This person is so casual and does whatever he thinks.

"But you haven't said why you've finished work now?"

He was still a little curious about this matter.

Li Xusheng also said strangely: "I'm still strange. Why did Xu Youmeng suddenly think about coming here?"

"Hey, that girl Youmeng is coming?" Director Zhou was also surprised, "But even so, you can't stop the crew like this, right?"

Li Xusheng said indifferently: "Hi, it's no big deal anyway, so let everyone take a break and take a good shot tomorrow!"

Director Zhou thought about it and nodded, "Yes, you are the director anyway, you have the final say."

"But then again, do you really plan to shoot TV series in the future?"

The two of them talked while walking.

Director Zhou couldn't understand Li Xusheng's idea of ​​filming a TV series.

After all, he is a pure filmmaker.

I have basically never been exposed to TV dramas.

Of course, both are film and television dramas, and in comparison, they will have many things in common.

But there will be many differences.

Just like a movie condenses a story and expresses it, the content is compact and concise, and there are very few extra parts.

In an excellent movie, almost every picture of it has content, which is to explain some truth.

TV series are actually mainly used to spend time.

So the time is long and there is a lot of unnecessary content. Except for a few classic TV series, the rest is to make up time.

Let’s give an example of the obvious difference between movies and TV series:

Let’s first describe a scene. On the battlefield, two brothers fight on the battlefield, and one of them is unfortunately killed.

The movie is probably like this: another person rushed over to the death, hugged the dead, looked sad and angry, looked up, was angry, and then started to kill the enemy. Or just didn't go over, just take a close-up of the face, such as looking at the dead brother with wide eyes, then yelled, and fought bravely to kill the enemy.

The TV version is probably: You must kill the enemy without hesitation, and there may be some close-ups of the action of killing the enemy. Then you hug him, the injured person is dying, saying nothing about me, I can't accompany you in the future, etc. The living person: You will be fine, hold on, the two chatted for a long time, but the injured person really had nothing to say, and then die. At this time, the living person had to hug the dead tightly for a while and the enemies around him were as if they were not these two, and they were very happy to fight. At this time, the living person roared again and rushed to kill the enemy.

So this is a difference.

In general, a good movie is the essence of condensed, which is very compact, and it is not enough not to be compact. Time does not allow it. Of course, you should focus more on watching movies. If you watch some movies carefully, you may not be able to understand them.

TV series mainly provide entertainment for most people, so it mainly takes a long time. Because the time is too long, most TV series are not very exciting, and a lot of content is added to control time.

However, in Li Xusheng's view, both of these are film and television works of entertainment nature.

Anyway, it’s all for people to see, as long as people like it, that’s fine!

Of course, in this industry, there is actually a difference.

Take the performances of movies and TV series in terms of size, accuracy, rhythm and style, and there are differences between them. Let’s talk about the size...

For example, there are too many categories of actors, such as singers, dancers, opera actors, folk art actors, acrobatics, magic, oral skills, dubbing, radio dramas, instrumental music, sketches, film and television dramas, etc., different industries have their own performance forms. From the perspective of large formal attributes, the performances of crosstalk, sketches, dramas, TV dramas and movies should be in the same category, and they are all performances based on realism as the creation.

In other words, these art categories are closest to people's lives.

Therefore, actors in these industries often perform cross-border performances.

What they need to adjust is the size of the performance, also called the degree of performance.

The requirements for size come from three aspects: the performance platform, the viewing relationship, and the artistic effect they pursue.

The performance platform for crosstalk, sketches and dramas is the stage of the theater or the studio of the TV station, and is often far from the actual distance between the audience.

The audience often cannot see the actor's facial expressions clearly, so the actor needs to amplify the volume of the lines and the body language to convey his performance to the audience.

During the battle on Guangling Road in Western Chu, the troops of the Liyang Sui general Yan Zhenchun were besieged by superior forces in the western border of Xichu Xie. The 30,000 cavalry of the Yan family died south from Yan Zhenchun.

