Chapter 5: The Queen Mother of the Four-Eyes and Nine Heavens

What San Uncle said is that the gods with human heads and birds on the stone wall have appeared in myths and legends of various ethnic groups. I believe that they should be the same creature as the strange birds we see in the Yunding Heaven Palace.

I later checked and found out that this kind of god was called: ba in ancient Egypt, which represents the immortal soul of human beings. That is to say, if you were in ancient Egypt, then their ghosts were all of this virtue. In India, it is a bit more standardized. This kind of god is called "Jalin Pinga". It is said that it is a divine bird on the snow mountain, singing for the Buddha's paradise.

In China, this kind of bird is more famous than the first two. The head and body of the bird are China's "Nine Heavens Mysterious Girl". It seems that it is from the Book of Songs, Dragon Fish River Map or other ancient books (I really can't remember it). This is the one who gave Huangdi the "Dragon Armor God Chapter" containing Qimen Dunjia.

There are many other legends. One legend says that "Nine Heavens Xuannv" is the Queen Mother of the West, but most of the legends are chaotic and cannot be investigated. During the Six Dynasties, Taoism even had a large number of records of "Xuannv" teaching Huangdi's art of the room. I don't know if this Xuannv is the same. Otherwise, it would not be a pleasant thing to be taught by such a thing. If it were me, I would rather die.

So what did Uncle San think of when he looked at the four eyes of the relief?

His speculation at that time was like this:

There are four depressions on the forehead of the relief, and it is obvious that four pebbles should be embedded. There are only two now, and two of them have obviously been taken away. It is impossible for people to come from the ancient tomb to often. Those who took those two were probably the uncles of the past.

These are simple and can be thought of by anyone, so I won't explain them here.

The important key is. Why are the remaining two still in their original location?

The Tushizu did not pay attention to "no one can be taken away in the future." Since my uncle was interested in pebbles, why didn't he take down all the stones at that time and wanted two left?

Uncle San remembered his previous conclusion again: the change that made Uncle Er look like that must have happened in this secret room.

But there is nothing strange here, it is just a space covered on all sides.

The only strange thing is that two of these four pebbles were removed. There is no reason why the second uncle deliberately left two. If it were not intentional, then was that his incident that happened that year when he took out the pebbles. After he took out the two, because of what happened suddenly, there was no time to get the rest of the land?

Uncle San thought of this. He suddenly felt cheerful. The assumptions of pebbles and the whole thing were seamlessly connected together. He hurriedly leaned over and looked at the black and weird stone carefully.

The pebbles are embedded deep in the relief, and the whole relief is like a whole. If you don’t look closely, you can’t see that they are two parts with the stone wall. The reason why Uncle San noticed it all at once was because two of them had been poached. When the four were all there, they could not find it without considerable attention. It seems that the uncle and uncle back then should not be a simple person.

So, what will happen if you pry out these pebbles? After the stone wall, is it necessary to have no mechanism. Are the pebbles poisonous? No. I have touched them just now.

Uncle San hesitated for a moment, and an irresistible impulse came to his heart. He decided to pry one off and take a look.

Uncle San pulled out the machete, polished the wall on one side twice, and trembled over. He touched one of them with a tip. Then, he inserted the knife into the gap on one side, and then pried it, and a "knock". One of them fell into Uncle San's palm.

As soon as the pebbles fell, Uncle San immediately took a step back and looked around vigilantly, for fear that some secret mechanism would suddenly start.

However, there was nothing happening. The pebbles fell into his palm, cold and motionless. There was no abnormal movement around him, the relief was still the relief, and the wall was still the wall.

Uncle San waited for a while and was sure that nothing was wrong before he breathed a sigh of relief. He wondered again, was his assumption just now wrong, or maybe the local changes could only be caused once, but now no matter how many times he pried, it could not be caused?

He put away this pebble and pried the other one. He did the same thing and inserted the knife into the gap on one side. At this time, he calmed down a little and used his strength. As soon as he pried, he made a "pop" sound, and the pebble moved and bounced out.

Uncle San hurried to pick it up, but the pebbles were bounced too quickly, so he couldn't react and fell to the ground. With a "bang", it was like a ball of sand hitting the concrete ground, and it suddenly turned into powder. The black pebbles were filled with bronze dust, and suddenly scattered in the air.

Uncle San was clever and thought it was not good. He coughed choked and suffused, feeling the smell of spicy. When he thought of the color of the blood corpse outside, he subconsciously felt that the dust might be poisonous, so he hurriedly covered his mouth and nose with his clothes and stepped back.

After a few steps away, I immediately went to see where the pebbles fell just now. I saw that there was a red insect crawling out between the bronze powder, curled up into a ball, making a "squeaking" sound.

When Uncle San saw the insect, his mind buzzed and he couldn't help but take a step back.

Because he recognized this insect at a glance, it was a corpse worm, and it was not an ordinary corpse. The red corpse worm, I heard from the old man at home that it was extremely poisonous and was an evil ghost insect. If you saw blood, you would be poisoned if you touch it.

However, this kind of red corpse is said to only survive in the body of ancient corpses and is almost impossible to catch. How could it be wrapped in a pebble? It is also inlaid here? The most outrageous thing is, why are the insects wrapped in stone still alive?

Uncle San felt very bizarre, but he immediately realized that he had no time to think about these things. On the ground, the red insect turned a few times, gradually stretched out, began to shake its wings, crawled, and seemed to be about to fly.

Uncle San had never seen the King of Crazy before, and he didn't know if it was really so poisonous, but he knew that if it was true, then in such a small space, the fly of such a bug would be equivalent to proclaiming his death penalty.

