely Chinese musical instrument, but it follows the path of Western classical music.

This is completely different from Gu Xiaobai's previous performances.

Before this, Gu Xiaobai’s performances were all based on Eastern drum beats.

What was the opportunity that made Gu Xiaobai start studying classical music? Simply speaking from the perspective of music audience, Gu Xiaobai has a large number of fans and the composition is also very complex.

Because his own music is very complex, it seems that he is willing to do anything as long as it is music. In his eyes, music does not seem to be high or low.

Among his music, there are "Song, Dance, Poetry", which combines Chinese classical music and modern music to the pinnacle, and can be called a living fossil of music resurrected; there are "Lingbo Immortal" and "Nishang Yuyi Song", which are completely Chinese Restoration of ancient music; there are songs like "Zheng Ming Sword Shines in Luoyang City" that break through the existing instruments and playing methods, and even sound painful; there are songs like "Riding the Wind and Waves Trilogy" that can change the world structure; there are also Songs such as "Hmph, I'm Angry" and "Meow is Cool" are suitable for all ages, and even kindergarten children can learn them.

Everyone from 80-year-olds to children learning to speak may like his music.
Chapter completed!