Liu Yifei smiled: "It depends on the screenwriters and teachers."

The screenwriters nodded, understanding Chu Xuan's thinking, and they also had a creative direction for the villain.

Chu Xuan crossed his legs and continued: "As for the heroine, she is someone who pursues her dream of being an actress. She is someone who has no intention of fighting against capital. She is someone who has no capital to support her. She is popular because of the eyes of the people.

It’s sharp.”

"To put it simply, don't write the plot of the heroine as one that fights against capital. The whole story is based on the confrontation between the people who like the heroine and capital. With a large number of fans and her own excellence, she is also the heroine.

Not relying on capital is the core reason why the drama ultimately succeeds.”

"This is the character of the heroine and the underlying logic of her career."

The people present were thinking about this, and they all understood this.

In the framework of the outline, the character of the heroine is already there. She is a very pure and ideal person. Such a person will not fight against capital, but her purity does not mean that she will not resist.

There is a degree that needs to be carefully measured. The audience cannot mistakenly think that the heroine has the ambition to overthrow capital because of the heroine's resistance. This ambition is symmetrical to the heroine's character.

This chapter is not over yet, please click on the next page to continue reading! The heroine’s resistance cannot be written as fighting against capital.

It can only be that the more capital suppresses the actress, the harder the heroine will work to show off her talent as an actor and produce better works. Only then can the quality of the heroine be reflected even better.

Then, the heroine's fans exploded, slowly tearing apart the disguise of capital, forming the confrontation between the people and capital that Chu Xuan said, and finally the capital group was forced to fire the big villain...

Yes, this idea should be in line with Chu Xuan’s philosophy.

The screenwriters understood Chu Xuan's concept and came up with a creative idea in the direction of a female protagonist.

"In this case, the overall style is rather depressing," art coordinator Qi Mu said.

When capital suppresses you, you don't fight, and you just do your best. This seems very sober and pure, but TV dramas are TV dramas after all, and the audience will definitely feel a little uncomfortable.

"So we have to use romance to run through the main line." Liu Yifei glanced at Qi Mu, then looked at the screenwriters: "This is also the value embodied by the male protagonist."

"Romance is the main plot of the whole drama, and career is the superficial conflict. It is regarded as a auxiliary plot to assist the main plot."

"With the character of the heroine, she will not fight when capital suppresses her, which will depress the audience, so she must immediately take over the romance between the hero and heroine, using pure sweetness, or tenderness in the tug-of-war, or a little exaggeration in the drama

emotional tension to break this depression."

"The male protagonist is the Bai Yueguang of the female protagonist. He will have impulses to teach the capital villain a lesson, but the general direction cannot help the capital. He can only use his own methods and warm care to make the female protagonist happy, forget the troubles, and thus break the depression.

."

Everyone thought for a moment and quickly understood the key points.

"I understand." A screenwriter understood: "It is negative in career and positive emotionally. Using negative things to reflect reality and satirize reality is one of the core of the play."

"We also use positive emotions to defeat negative influences and bring overall upward energy to the audience. This is the theme of the play."

"Generally speaking, the story is a combination of reality and magic."

Liu Yifei clapped her hands and gave a thumbs up: "Teacher, you are so awesome. You hit the nail on the head what I wanted to say but didn't know how to say. That's what you said!"

Seeing that the screenwriters had understood, Chu Xuan said, "Romance is not all sweet. You have all seen the male protagonists in the outline. The male and female protagonists are not in two different worlds. There is bound to be abuse in romance."

"We know this." The screenwriters nodded.

"Also." Chu Xuan added: "The purpose of being negative in career and positive in romance is to break the repressed part. But when designing certain climaxes, you can have a negative career and negative romance, and then explode."

The screenwriters nodded and couldn't help laughing.

Everything is included in the beginning, succession, transition, and what Chu Xuan is talking about is the "negative and positive" in the foreshadowing and climax that they often discuss, as well as the "negative, negative, and positive" in foreshadowing and then foreshadowing the final climax.

How could they not understand these designs? Just by looking at the director Chu Xuan giving endless instructions, they could see Chu Xuan's somewhat unprofessional attitude as a newcomer, and also see Chu Xuan's serious attitude, which made them feel very

interesting.

"Now that you understand the tone of the story, let's start working. Figure out the details first." Liu Yi said, looking at Chu Xuan and Liu Yifei.

There was a look of basic satisfaction in his eyes. He recalled that when "Zhu Xian" was produced, when it came to setting the tone and designing the story, the couple as producers were in a state of soy sauce throughout the whole process.

More than three years have passed, and the couple completed the preparatory stage independently. Although some professional terminology was unclear when the tone was just set, and the things explained were not thorough, which somewhat tested everyone's ability to understand.

, but it is the first time to lead the overall direction of the directing team. Taking this step has made great progress.
Chapter completed!