Gao Miaomiao and others were originally fighting, but they caught a glimpse of Mu Zhengyang painting and all around him.

Chen Zhihui didn't pay attention to this painting when she finished writing, and several ink dots stained the blank space. She said shyly: "Mr. Mu, this painting is already a piece of waste paper. You can change to a new one!"

Mu Zhengyang smiled faintly and said, "It's okay!"

These ink dots seem to be chaotic in the blank area, but they are faintly in line with some of the landform characteristics of Tiannan Mountain.

Mu Zhengyang had long put Tiannan Mountain in his heart when he was sketching in Tiannan Mountain. It was these ink dots that made him think of continuing to paint.

Lu Yuanxing heard the movements of Mu Zhengyang and others, and came over with Zhao Shiran, with a smile on his face and said, "Hehe, I just saw Mr. Mu's calligraphy yesterday, but I didn't expect to see Mr. Mu's Chinese paintings today!"

Mu Zhengyang smiled slightly and calmed down, and the entire Tiannan Mountain came to his mind.

Lu Yuanxing did want to gossip Mu Zhengyang's Chinese painting level, but he did not expect Mu Zhengyang to have high attainments in Chinese painting.

After all, a person's energy is limited. Mu Zhengyang's calligraphy is of the standard of the world at a young age, so how can he have time to paint on Chinese paintings?

Moreover, these ink dots limit the layout of the entire painting, and Mu Zhengyang is like dancing with shackles.

Zhao Shiran clenched his fists and silently cheered Mu Zhengyang in his heart.

Mu Zhengyang seemed to hear the breathing of Tiannan Mountain. He remembered the location of several pigments, slowly closed his eyes, and adjusted his breathing to synchronize with Tiannan Mountain.

Draw with your eyes closed?

The thickness of the lines and the changes in color depth of Chinese paintings are all very detailed things. You may make mistakes when you open your eyes, let alone close your eyes?

Lu Yuanxing and others were particularly surprised and even felt that Mu Zhengyang was a little arrogant, but they were just watching quietly, afraid of affecting Mu Zhengyang's condition.

Mu Zhengyang reached a state of tranquility, and the entire Tiannan Mountain was presented in his mind in three-dimensional way, and he felt like he wanted to erupt from his heart.

The pen tip falls.

Drawing is a slow skill, but Gao Miaomiao and others saw Mu Zhengyang as if he was doing graffiti on the drawing board.

quick!

Too fast!

Gao Miaomiao and others were watching from the side, but the speed of the painting was so fast that they could not see it!

Mu Zhengyang forgot everything around him, just wanted to draw the Tiannan Mountain in his heart.

A few minutes later.

Mu Zhengyang opened his eyes and wrote the words Tiannan Mountain directly above the scroll.

This is a landscape painting with colorful peaks, mountain streams flying down, lake water rippling, mountains and mountains near and far, green vegetation, fishing boats returning to the lake bay

The mountain is lush and clouds are shrouded in the mountains. The villages at the foot of the mountain are scattered, and there are still a few people standing on the ridge and enjoying the scenery.

From the perspective of composition, there are the host and guest, echoing, virtual and real, sparse and dense, opening and closing, hidden and exposed, and the rhythm of the rhythm of the festival. The three faraways of "high and far" in "Linquan Gaozhi" are just right. In terms of brushwork, Chinese painting emphasizes "calligraphy brushwork", with Mu Zhengyang's "Liu Gu Yanyun". The ink is "burned, thick, heavy, light, clear, dry, wet, thick, light, black, white" with clear and changeable levels. The techniques of each scene are used extremely accurately, and can be regarded as a rare fine painting.

"Teacher, you're drawing too fast!" Zhao Shiran was stunned.

"This is not only a matter of drawing fast, but the key is also a good drawing!"

"This painting is very similar to the famous paintings of famous artists in our textbooks, and the little people on the ridges, we are painting them!"

"Mr. Mu's drawings with his eyes closed are of this level. Woo..., I feel like a waste..."

Although Gao Miaomiao, Chen Zhihui, Lin Jiao and others have not yet matured, their appreciation level is still there. Staring at this painting in a daze, I was greatly impacted in my heart.

Lu Yuanxing's vision is more professional and accurate, and the difficulty of landscape painting is actually a matter of hierarchy.

Mu Zhengyang used the "ink accumulation method" in this painting, which is to seek levels in ink to reflect the complete atmosphere of mountains and rivers.

The key is to master the intermediate tone and solve the black and white relationship of the picture. The black and white relationship of the picture is the relationship between the dark part and the bright part, and the relationship between the real and the virtual.

The opening and closing of the entire picture of this work contains the processing of virtual and real, black and white, and is very subtle and elastic.

In the depth, people feel a misty atmosphere flowing around, and use a poetic atmosphere to induce people to enter the realm of painting.

Lu Yuanxing moved his eyes away from the painting and looked at Mu Zhengyang, "Is this still a human?"

Mu Zhengyang felt Lu Yuanxing's gaze and wanted to ask Lu Yuanxing the professional's advice. He asked with a smile: "Teacher Lu, you are an expert, can you give me some advice!"

Instructions?

How can I give this advice?

There was a hint of convulsion at the corner of Lu Yuanxing's mouth, and he could only say with awkward and graceful expression: "Looking at this painting, there is movement in quietness, landscapes and lakes, and the mountains and rivers are as distant as idyllic as the landscape is leaping on the paper, and at the same time it shows a profound, profound, quiet and lively aesthetic, which fully reflects the tranquility and ethereality of Tiannan Mountain, making the viewer feel as if he is in the scene and is far above me. What's more, Mr. Mu actually completed this painting with his eyes closed on an abandoned painting stained by ink. It's really amazing to me!"

The eyes closed, but the window of the soul opened.

Mu Zhengyang may not draw better with his eyes open, but this trick of painting with his eyes closed is indeed a bit shocking. He explained: "I spent all day on Tiannan Mountain and was extremely familiar with Tiannan Mountain and had some advantages. If it were other peaks, I'm afraid the level would be much lower!"

This is also the truth. Since Mu Zhengyang learned Chinese painting, he has painted Tiannan Mountain from all angles, reaching a state of being a cook who cuts a cow.

Since ancient times, literati have been despised by each other, and some have been arrogant because of their talent.

Lu Yuanxing was very moved. What Mu Zhengyang said was a bit likely, but that kind of technique had a real vision. In my heart, in addition to admiring Mu Zhengyang's artistic attainments, he admired Mu Zhengyang even more, who was obviously peerless, but he was afraid that his talent would cause harm to others' hearts because his talent was too dazzling, and he deliberately hid his behavior.
Chapter completed!