.I looked at the figure with goosebumps all over the floor for some reason (reprinted by this book. The first thing I saw was actually a stone statue, but then I realized that it was impossible because the shape was too realistic. It felt like a solidified and hanged person. Even if someone wanted to carve such shocking things in that era, he would not have been carved in such a photo. Although there are many evil gods in the Nanman area, they have taken the exaggerated route and are not realistic.

There are so many strange things along the way that I dare not underestimate it. Maybe the one who emitted green light just now looked just right.

Carefully approaching the human figure, the feeling of waxing dead after swimming closer is even more obvious. On the other hand, I found that its right hand was broken from the wrist and the whole hand was missing. It was not cast like this from the beginning, but was destroyed.

I wanted to learn Venus but didn't learn it! I hesitated for a while and carefully used the military spike to scrape off the white sediment on it to see its original color.

When I scraped off one piece, I was surprised that the thing itself was a black and red color, but it was not very bright and dimly entangled together. It was like mold and dirty. If I continued to scrape it, I found that the black and red mottled mold flowers were all rust. This thing was actually iron.

No! Is it an iron figurine? I plucked up my courage and pinched it with my hands. It turned out that it was solid. Some places may be well tempered and not rotted yet. You can even see very delicate patterns carved on it. Other surfaces are completely rusted and dark red spots.

I gradually realized something and immediately scraped all the attachments off it. An iron figurine with a very unique shape soon appeared in front of me.

I couldn't help but be a little shocked because the impression this thing just now gave me was that the shape was realistic but the surface was simple. Now, looking at its surface was polished and polished, although it was rusted now, it was sure that it was very delicate before, and it was a work of art. When I touched it with my hands, I felt that these patterns were exactly the same as the iron block patterns that appeared under the bed of the muffled oil bottle.

I understand! This is what those archaeological teams salvaged underwater! Those iron blocks are fragments of this kind of iron figurine.

Is this thing considered a cultural relic? Is it worth archaeology?

Then I thought of the fact that the oil bottle said that these iron blocks were very dangerous. I kept my mind and stopped touching them and kept a distance and observed them carefully.

I have no research on iron tools, but I have a deep understanding of gilded bronze tools. I have seen iron figurines in the antique market, which are small pieces, and have never seen such large ones. First of all, iron figurines were very expensive in ancient times. Not to mention the other, the hoppers are very costly. Secondly, iron figurines are not easy to preserve, and the iron figurines are too easy to rust. There are many iron Buddhas in the Ming Dynasty. They are actually hollow.

If the overall workmanship of this thing is the same as that of the iron piece of the oil bottle, it is basically solid. It may contain things but it will not be too heavy in space. Could such a heavy thing be used for the Buddhist big iron magic weapon?

I was thinking a lot but I knew that it was impossible to come up with a single line, so it would not be useful if I thought about everything without a leading line.

I wanted to see the patterns on the iron figurines, but the rust was so rusty that they couldn't see the whole thing, and they couldn't see the whole. Pan Ma once said that there were many iron blocks, and was there more than one iron figurine here?

But there was nothing around, such a thing that was so big that it could not be pressed under the collapsed objects. Where did the iron blocks taken away by the archaeological team salvaged them?

Could it be that every Yao village here has the same iron figurines distributed throughout the village? Or is it hidden in other places in the ancient building?

Subconsciously, I turned around and saw the door behind me.

Looking back at the photo, there was a corridor on one side of the screen. I adjusted my position and found that the corridor in the photo was located here, which was the back door of the back hall.

In an ordinary old house, the door behind this should be the first to enter the courtyard, but there is only the front face of an ancient building, so after this door, I went out. The bluestone street outside is the ancient village, which cannot be a corridor.

However, the door frame in the photo in my memory is exactly the same as here. There is no doubt that the shooting location is here. How could there be a deviation? Did there be a corridor here when the photo was taken but it was later demolished?

My concept of time is completely confused. It seems that the time of the photo shooting is necessary to be reconsidered.

You Jin looked at the carved door with no sign of decay. He pulled it and found that it looked like a wood and actually an iron door. Then he used a search light to illuminate it and was stunned. He didn't see that there was really a corridor behind the bluestone road outside.

The corridor is not flat but leads downward to the depths of the ground. The situation is exactly the same as in the photo.
Chapter completed!