How to play the order of time and space? This is actually very simple. Let’s write it in normal order first, and then disrupt the chapters and other things after writing it. Isn’t it over? In this way, the readers or audiences see the story through order disruption, and they actually see it from the middle of the story. In this way, there is no summary, no introduction to various characters’ personalities and backgrounds, and they will suddenly throw the readers and audience into the middle of the story. In this way, readers and audiences are confused, and they will think that this is the first episode? Yes, yes, but why is it suddenly like this? Then they feel very strange and want to understand what such a story is telling! It’s like a person hearing someone tell a story, but he starts listening halfway, and only listens for a little while, of course he doesn’t know the previous and next plots, and of course he will be very curious!

That's right, it's just like people who like to listen to gossip. In fact, people are a bit curious about killing cats. If you honestly start a story from scratch, some people may still be picky and don't like to listen to it, but if you start from the middle, then such a person is easily interested! Sometimes people are such a cheap existence. Sometimes people suddenly interrupt a few episodes when watching TV series, but then they can make up for such a missing story in a row as they look at the progress of the context. It has to be said that human imagination is very sufficient. So it would be very interesting to make up for such a book by making full use of human imagination to write such a book?

Of course, these are all the reasons Wen Xun found. In fact, he just wanted to play like this. Or to say it is a bit more literary and realistic. He just wanted to make himself happy. He just wanted to learn Quentin Tarantino! How could such a light novel have something to do with a movie like Quentin Tarantino? Because this is a bit of a reference to the flower life Quentin Tarantino played in a movie like "Dangerous Relationship"! In "Dangerous Relationship", the director divided a simple story into three parts. Then broadcast it in a disordered order to create a kind of

It has a very special effect. In fact, the movie "Dangerous Relationship" is less famous than his other works. At the same time, many people also mentioned that this movie is "not Quentin enough" in comments, because the cult taste is not strong enough, and violent, bloody, pornographic dialogue is not refreshing enough. This may be because this is the only movie that comes from others, and Quentin's handling is very restrained, which has attracted the above evaluation. However, Quentin can still see his skillful scene disassembly ability and subversion of the characters, and he can see his inspiration for this story.

How to innovate? First of all, Quentin’s pursuit of subversion and unconventionality is beyond words. In the police and gangster film "Dangerous Relations", Quentin’s subversive label is reflected in: the audience can see that the character relationship in "Dangerous Relations" is basically very different from the traditional police and gangster film. Here, white people are controlled by black people, men are controlled by women, police are controlled by gangsters, and strong are controlled by weak people. Although racism and women's problems have gradually improved in the late last century, the movies where the relationship between the above three can only be seen in Quentin movies. This is subversion.

Unlike most police and gangster films in Hollywood, "Dangerous Relations" does not have obvious and clichéd violent elements such as gunfights, actions, car chases, and strong men. At the same time, this is another crime movie with high IQ. But he did not focus on the play of technology, but focused on the protagonist's control and grasp of the relationship between the characters. On the one hand, the mutual trust of the characters in the film is full of crisis, and the protagonist's previous efforts will be wasted if he makes a mistake in his judgment; on the other hand, the relationship between the characters

It creates another suspense for the audience. Because of this, I think the best translation of this movie should be "Dangerous Relationship" translated by Hong Kong people, which is more precise and easier to attract the audience. Therefore, the focus of Quentin's careful design is to focus the tension in the film on the delicate relationship between characters, so that the audience can see a suffocating psychological contest. It can be considered that this is a kind of "static violence", and many crises are tense and about to break out, and it does indeed present a "dangerous relationship".

To sum up, we can conclude that on the one hand, Quentin subverted the character setting of police and gangster movies; on the other hand, he abandoned the routines and models of many common police and gangster movies such as thrilling, actions, and case solving. Instead, he placed the core of the film in the game between the relationship between characters. This is Quentin's pursuit of subversion mode. In addition to subversion, there is also the word deconstruction, which is also a label that Kun fans must talk about. The word deconstruction is quite mysterious, and it seems that many explanations tend to put it in favor of

It is interpreted together with postmodernism. However, in this movie, we can actually prefer to use "disassembly" to analyze the story, such as the "change bag" scene. This scene is undoubtedly the most exciting part of this film, and it is also an important part of the audience to solve the puzzle. Obviously, this is a innovation of Quentin's original narrative method. Director Kun interprets this scene from three different perspectives from an omniscient perspective. The following will analyze the artistic effect of Quentin's disassembly from three aspects:

For example, the normal linear order should be that three people edited in parallel in chronological order. Jack entered the door, Louis and May quarreled and entered the mall, and Max entered the venue; Jack tried his clothes, Louis and May ate, Max ate, and Jack followed and talked with Jack; Louis and Max met; May exchanged, and took his bag and left with Louis; Jack walked out of the store, and May and Louis went out; Max went into the house to get a bag, Jack went out to get a bag, and Jack went out to get a car and retreat... Such frequent switching of characters will attract the audience's attention to the action of changing bags, rather than the subtle relationship between the characters. More importantly, the suspense of the bag was seen through by the audience before halfway, which inevitably caused the audience to face expectations. This plot

The order of perspective after the disassembly is - Jack-May & Louis-Max. After the three paragraphs are separated, the plot in each aspect is directly developed cleanly and neatly, so there is such an effect: each group of characters will be more three-dimensional after being described separately, and the audience will be more likely to focus on their respective interests during the process of changing bags; because the characters are not spread out parallel from the beginning, but are described alone. The "dangerous relationship" between the characters is more blurred. This realizes the feeling that the title wants to give the audience - dangerous relationship. Further, the suspense of the story is deepened. Conversely, if it is taken in the normal narrative order, then the highlight of this paragraph should be the complex process and action of "changing bags", rather than the confrontation between the characters.