Against the backdrop of the victory of the Western Chu, Zhao Ying, the King of Huainan in Liyang, and the command of Xia Ping, Hou Datong and Yu Qianshan, the three generals of the four thousand guards led a series of defenses in Xichu and were unable to break through the three lines of defense in Xichu. The entire Huainan army was wiped out as Liyang

During the attack on Yan Wenluan, the commander of the Northern Liang infantry, all the forces in the Beimang rivers and lakes were destroyed.

The princess' tomb had a little thought, and the five men died in Huyan Daguan and Xu Yan, the envoys of Qingliangshan, and the soldiers chased and killed them.

The Beimang River and Lake were destroyed overnight for thirty years, and for decades thereafter, they were still unable to compete with the Central Plains masters.

During the tug-of-war between Liangmang during the Xiangfu period, Beimang defeated Beiliang's three cities, Luanhe and Hutou. The commanders of Beiliang Liu Jinu, Ma Shili, Chu Hanqing, Zhu Mu, Gao Shiqing, Yang Piao, and Xun Shu were all killed in the battle on the day when the city was broken, and the wind blew up.

In the direction of Jizhou, King Beimang Sui's troops were sent to Hengshui. Zhang Julu disciple Wei Jingtang insisted on resisting the enemy. He supported the Youzhou cavalry's advantage against the enemy with the character of Liyang scholars and followed his mentor.

The Northern and Southern Dynasties, at the cost of the Eastern Front, Yang Yuanzan, the Rouran's co-master, Hong Jingyan, and Yelu Hongcai, the important minister of the royal family, died one after another. The front line was pushed from the Liangmang border to the Jubei New City, and bloodied every step.

Amid the rolling spring thunder, the first saint Zhang Fuyao and the first saint Zhao Changling dispersed their souls one after another, and chose to bless the northern Liang with the number of heaven and man, and the spirit of a hundred years was scattered.

With this as the beginning, the Second Battle of Liangmang began with the Eighteen Grand Masters of the Central Plains working together outside the Jubei City to win the Beimang army.

Among them, the master of swordsmanship, Sui Xiegu, Wudang Yu Xingrui, southern border boxer Wei Miao, Wudi, Wudi's city tower was deserted, Chai Qingshan, Dragon Palace Ji Lu'an, Confucian Saint Cheng Baishuang, and the swordsman Mao Shulang died outside the pass in a half-day civil war, and he was buried in Northern Liang forever.

On the same day, the Central Plains master severely injured the half-faced Buddha Murong Baoding, Xu Fengnian defeated the Northern Dynasties' god Tuoba Bodhisattva, and the girl Jia Jia Jia took Baopingzhou from the group of thousands of troops to hold the head of Wang Yong, and the Emperor Wucheng killed Beimang in the formation of the groom. Under the banner of King Xu, there was no one in Beimang to speak of Yong.

After the blind violinist Xue Songguan, who was seriously injured in the lower city of Jubei, he recovered from his injuries, he joined hands with Su Su of Western Shu who was unwilling to restore his country to leave the country. He held his hand and grew old with him, and thus disappeared from the world.

At the end of the Second Battle of Liangmang, Beimang attacked Beiliang south while attacking Beiliang. The city was soon broken, and Xu Pu, the former cavalry general of the Beiliang cavalry, was killed in the battle to defend the city.

In order to convey the message that Xu Fengnian's daughter's life was hunted by the grassland cavalry for thousands of miles and died in an exhausted manner.

Under the military orders that Liyang was not allowed to move, the two generals Han Fang and Cai Bai resolutely led their troops to advance to the Liuzhou cavalry. The three cavalrymen of Youliuji combined to defeat the two dynasties of the north and south.

Before this, Empress Murong of Beimang passed away suddenly and failed to wait for the news that the Iron Cavalry conquered Huaiyang and the Reign of Bei, nor did she wait for the Liaodong Erlang whom she met many years ago.

