According to common sense, people who throw people down will not go down, so the tomb owner and his wife should not be down.

I looked at the surrounding murals again and found that there was a door in the murals, which was more realistic than the objects in other paintings.

I walked to this door and when I approached, I could see that it was a real door, but it was cleverly integrated into the murals and had no sense of incongruity with the surrounding scenery.

From the scenery around the door, it can be inferred that it represents the gate of the underworld in the painting.

There were many images of monsters carved on the door. I reached out to push it, and it pushed it away in an instant.

There is no lock on this door, and there is a main hall inside the door. The style of this main hall is not consistent with the pyramid above, because there are paintings on its walls, but it is obviously not the style of the ancient Nile Kingdom.

Its content is not narrative, it is just a simple decoration, blood-colored roses, dark green thorn vines, and every flower in the painting is three-dimensional.

The light and dark effects in the painting are no less than modern technology. I even walked closer and touched them, and it was indeed a graphic painting.

There is a stone platform in the center of the hall. I no longer look around and walk straight towards the stone platform.

There were two people lying on the stone platform, to be precise, two women, one was the goddess of Sakura Country that I had seen in the photo, and the other was a face in my long-standing memory.

"Nanduo..." I pronounced her name, walked up the steps, and stood next to the stone platform.

When I walked closer, I saw that the two of them were lying side by side on the stone platform, but the left hand of the Sakura Kingdom goddess and Nanduo's right hand were connected by a strange thing.

The thing is like a hand warmer bag, a tube-shaped hand warmer bag, and then two people stretch out their hands in, and the situation inside cannot be seen because the thing is opaque.

I looked around the platform, there was no figure of Chen Qinghan and the tomb owner, so I reached out and wanted to touch the hand warmer bag.

"ah--"

As soon as I reached out, a strange scream came from the top of my head. I judged the position by the sound, jumped off the steps first, and then looked up to look.

The monster that made a strange cry was a monster that jumped off the beam of the hall. The monster had four legs, six arms, and a sarcoma that was about the same size as the left and right of the head.

It looks like there are three heads, but in fact only one, and the side brains may be the secondary brains on both sides.

If you don’t look at its face, you may not be able to tell that it was once a person, and only one face is preserved in full.

But it is too old. I have never seen anyone older than it. Compared with it, centenarians are like minors.

But it is always old, and its movements are not slow at all, just like a flexible boy wearing an old man's skin.

I opened my mouth and realized that I could not speak the language of the ancient Nile Kingdom and did not bring the translator. So I gave up using conventional methods to communicate and fought first. If I could not convince, I tried to subdue it.

The old monster with three heads and six arms pursued me relentlessly and could not use much karma to deal with it. I thrust a few times and burned its arm. It broke its arm and felt pain, but it still did not retreat.
Chapter completed!