Of course, then again, Wen Xun likes Quentin Tarantino, he will not imitate Quentin Tarantino too much in such a novel that is destined to be adapted into an animated film. He will not play too literary and artistic in such a novel that faces teenagers lightly. After all, he is not a very literary person. Although he is famous for his literary and artistic in such a world, don’t forget that the places where his literary and artistic come from are his dreams, not that he is really literary and artistic! So he does not have much interest in playing too literary and artistic things. It is not like many literary and artistic youths, and they are happy only if others can’t understand them. Wen Xun, relatively speaking, still hopes that everyone can understand his things, but he just wants to play some tricks!

Under such a situation, when he wrote such a novel, he might relatively disrupt the content of more than a dozen chapters. For example, to present it to readers in the order of... "2, 3.5, 10, 13, 14, 4, 7, 6, 8, 1, 12, 11, 9", how about it? Why do you do it like this? You can think that Sumiko is the protagonist, the god of such a world, but she just doesn't know it. Then when she feels that the world is a bit boring, the world changes through various chaos in her brain, which makes the story strange and the order becomes inconsistent! It can be said that such a story is Sumiko's spiritual world or simply says that she has such a dream in her brain about the world she expects in her bored daily schooling process!

That's right, who said that the story is a story that a middle school student and her classmates do randomly, so that the whole story cannot be imagined in the protagonist's mind? Maybe these characters other than the protagonist are real, but the protagonist feels too bored in daily life, so she fantasizes about her deskmate and classmate being aliens. Then she fantasizes that she doesn't know, so she messes with her classmates in the fantasy world. Isn't this possible? Actually, it's OK! Maybe after the publishing house saw such a way of playing, it would be so troublesome that she couldn't sleep, and she would feel that sales would definitely be cheated, and she would feel that she would definitely lose money if she made an animation.

But who made Wen Xun the au? Who made Kakugawa Bookstore curry favor with Jia Hongjian? Who made everyone have a bet agreement? In front of you, Wen Xun and his family are relatively difficult. In this case, Wen Xun has no time and experience to do anything. It is not allowed! The poor child is a family early, and he has to consider the livelihood of the family at a young age. Where can he have time and space to play with him childishly? But it is different now. Now that Wen Xun is famous and rich, he can finally live according to his own temperament. In such a situation, he is a little willful and playful, what's wrong? Is it illegal? Is it just a moral corrupt? People at Kakugawa Bookstore didn't say that Wen Xun was too much, and others took care of him? Of course, in fact, Kakugawa Bookstore didn't know that Wen Xun was going to write like this. I guess if they knew, they would have to stop Wen Xun from doing so, right?

Soon, Wen Xun started writing. I have to say that this kind of childishness that lets the protagonist and all kinds of friends mess with each other, and the plot is really fast. Because it just met Wen Xun's appetite, he could make him "do whatever he wants" so he really feels like he was writing a magical feeling! In about a week, Wen Xun basically completed the manuscripts of 14 chapters. Of course, this is the first draft, but even the first draft is quite fast, which is equivalent to writing two chapters a day! And one chapter is to make the cartoons shoot at least 30 minutes! This speed is probably not comparable to that of a writer, whether it is China or Japan! Of course, after such a draft is finished, it is impossible to directly give it to Kakugawa Bookstore. There will be modifications and various rectifications. Besides, isn't this still written in Chinese characters? Don't we still want to translate it into Japanese?

So in fact, when Min Xun handed over such a completely prepared manuscript to Kakugawa Bookstore, it was actually a month later. When he notified the people from Kakugawa Bookstore to come to get the manuscript, Mr. Nakamura, who was responsible for running errands for him, came over happily, and then bowed and thanked him all the time and took the manuscript away without reading. Now he was quite happy to see Nakamura, and he felt that Min Xun was like a model worker, and he also said that Wen Xun had worked hard. But he probably never thought about what was written in such a manuscript? I really don’t know what the manuscript would be back to Kakugawa Bookstore by then. What would the expressions of a group of senior executives see what Min Xun wrote!

Wen Xun really wanted to see the expressions of such people with his own eyes, but there was nothing he could do. But after taking the manuscript for a long time, it was already off work time, Nakamura hurriedly called, "Mr. Wen, did the manuscript you handed me wrong in order to bind the chapters?" When Nakamura asked such a question, anyone could hear his expectations on the other end of the phone! Anyone could hear him very much want to hear Wen Xun say "yes". Unfortunately, there was no wrong binding! So at this time Wen Xun said something calmly - "Yes, there was no wrong, it was just like this order. I am not going to write a book in the normal order. I just want to insert a lot of irrelevant content, just to disrupt the entire narrative rhythm!"
Chapter completed!