During the Tai'an siege that lasted for several years, Gu Jiantang's adopted son Yuan Tingshan, who had stood out in the pacification of the Western Chu rebellion, Song Li, the general of Chunxuelou, and Qi Shence of Shangyin Academy, led his troops to rebel from Yang and attached to the southern border, and defeated Tai'an City.

Zhao Sui, the old vassal king who had been neglected by the capital for many years, unexpectedly led the army to speed into the capital and led his troops to resist the enemy. The suppressed veteran Lu Shengxiang also led the royal army to fight the death of Jianzhan in southern Xinjiang in Gyeonggi Province, and two old ministers from both dynasties died together.

At the end of the Tai'an Rebellion, the famous general Xu Gong opened the west gate and surrendered, becoming the last straw that killed the old Liyang Dynasty.

In sharp contrast to the future rise of Yuan Tingshan, Song Li and Qi Shen Ce, three dragon-held generals, was that in the new dynasty, the Xu family of Gusu had no power to compete for the power of the temple, but the veteran Lu Shengxiang, who fought to the death, enjoyed more mourning and honor.

The old Jing'an vassal king Zhao Xun was defeated and died after being supported by Nanjiang Dao for one ten years. The queen Shu Xi also left with Zhao Xun. This repeated woman who had died for Qingliang Mountain for the art of garrison "Baidi Baopu Jue", but was willing to enter the Zhao family at the cost of ten years of life. Finally, she called out a soft and soft "Your Majesty" under the picturesque galaxy.

The blind chess player Lu Xu entered Zhao Gou, and the sound of wind and rain sounded and assisted the ministers of the three dynasties. However, they could only have one chess piece and one apricot blossom.

A branch of apricot blossom will never leave you forever; a chess piece will be used as a national hero.

After several twists and turns, Zhao Zhuan, the old emperor of Xiangfu, finally reunited with Yan Dongwu, who was escorted out of the capital during the Tai'an Rebellion, in Northern Liangling Prefecture. From then on, he opened a school and hid his name.

A touch of wolf hair and a pot of wine, many emperors' affairs are all laughing at me.

King Chen Zhibao of Shu disappeared after the battle of Tai'an siege. He also disappeared twice, thank you for the hut that was listed on the list of Rouge Beauty.

Some people say that the white-clothed soldier saint and his beauties built in the bamboo sea in Shu and never cared about the world. Some people swear that this Western Shu Confucian would suffer several setbacks in the protracted battle in the capital, and eventually died of serious injuries.

In any case, the legend of plum wine and the white-clothed military saint gradually disappeared.

In the new dynasty of Yangjia, Yan Chiji, Kong Zhenrong and Li Hanlin all had a good end. They met the young Northern Liang foursomes who were young and finally reunited when they were old. Yan Chiji became the Grand Secretary, and Li Hanlin became the General of the Liyang West after the Liang party entered Liyang.

Xu Fengnian's three apprentices all joined the martial arts appraisals and all had tough opponents.

In the future, the Liyang River will be called the "land dragon" and is located at the peak of the Liyang martial arts world. Only if you have it, you can win and lose with it.

Lu Yun was praised as the master of Li Yang, but he was often suppressed by Tao Manwu, a girl from Beimang who was gifted and had the experience of swordsmanship of Wang Xianzhi, Xu Fengnian and Chu Kuangnu.

Wang Sheng did not compete with the master for his strengths and weaknesses, but he had a hard time with Dongyue Jianchi Single Baitie, and he fought several times without a distinction between the winners and the outcome. He just didn't know if both of them saw their own shadows and the unspoken feelings in each other.

Ziyi Xuanyuan Qingfeng was in seclusion in Daxueping, and always proudly met Xu Fengnian every ten years in the name of a date; the beautiful woman was old, Xuanyuan Qingfeng had white hair, and the first time she made a promise many years later, and she was speechless in the mirror.

