Tu Tuqiao and several of his men were content. After being injured by Wei Taiqiang, he quickly regained the situation. He felt very proud.

Liu Tienan and the master of Xiangguo were fighting constantly. In the Internet cafe, everyone's eyes were staring at the computer screen.

On the computer, the battle between the two sides was extremely tragic.

Tang Xiaoneng stared at the fingerings of both sides. He secretly remembered these tricks, thinking that he would definitely use these tricks in the future.

As for Gong Qianshi, although he was staring at the computer screen, he actually couldn't understand it very much.

However, although Gong Aoshi couldn't understand this, he made a living by talking.

This guy still slashed Liu Tienan from He Berg and Wei Taiqiang's side, and at the same time he raised the Indian masters on his side. Of course, what he said was nothing about the idea, but anyway, this grandson was a stinky and no one cared about whether he was good or bad. Anyway, it would be enough to have him like him.

Gong Cangshi didn't expect that he would be targeted. After the grandson shouted loudly, he naturally drank a lot of water. When he felt that he wanted to go to the bathroom, Chen Biaozi's brother followed.

Gong Cangshi felt that he was a good person, but he did not expect that he offended Chen Biaozi and Wei Taiqiang.

When this grandson was convenient, he was pressed into the toilet by Chen Biaozi's men and fucked him hard.

Of course, this little man will not get anyone's sympathy when he is beaten, and Tu Tuqiao will not stand up for him.

Liu Tienan and the master of Xiangguo were tied. Surprisingly, Tu Tuqiao did not get angry this time, and he left with the master of Xiangguo.

When the guilt of the master of Xiangguo just popped up, Tu Tuqiao said, "It's okay, I asked you to come today, just to test Liu Tienan's strength. We will definitely kill him in the future."

He Berg said to Chen Biaozi: "You sent someone to deal with that villain's anger?"

Chen Biaozi said: "Yes, that villain is so angry."

He Berg said: "I am going to visit Xiang Kingdom. You want to help Wei Taiqiang handle the matter here in Xuanwu Kingdom. You must help Wei Taiqiang well."

Chen Biaozishi: "Don't worry!"

In Xiang Kingdom, those Xuanwu Kingdom's goods are famous for their cheapness and reliable quality.

The girl from the country of Elephant was conquered by He Berg, and it was natural that she was assimilated by He Berg in this way.

In the stool of salted fish, it will not smell its stench for a long time, and in the stool of abalone, it will not smell its stool for a long time.

In Xiang Kingdom, many people always try to please the nobles, hoping to seek some benefits from their fingers.

In these places, the nobles always took care of these servants of their own.

Because, when these servants go to school on their behalf, they can act as their white gloves.

Therefore, these nobles in the Elephant Kingdom will take care of their own people. Only when these people are grateful to them can the interests of these nobles be guaranteed.

Yu Yali found Wei Taiqiang and said, "There is a brick carving auction, will you go?"

Wei Taiqiang said: "Of course I went."

The brick carvings of Qingmin Houses are known as very distinctive, such as: octagonal embossed carvings - the Bagua pattern is only seen in Tianjin brick carvings.

Brick carving - Shanxi brick carving Shanxi brick carving Shanxi brick carving characteristics of brick carving: First, the soil is of good quality and durable; second, there are many varieties and great routines; third, the painting is fine and the knife is unique; fourth, the genealogy is well-known and the inheritance is orderly.

Since the Sui Dynasty, Tang Dynasty, Song Dynasty and Yuan Dynasty, carving marks can be seen from many temple bricks and tiles in Shanxi. Especially in the more than two hundred years from the late Ming Dynasty to the early Qing Dynasty, with the rise of Shanxi merchants, the construction of temples and temples in various villages and communities in the country became a trend. The "one-seal" style "square courtyards" were everywhere, and streets built with bricks and tiles appeared again. The market demand for brick carving crafts such as ridges, screen walls, flower walls and door towers was very high. This objectively promoted the development of brick carving skills in Shanxi. According to folk sayings, by the middle and late Qing Dynasty, there was a small brick kiln in the average four villages in the country, and each brick kiln could burn "flower goods (i.e. brick carvings)". At that time, there were many brick carvings in the Kilnwangbao, Xiaowang Village, Dachang Village, and Dongmuzhuang in the country, with a wide variety of brick carvings, abundant output and far-reaching sales.

Tianjin brick carvings were developed after Xianfeng in the Qing Dynasty. The screen walls of the "Eight Great Masters" houses, the exterior contours of wooden doors and windows, and the door lintels, all have exquisite brick carvings. To embellish the gables, the large plane of the back eaves wall is sometimes decorated with brick carvings, which is extremely gorgeous. Technically, Tianjin Ma Shunqing and Ma Shaoqing also invented the "bricking method" to increase the thickness of the bricks and strengthen the depth of field and layer cutting after carving. Tianjin brick carvings have distinctive characteristics. In addition to traditional auspicious patterns, some of them are local scenery, such as city towers, drum towers, bridges and pavilions.

The world is prosperous and literary development is prosperous. Chinese culture has been revived for 5,000 years. Environmental art designers have abandoned the European trend of fashion, combined with humanities and technology, focusing on the Chinese style, and simple bricks and tiles can interpret novelty and shock! We have always been craftsmen and have been inspired to inherit traditional culture and keep pace with the times.

There are basically three production processes for traditional brick carving. The starting is to carve on bricks, with delicate and exquisite patterns, but it is extremely time-consuming and labor-consuming; clay made after drying, carving patterns and then firing, suitable for simple patterns; clay pressed molded after drying, suitable for batch products, with slightly rough patterns; various processes have their own value and beauty, and each has its own strengths and strengths. Can we gather the styles of brick carvings in north and south, use technology, save money, and exceed quantification for large and medium-sized projects and thousands of households? Since 2003, the craftsmen of Tangyu brick carving have started the research and development of craftsmanship and material replacement, and have achieved success in the same year, achieving the goal of low cost and high efficiency and culture without losing. Improve efficiency by 20 times, reduce costs by 70%, and the daily production volume is nearly 1,000 square meters.

Introduction to the material and process flow of brick carving in Tangyu: Sculptors use clay or gypsum to draw and shape molding → mold making workshop to make molds → select high-temperature puffed shale natural graphite carbon fiber material for homemade modification agent → molding vibration and vacuuming → high-temperature steaming and raising → packaging and storage.

Tangyu brick carving can be called synthetic brick carving or cold ceramic brick carving. From texture, color to weight to weight, it is difficult to distinguish between traditional brick carvings; its characteristics are mostly better than traditional brick carvings, with dense texture, anti-freeze and thaw, impact resistance, strong weight bearing, wear resistance, high corrosion resistance, and the same life as the building; it can be painted, sprayed, gold-plated, old-fashioned, and painted. Convenient construction is the biggest change of Tangyu brick carving. Conventional brick carvings are built in a mosaic style with buildings, but the new Chinese building materials are mostly the foundation of steel structure and concrete. Tangyu brick carvings are made of interior and exterior packaging for completed buildings. The brick carving patterns have a strong three-dimensional sense, thin bottom, and can be combined with any adhesive, and can be nailed or riveted. After years of hard work, Tangyu brick carvings have finally matured.

(End of this chapter)
Chapter completed!