"What is the amusement park..." Zhu Su asked Zhu Lang curiously.

At this time, Zhu Lang also chuckled and replied: "Amusement park... is the place where adults and children play together. There are many game things in it, such as seesaws, slides, and carousels. Well... You can also combine snacks, paper cutting, medicine and medical treatment, fortune-telling, shopping for clothing and jewelry, etc. into it.

Anyway, I just gather all the funniest things in my Ming Dynasty into the amusement park...!"

"The amusement park...it's a bit like the tile in the Song Dynasty." Zhu Di first expressed the central idea of ​​the amusement park.

In fact, Zhu Lang’s so-called concept of amusement parks extends from the Song Dynasty tile. However, Zhu Lang also added some modern things, such as the Internet celebrity bridge, which is a show where a group of people sway the bridge on the bridge to see who will fall.

There are also canoes, climbing, haunted houses, etc...!

The washes in the Song Dynasty are also very distinctive. A while ago, a TV series starring Lao Qin was played. The washes there really didn't count anything. There are many entertainment projects in the washes in Hangzhou.

Many of the performances we can think of today can be said to be complete, such as: rap, singing and dancing, zaju, southern opera, puppet opera, instrumental music, hundreds of operas, sumo wrestling, animal taming, magic, acrobatics, chess, etc.

Moreover, there are a lot of small categories in these large categories, including novels, history, miscellaneous dress, chanting, etc.

For example, when talking about history, in the wazi in the Song Dynasty, the content that often appears includes the prototype of the Romance of the Three Kingdoms. The stories circulating at that time already had the story of scraping bones to cure poison, passing five passes and killing six generals, etc. So Li Kui in Water Margin had a plot of listening to the opera in the washe. He heard someone telling the story of Guan Yun scraping bones to cure poison, and shouting: "It's this good man."

In the brothels, in addition to language art, there are also many acrobatics. For example, dancing guns and swords is a traditional project, and there are also performing hard qigong. The hard qigong performance at that time was not as exaggerated as later generations. It was mainly about cutting bricks and stones, and most of them were real kung fu, and of course there were also frauds.

There are also many performances like playing UFOs. It can be said that the performance system founded by these folk artists is also very useful for later generations and greatly enriched our country's traditional culture.

The most powerful thing is to tame animals... Taming animals is also a very important performance. At that time, due to the frequent overseas trade in the Song Dynasty, the content of taming animals was varied, including those who trained parrots, common ones who trained dogs, bears, and even elephants.

It can be said that my country's history of animal taming is more abundant than any country in the world. Since the Song Dynasty, my country's animal taming has become famous all over the world. Foreigners who came to Kaifeng were amazed. There are even lost animal taming techniques such as the so-called "ant fighting formation" that were famous in East and Central Asia at that time.

"Tokyo Dreamland Record" records nearly ten, but in fact it is definitely more than this number.

At that time, there were many tiles in Bianjing, and the performances were very lively. Famous ones include Xinmen Wazi, Sangjia Wazi, Zhujiaqiao Wazi, Zhouxi Wazi, Baokangmen Wazi, Zhoubei Wazi, etc.

After the Southern Song Dynasty moved its capital to Hangzhou, a large number of artists also went south to Lin'an, and the washes increased and continued to decrease. "Old Things in Wulin" records that there were twenty-three washes in Lin'an, and even small counties and small towns.

"Dream Lianglu" and "The Prosperity of the Old Man in West Lake" record that at that time, the largest entertainment center in Lin'an was Beiwa, with thirteen tramways, performing various programs day and night, and thousands of citizens enjoyed here every day.

This is why there is a poem called "The warm wind makes tourists drunk, and only Hangzhou is regarded as Bianzhou... After Zhu Yuanzhang established the Ming Dynasty, he severely restricted citizens' entertainment, resulting in the rapid decline of the urban entertainment industry.

At this time, Zhu Lang did not talk about Washe, but said a new term for amusement park that also distinguished himself from Washe.

After a while, Zhu Lang took out the haunted house he designed for Zhu Yuanzhang to show it, just to distinguish the difference between the tile and the amusement park. Zhu Yuanzhang originally liked Zhu Lang and loved the houses and the facilities of the haunted houses made Zhu Yuanzhang smile several times.