Huang Fangfo, the chief guest of Huishan, followed the general of gang affairs in Xuanyuan Qingfeng, and later became a master of the celestial phenomena.

Mr. Bai Lian Bai Yu, Little Lu Zu Qi Xianxia, ​​and Longhushan Zhao Ningshen lived in seclusion in the Lung Mountains.

Qi Xianxia abandoned the sword and asked about the way of heaven, and the sword intent soared straight up. It is said that he chased Yu Xinlang, the new sword god who ranked second in martial arts.

Zhao Ning was so concerned about purple clothes that he had been like a day. The geese returned and the geese left, and his heart finally ended up in the vast sea of ​​clouds.

Li Huainian, a disciple of Deng Tai'a, got married with his neighbor Acao in Yizhou City, Western Shu, and spent the rest of his life in peace.

From then on, since he was young, he walked to Deng Tai'a, the Peach Blossom Sword God who did not wear a sword, and left the donkey who had been with him for half his life on Wudang Mountain to accompany Hong Xixiang's green cow.

However, everyone in the world knows that the sword Tai'a from the north city guards the Tianmen with one sword, but no one is lucky enough to see the power of the nameless iron sword that is unknown from the source. They only know that when the Sword Rain Tower in Yizhou broke the rule that several generations of the landlords only hang the portraits of the deceased sword master in the Ding Pavilion, and generously hang the portraits of the Peach Blossom Sword God between Li Chungang and Lu Zu.

Two Zen temples were found together in east, west, south and north. The female donor gave lectures and spread the scriptures, and the young monk Amitabha Buddha.

The sky is vast and the earth is vast, and only one white robes are made; the Dharma is boundless, only one piece of rouge is bigger.

Fan Xiaochai and Chen Tianyuan, Taibai Sword Sect, flew away to the Yang side by side. From then on, Taibai Sword Sect lost a master who was in charge, and there was an extra celestial sword immortal in the world who was afraid of the inner world.

Wu Liuding and Cuihua lived in seclusion in Jianzhong without caring about the affairs of the world.

The Wu Family Sword Master cooked sauerkraut for many years, and the Wu Family Sword Guan ate them for many years, ending on the same day in the same month.

Zhu Huang, the former Wu family's swordsman who fought against foreign enemies with Northern Liang, Helian Jianchi, Nalan Huaiyu and others established a sect in Liyang and built a nine-story Shengqi Building.

The sword in the building is domineering, and it is vaguely in a row with the Wu family's sword tomb and the Dongyue sword pool.

When Chai Dongdi saw King Liang, he missed his life. He led his troops to guard the Northern Liang army town. He never met Xu Fengnian. He was able to meet for the last time before his death and passed away with a smile.

Since the commander of Tiefutu Qi Dangguo, the commander of Youzhou cavalry, the deputy commander of the Longxiang Army, the 320,000 border soldiers including 320,000 soldiers were named after the Qingliangshan Stele Forest in the three Liangmang offensive and defensive battles. The generals of the Northern Liang, including Li Mofan, Hong Shuwen, Cao Xiaojiao, Huangfu Li, Hong Xinjia, etc., led by Li Yanchao, drove straight into the Northern Liang royal court, and made a great contribution.

The three men of Jianghuai, Cao Wei and Yu Luandao were successively appointed as Minister of War, and entered Liyang to be the important position, and made the Northern Liang famous.

Yan Wenluan and Gu Dazu took off their armor and returned to the fields to live their lives. However, whenever they saw the King of Northern Liang who was "dead in Tai'an City", they would roll their eyes, but they loved Xu Nianliang, the little princess of Northern Liang who was as black as charcoal.

During the Yang Jiaqing period, the Beimang Zhong family rose against the trend in the defeat of Beimang. The two of the Zhishen Zang Da and his son joined hands to enter Liyang and rose to prominence.
Chapter completed!