If you want to make a good movie, you can't just do it by just pointing fingers.

Do you need a script when making a movie?

Need a director, need an actor, need money, etc.

And these elements may not necessarily make a good movie.

Because often a problem occurs in a certain detail, defects will appear.

For example, if the actors are not serious, or if they are not up to the requirements themselves, if so, basically the movie will be like that!

At this moment, the popularity of the Dahua movie was unexpected and unexpected.

After all, Director Zhou himself has great appeal, and everyone is looking forward to his movies, so it should be very popular, but it is so popular that it has nearly 5 billion yuan in the first month. Not to mention Xu Youmeng and Director Zhou were surprised, even Li Xusheng, who had not paid much attention to it, was also surprised when he heard the news.

Thinking about the total box office of a Chinese-language movie in his previous life, it was so exciting that it was so exciting!

And now here, the box office in the first month is about to reach this point, and I don’t know what to say.

Maybe the consumption value here is different.

Here, it seems that it is natural to spend money to watch movies, and there are even a few who watch it several times or dozens of times.

As long as it arouses their interest.

The ticket price for a movie ranges from dozens to hundreds.

If you want a better experience, the higher the better.

In short, under these two films, not only did Director Zhou push to another level, but also allowed Qianyue Culture and Entertainment to develop greatly.

You know, no entertainment company has any work that can have such a box office in such a short time.

Even with the total box office, few movies can compare.

Not to mention that the big-talk movies are just beginning to be released.

The road behind is still long!

Of course, Dahua movies are so popular, not to mention whether they are not jealous, but many people are complaining about it.

Of course not to complain about the movie!

Instead, it’s because the screen-occupation rate of the movie is too high!

It means that the screening rate of the big-name movie is too high, almost reaching more than 80.

So, if the two indicators of screening rate and attendance rate are both high, can we determine that the film has a big box office sales?

The answer is still no!

However, the "double-high" film can at least create more opportunities for the box office.

In fact, the screening rate and attendance rate are both relatively false concepts, and their levels are relative.

Assuming that the scheduled videos are all before 10 a.m. or after 22 p.m., no matter how many schedules it is, it may not be useful.

Similarly, the attendance rate depends directly on the size of the theater. A small hall with 100 people and 80 people see the attendance rate; while a hall with 500 people and 200 people see the attendance rate, only 40%.

Therefore, what directly determines the box office is the ticket price and the number of viewers.

Ticket prices vary, for example, the tickets for movies on Tuesday are half price, and non-golden events are 20% off. 3D videos are more expensive than 2D. Membership cards with different quotas can be discounted...

The number of viewers is a direct reflection of the "proportional film scheduling ratio and the popularity of films". The number of viewers is high, and the box office is definitely not bad.

The high schedule of Dahua movies and the attendance rate are also high, so they don’t know how to spray them?

Especially those directors who travelled with them.

I was originally full of confidence in my work, and even imagined the dream of flying at the box office →_→

But now, everything has become a bubble.

If you don’t say whether you can still make a profit! It would be great if you don’t lose money!

Of course there are so few things, love and hate, you might as well have a little."

...

"Tell you how to make a round look.

The first fan.

It was the inn where Ah Fei invited him to drink. After he gave the flying knife, he used a fan to indicate his identity. He asked what the highest way to be famous in the world was. He did not write the name on his head or let his retainers say it like a legend. He also used a fan, which was low-key and gorgeous. He kept it low-key and folded the fan when he didn't want to show his identity, and opened it when he wanted to give him someone to know his identity.

The second trick is to wear official uniforms at any time.

In this way, people will know what you do or what you used to do.

The third trick is to give your favorite to others along with your family property.

In his eyes, my cousin no longer loves her. She is just an item to repay kindness. Not everyone can have such a good thing as giving someone to a house. After giving it to her, she will drink to drown her sorrow, which makes her look infatuated and righteous.

The fourth move I will take the blame and I will kill someone else.

After returning to the villa, he kept taking the blame. In this way, more and more people know him, because the blame will be whitewashed, but the dead will have to receive the bento. Therefore, it is no big deal to take the blame. Believe that you are the protagonist and the protagonist's world has no unsolvable blame."

...

...

"I watched the movie and the book together, and I was crying for no reason.

Ten years ago, the romantic Hanlin in the court, Tanhualang, who ranked third in the weapon chart, came out of seclusion and embarked on his own exile career.

Ten years later, the exile returned.