He carefully took a few steps back and raised the machete. He wanted to slap it to death while he had not flew up. But before he could press it down, he suddenly heard a "giggle" sound coming from under the machete, and then a red shadow suddenly rushed out and flew to Uncle San's shoulder.

The red light was too fast, and Uncle San had no time to hide. He was so shocked that he was so scared that he was sweating. The knife in his hand instinct was swung backward and slapped his shoulder. The King of Crazy was shocked, flew up again, and stopped on the wall on one side.

At this time, the king of sage had already awakened, bulged his wings, and kept making "grizz" sounds similar to the cry of a frog, with a spicy smell. It kept emitting from it.

Uncle San thought about it and thought it was impossible. This thing is more difficult to deal with than a blood corpse. Staying here will definitely mean death. Thirty-six strategies are the best way to leave. It is better to escape. Thinking of shrinking up, he carefully retreated to the entrance of the secret passage.

The secret path was not allowed to turn around, he could only climb back. He rolled and crawled back to the entrance of the secret path. Fortunately, he looked back and saw that the blood-colored insect did not follow him.

Uncle San calmed down and went to touch the machine-stop of the secret door, but the person was a little panicked and his hands were shaking very hard. He was almost out of control.

After finally touching the machine pin and pushing open the secret door, Uncle San breathed a sigh of relief just now. Suddenly, a red light flew out of the darkness of the secret passage at a speed that was lightning speed. The speed was so fast that it was almost like moving in an instant, and he came straight to Uncle San's face. In a flash, the thing had arrived.

Uncle San shouted "Not good" in his heart, and it was too late to hide. At the critical moment, he became wise in a hurry, shrank his neck, and then blew the worm hard.

When Uncle San was blowing the stove, he practiced his lung capacity and was very strong. Suddenly, the corpse was blown to change direction, turned around and hit the wall.

Uncle San took this opportunity and raised his hand, turned over and flipped out of the secret passage, and crushed the secret door to death with his backhand.

The king of skulls followed almost at the same time, but this time it was one step late and the secret door was already blocked to death. It hit the stone slab with a "bang" and fell in again, making a series of "grizzling" screams.

Uncle San felt his scalp numb and his whole body became soft. He collapsed on the edge of the coffin and realized that he was sweating all over. It took him a long time to recover.

(I know the power of the king, and I heard a cold sweat, so I hurriedly let him tell a long story without saying it so vividly.)

Afterwards, Uncle San realized that it was not easy to stay here for a long time and had no idea. He cleaned up his things, broke into a hole, and crawled out of the ancient tomb with a few ancestors' remains.

He chose a hidden place, burned the body, and then went up the mountain road to the county town overnight. In his own words, when he reached the top of the mountain, it was the time when he was probing the sun. He looked at the sun and felt the first time how beautiful it was on the ground.

After returning to Changsha, Uncle San did not tell anyone about this, including his grandfather, but he became interested in the Warring States silk book and began to study it secretly. However, Uncle San's friends at that time were either gangsters or hooligans, and none of them had been on the table. After half a year of tidying up, no results were produced. Many seniors had found black pebbles brought out from the secret passage, but they couldn't tell any of them.

Uncle San was discouraged and gradually lost interest. It was not until he arrived in front of the Xisha that things suddenly turned around by chance.

At that time, one of his friends was sick and died, so they hired an old bull's nose to do rituals. At that time, the bull's nose was a part-time job, and he was a Taoist priest in the Taoist robe. He took it off and was no one else. After the rituals, the group of people drank. Uncle San himself forgot what was going on at that time. He seemed to be bragging when he was drunk, so he took out the pebbles to show off.

Unexpectedly, when the bull's nose saw the thing, his face changed, and he smelled it again, and suddenly said that it was not a stone.

Uncle San didn't take this person seriously and asked him with a little ridiculous sneer: "It's not a stone, what is that?"

Bull Nose told him seriously: "This should be a pill."

The bull nod was very convincing. Uncle San didn't seem to be talking nonsense. He thought he had met a master, so he pulled him to a place where no one was. He wanted him to explain in detail. However, the bull nod was also half a bucket of water. He only knew that this thing was a elixir, but he didn't know the origin and details. The reason why he knew that this thing was an elixir was because they lived in the Taoist temple very ancient. It was said that it was found when the Five Barbarians invaded China. There were many antiques in the Taoist temple, which were used as a place for him after several generations. Among them, there were many alchemy tools. He had seen this kind of stone-like elixir in it and smelled it, so he dared to be so sure.

Uncle San couldn't help but feel disappointed, but finally saw the dawn again. Later, he found a few people who were engaged in gold and stone research to read it, and they also confirmed this statement. This thing is indeed a 'pill'.

In ancient times, alchemy was also called golden alchemy, alchemy, gold-drawing, and yellow-white art. The content was very complex. The central goal was to use artificial methods to make people "immortality", and to use the divine pill of gold to illuminate ordinary metals such as copper and iron to transform into gold and silver.

However, the elixir is metaphysical and very personal. Almost every alchemist has his own method of refining alchemy. Without the ancient word inquiry, there is no way to tell a pill. But the bull's nose told him that since it was discovered in an ancient tomb, it must be the elixir that the ancients believed to be immortality, because only this kind of pill can be used to bury with him.

Uncle San felt very confused when he heard this, because he knew that the pill was covered with the King of Crazy Pills, and the pills were usually taken internally. He would definitely die after taking this thing, and it would be a miserable death, and it would be a big deal to live forever.

Even if it is not a worm king, it is a cockroach, it is not a good thing to eat this thing.
Chapter completed!