Alfred was not completely sure before filming this scene.

Because of his transformed character Phoenix, in a sense, has something in common with Jiang Tang's Queen of the Kingdom of God in "Tomorrow".

Similar, but not exactly the same.

This is undoubtedly a huge challenge for the actors.

How to show two similar characters in different colors so that the audience will not think of a thousand characters when they see them... These are all testing the actor's skills.

Alfred did not doubt whether Jiang Tang could perform the essence of the Phoenix. He just felt that Jiang Tang might need time to adapt to the scene.

In order to win the lead, he wanted to achieve perfection in this scene, so Alfred had already made plans to repeat it ten times and twenty times.

He thought Jiang Tang needed a little polishing to find that state and truly enter the role.

As a result, Jiang Tang's performance was completely unexpected.

She didn't need to get into the state at all. If it weren't for the interruption of the male staff member just now, she would have been able to do the first scene in one go.

Even if she lies there without saying anything, she has become a phoenix in the movie. Even a strand of hair cannot remind people of the same classic queen of the Kingdom of God.

No matter how familiar Alfred has with Jiang Tang, he still can't help but express his appreciation for this amazing foundation. He immediately gave Jiang Tang a thumbs up and praised him with great tribute.

The staff on the set also showed complicated expressions to Jiang Tang.

Everyone here is a front-line expert in the industry, so they certainly have enough skills to distinguish how Jiang Tang's performance was.

The answer is of course perfect.

This also made them feel a little different about Jiang Tang, at least they no longer had contempt like before.

They looked at Jiang Tang before, if they had emotions such as contempt, disdain, scrutiny, etc. under superficial respect.

Then now, their eyes will have an additional affirmation.

I dare not say that I admire Jiang Tang completely, but this is the beginning of the transformation.

Jiang Tang sat up and immediately a prop teacher came forward to loosen her.

Fresh air poured into the lungs, Jiang Tang took a deep breath, as if he could feel the beauty of the world from this mouthful of air.

Faced with Alfred's praise, she just smiled and waved her hand, not taking it seriously.

"Do you need to put something in the restraint belt?" the young prop teacher asked her in a low voice.

Jiang Tang was not surprised by the change in the other party's attitude. Just before this scene, this person was still in a state of business and unwilling to say more, but now he will use small means to take the initiative to show his goodwill.

But Jiang Tang did not agree. She just shook her head and refused: "Thank you, no need."

The other party was a little embarrassed. Maybe he thought Jiang Tang would follow the steps, but he didn't expect Jiang Tang to refuse.

He didn't dare to lose his temper or something, and walked away embarrassedly, with a little embarrassment in his actions.

The props teacher probably thought Jiang Tang was a petty person and deliberately targeted him.

Actually, he was completely overthinking.

Jiang Tang would not care about these people's contemptuous attitudes before, and he would not care about their changes to show goodwill.

Nothing has to do with her. The reason why she refuses is that she feels that the pain caused by the restraint strangling her body can help her integrate into the role better, reminding her that Crazy is a madman dancing with shackles on the edge of the extreme of pain.

The first thing Jiang Tang did to untied the bondage belt was to get up and move his muscles and bones quickly.

It is true that it can help get into the show, but it is true that it is also true that it is uncomfortable.

She twisted her stiff neck and slowly let out a breath.

This scene may only appear in the movie for one minute, but Jiang Tang took a scene after more than two hours, which is truly a "grinding shot" that can be used to work slowly.

This is also Alfred's insistence. Even if he was filming a popcorn commercial blockbuster that pursued sensory special effects, he still had to treat it with the sophistication of artistic films.

As of now, the movie is pretty good, and Jiang Tang's first appearance is also amazing.

Jiang Tang sat on a small stool beside the monitor director chair and rested, and ate some snacks to fill his stomach.

I dare not eat too much, because the imprisoned young phoenix is ​​always hungry and feels less when they eat full.

Alfred was not in the director's chair at this time, and he was directing the props to arrange the scene.

His attitude towards talking to people is very gentle, but gentle does not mean perfunctory.

On the contrary, he demanded attention everywhere and could not even miss a single hair.

"This color of chair is replaced. In the American prison in the script sets the age, the chair is blue, not orange."

"The slogan on the wall was said by a celebrity five years ago. Do you think it's appropriate to appear in this era?"

"To make the light a little older, I need spider webs and dust, rather than a new one that seems to have just been moved from the store, of course, it's best to break one..."

Alfred patrolled by little by little, like a king who knew his own land. Even if there was a problem with the position of a screw, he could see it at a glance and then ask the other party to change it.

His eyes are ignited and golden eyes. When he swept through the area responsible for different props, the corresponding person's heart was also raised high, for fear that the director would make a change if he was dissatisfied with it.

The admiration brought by this gentle power is also deepening.

Jiang Tang also felt a little moved when he saw it next to him.

Finally, Alfred's inspection was over and nodded through.

Jiang Tang obviously saw the group of props who were responding to the inspection and sighed happily.

Alfred then walked back to Jiang Tang and discussed the second scene with Jiang Tang.

The second scene is the official appearance of Phoenix.

The first scene was in the darkness, and the outline was vaguely visible.

However, the second scene is the first interaction between Phoenix and other characters, and it will also be used as a conflict point for the first time to show the character's character in the movie.

If the first scene sets the tone of the previous text, then the second scene is to add color to the tone, and no details can be careless.

Alfred was not completely relieved by Jiang Tang because of her outstanding performance before, and Jiang Tang was not too lazy to listen to Alfred's communication just because she had figured out the role.

Both of them were communicating normally, obeying and drawing opinions from each other, and finally reaching an agreement.

Alfred waved his hand: "Then prepare for the second scene, and all departments will take their place!"

Jiang Tang also returned to the center of the set at this time and asked someone to tie her up with a restraint belt again.

“action!”

With this loud shout, Jiang Tang, who was tied up by a tie, slowly walked through the corridor.
Chapter completed!