When this book was published, it was divided into two parts: "The First Sword of the Storm" and "The Soul of the Iron Bold".

The upper part describes the annihilation of the plum blossom thief, and the lower part describes the battle with Shangguan Jinhong for power.

The upper part describes "Winter". Li Xunhuan returned home from outside the pass ten years later. No matter what he saw, he quickly brought him into the situation ten years ago, bringing out Li Xunhuan's bitter love for Lin Shiyin, which was extremely cold; the lower part describes "Autumn", and famous actors on the weapon list appeared one after another. Almost every decisive battle is enough to be recorded in the history of martial arts, bringing out A Fei's infatuation with Lin Xian'er, which is bleak in the wind and rain.

The two parts of the novel have a clear rhythm.

The upper part is lyrical, soothing, the lower part is sonorous and compact.

What strung them together like pearls is Li Xunhuan's memories.

From Li Xunhuan entering the pass to A Fei's journey, a faint sadness enveloped the whole book.

Unlike other martial arts characters, Li Xunhuan does not live here and now. What he really intoxicated with is his own memories:

Ten years ago, he gave up everything he had and passed by here when he left the seclusion in disgrace. It was the time when spring was blooming.

He remembered that there was a small restaurant nearby, and the tall green curtains could be seen from afar, so he stopped the car and went to drink a few kilograms of wine.

Although the wine was not good, the place faced the green mountains and was covered with green water. There were many tourists in the spring. He looked at the smiling red men and green women, drinking his bitter wine cup by cup, and was ready to say goodbye to the ten-foot soft red from now on. This impression made him never forget.

Now, he didn't expect that he would return here. After ten years, the face of people must have been completely different. The old young girl who was once married may now be married to a wife, and the loving couple who were once may have returned to the loess. Even the peach blossoms of the past have been buried in the snow.

But he hoped that the small restaurant was still there.

...

Although the world in ice and snow is very different from that in the spring breeze, he still felt a slight tingling pain in his heart when he passed this road.

Wealth, power, reputation and status are easier to abandon, but those memories, those more bitter than sweet memories, are like heavy shackles that can never be thrown away or removed.

Li Xunhuan took out a flat wine bottle from his arms, poured all the wine in the bottle into his throat, and then walked forward after the cough stopped.

He indeed saw the small restaurant.

They were several open halls built at the foot of the mountain. There were wide corridors on all sides of the house, vermilion railings and turquoise screen windows.

He remembered that in spring, an unknown mountain flower bloomed everywhere, colorful and rich. He leaned against the vermilion railing to enjoy the flowers and drink, and the light wine became a fine wine.

Now the red paint on the railings has peeled off, and the red flowers have been replaced by snow. The snow is rutted and the horses are hooved everywhere. You can also hear the neighing sound of horses behind the house in the wind.

As soon as Li Xunhuan walked into the door, she stepped into the memories ten years ago.

Everything in this room has not changed at all from ten years ago. Every table and a few are still placed at the location ten years ago. Even the pens and inks on the table have not changed at all. If it weren't for the snowy night, the bright moon in front of the window and the setting sun in the corner of the room would have been fine.

Li Xunhuan seemed to suddenly go back ten years ago. If time had gone back ten years, he might have just counted the plum blossoms with Lin Shiyin, maybe he was about to come back to get a fox fur to put it on her, or maybe he was back to write down the good sentences they had recited so that they would not forget them in the future.

But now when Li Xunhuan wanted to forget, he realized that that thing would never be forgotten. If he had known this, why would he have to write it down with his pen?

The snow is falling again.

The snowflakes gently sprinkle on the window, like the whisper of a lover.

...

Li Xunhuan sat down on a large, tiger-skinned rosewood chair. This chair was probably older than him.

He remembered that when he was very young, he always liked to climb up to this chair to polish ink for his father. He just hoped to grow taller quickly and sit on the chair. At that time, he always had a wonderful idea in his heart, always afraid that the chair would grow taller like people.

Finally one day, he could sit on the chair, and he knew that the chair would never grow tall. At that time, he couldn't help but feel sad for the chair and felt that it was pitiful.

But now, he only hopes that he can never grow up like this chair, and never be sad. Unfortunately, the chair is still the same, but the person is old.

The greatest charm of "Emotional" may lie in the recollection and sentimentality of the past.

The past should not be kept, and the dead should not be pursued. Li Xunhuan's body stayed at "this time", but his soul returned to the "that day" ten years ago again and again.
To be continued...