Later, Zhu Yuanzhang agreed to Zhu Lang's request to establish an amusement park. Zhu Yuanzhang did not allow entertainment because he felt that entertainment was not good. However, if Zhu Yuanzhang knew that these entertainment could bring a lot of wealth to the Ming court, in fact, Zhu Yuanzhang would not have such a resistant mentality.

....................................

Zhu Yuanzhang and his family reclaimed a piece of land by the Qinhuai River, which could repair the emotions between his family. Although Zhu Lang is not favored by other brothers of the Zhu family, Zhu Lang's ability also made the Zhu brothers not so repulsive to Zhu Lang.

Among them, Zhu Chuang should hate Zhu Lang the most. After all, Zhu Lang invited Zhu Chuang's princess to the Narcissus Village, and Zhu Lang also killed Zhu Chuang's concubine Deng Le'er's younger brother. Now Deng Le'er is no longer a concubine, and Zhu Lang has a bad relationship with the Deng family of Duke Wei Guo.

However, even if Zhu Ceng is unhappy with Zhu Lang, when we are together now, Zhu Ceng sees Zhu Yuanzhang, Zhu Biao's attitude towards Zhu Lang, and Empress Ma's doting for Zhu Lang. Zhu Ceng is so stupid that he knows very clearly that Zhu Lang is not something he can touch.

Therefore, Zhu Chuang's hatred for Zhu Lang could only be deeply buried in his heart, and Zhu Chuang might also ask to go to Zhu Lang... After the Zhu family stayed in the Narcissus Village for a day, what Zhu Yuanzhang and Zhu Biao didn't know was.

A very serious thing is happening in their Ming Dynasty now.

On the official road of the Ming Dynasty, three yamen runners were sitting on donkey carts and heading to a place called Lijia Village. The day before yesterday, someone reported that this fugitive might be hidden in Lijia Village. This fugitive was a thief who liked to put on makeup and become a peddler during the day.

If your family is targeted by this thief, he will put a triangle mark on the bottom of your wall and come to your house at night and massacre your whole family overnight. Even your children, this thief, will not let go.

Because of this, this thief has been on the prison documents of major counties.

The traffic in ancient times was relatively backward and there was no modern communication system, so the ancient government had only one way to arrest fugitives, which was to issue a document to arrest the sea.

The so-called sea capture documents in ancient times actually functioned like modern wanted warrants. They recorded some basic information of fugitives, such as name, age, hometown and other information. In addition, there were also fugitives on this wanted warrant in ancient times, that is, "painting and shadow graphics" so that officials and citizens can identify and arrest them.

The portraits of fugitives on the wanted warrants in ancient times were actually not similar at all, and they were even very different from the appearance of fugitives.

The reason for this situation is mainly because this painter is usually guest starring the masters or clerks in the county government office. Not every county government office can find a special painter. In addition, it can only paint through verbal descriptions, so the image drawn is very different from the real fugitive.

In a word, the portraits of fugitives on wanted orders in ancient times were basically drawn by imagination.

So, this is very interesting. Since the ancient wanted orders were not painted at all, is this so-called sea capture document really that effective? Can fugitives be caught?

In fact, the portrait on this wanted order in ancient times was not very effective. What really worked was the 13 words on the sea captain's document.

With these 13 words, you can't escape even if you are, and no one dares to shelter the fugitive.

Which thirteen words?

"Is there anyone in the world who can sue people for murder, and reward 50,000 yuan"... The reward of 50,000 yuan is not low, and everyone wants to make money. In addition, in ancient times, transportation was relatively backward and population mobility was also very low. Under such circumstances, if a person with a foreign accent suddenly came to a certain place, it would be easy to be recognized by the locals. If the sea captive documents issued by the court were also sent to this place, then the first thing people think of is whether the outsider would be a fugitive.

In this case, no matter whether you are a fugitive or not, you must first catch the government to verify your true identity. Only after proving your true identity will you be released if you are not a fugitive. Although this will cause the wrong person to be caught, it will not be easy to cause fish that misses the net.
Chapter completed!