"This is a wonderful commercial film, but it is not just a simple commercial film. The huge and profound core of thought shines with wonderful human brilliance, which truly perfectly combines business and art. This may be the best art commercial work since the Titanic, and this may be the most outstanding commercial work since the 2001: Space Odyssey."

Just as the New York Times is to the East Coast media, the Los Angeles Times is also a leader in the West Coast media. Its influence is enough to cover the entire Pacific coast. Even in the Hollywood film industry, it is enough to be comparable to professional and authoritative media such as "variety shows" and "Hollywood Reporter". Now, the comments written by the Los Angeles Times for "Rampant Road" are filled with praise, and this situation is really incredible.

"Stralo's works always have a delicate and real texture, which outlines the characters' emotions in a cocoon, and then slowly penetrates into the essence of social life. The reflection and precipitation after the movie is the most important part of the whole movie. The elements such as color, light, composition, etc. have become the weapons for Strelo's emotional expression. The profound psychological hints and abstract social metaphors are hidden in every corner of the camera, which is brought to the extreme in the "Rail of Furiousness".

From the design of each car, it fits the characters and reality, it is like leaves to piece together the magnificence of the entire towering tree; to the construction of each scene, the red deserts all over the sky, the violent collision and explosion, and the clear and transparent blue sky support the huge structure of the entire story structure like branches; to the creation of each character, opposition and cooperation, hatred and trust, hostility and friendship, it is like the tangled tree roots digging down the depth of the soul's trembling depth.

Strello interprets violent aesthetics to a new height. The collision of blue, red and black is more elegant and magnificent than court oil paintings; the confrontation between iron, strong wind, sandstorms and body is more magnificent than classical symphony; the mixture of blood, sweat and tears is more beautiful and moving than sonnets. The naked violent confrontation has no modification or polish, and it is presented in primitive and impulsive, rough and cruelty. The fragility and indifference of life are interpreted to the extreme under the background of the doomsday of the wasteland. The refreshing visual effect triggers the adrenaline carnival, which is even more crazy than the fireworks conference on July 4th.

But after the energy was vented, the inner reflection frenzy surged, extracting all emotions in the body, and falling apart in an instant, allowing people to see the cruelty, blood and indifference in the end of the world. In the dark age where faith collapsed, freedom and dreams had lost their meaning, and the desire for water and food made humans become animals, and they could crawl forward in disasters by relying on their survival.

The awakening of human nature, the yearning for freedom, the passion of dreams, the recovery of feminism, and the support of faith are not only the last glimmer of dawn in the wasteland, but also the last chance of human society.

Following the Crime Trilogy, Strello built a society where blood and sand danced with a doomsday world, answered the questions left over from before, and retained the spark of hope. Max's return, Ferosa's persistence, Nax's awakening, and Angarard's heroic spirit, the four characters jointly dedicated the most explosive, exciting and eye-catching commercial blockbusters since the 21st century, and at the same time, they jointly built the most profound, shocking and ghostly artistic masterpieces since the 21st century."

The Los Angeles Times film review has set footnotes for the "Raging Road" with "the perfect combination of business and art". Such a clear and clear attitude is indeed impressive, not to mention that the 100-point score that matches it once again continues the attitude of other mainstream media.

Full marks, perfection. This seems to be the best interpretation of the "Raging Road".

From the Seattle Post to the San Francisco Chronicle, to the Los Angeles Times, the most influential news media on the entire West Coast have maintained a unified opinion, which also means that all suspense is over, and even the West Coast forces worship it. The craze of praise for the "Rampant Road" is unstoppable.

The two cult works of "City of Sin" and "Fruit Hard Candy" are still vivid in my mind, but "Raging Road" completely broke the shackles of cult movies and created the craziest praise feast of cult movies since "Star Wars". Does this mean that "Raging Road" also has the possibility of copying the miracle of "Star Wars"?

This is still an unknown number, only time can prove it, and only the market can prove it. This is not a feat that film critics can achieve by relying on pens. But it is certain that film critics are very happy to promote such a historical process. The West Coast media and the East Coast media reached a consensus for the first time. Even the "variety show" temporarily shook hands with the "Hollywood Reporter" and expressed the same view.

"Bold and arrogant! Unruly! Be arrogant and arrogant!

This is Lancelot Strello, the unique Lancelot Strello. This young director braved the world's worst and created a "razy road". It is not only the weirdness and twist of steampunk, but also the desolation and cruelty of the wasteland doomsday, but also an epic of the rise of women! Just this courage, the whole of Hollywood is unmatched.

Last year, Lee filmed a movie called Brokeback Mountain, which scared the whole of Hollywood. To this day, some people still refuse to watch this work, as if they are worried that after watching it, they will become homosexual, or be brainwashed by homosexuals. The panic that is too scary to face the virus has become a joke.

This year, Strello filmed a "Raging Road", which scared the whole of the United States and immediately scared the patriarchists. This is a movie that makes people ignore their gender. Women are not vassals of men, and men are not a step to promote women. Everyone is equal and respect each other. But some people don't think so.

They can't stand a "man" action movie, but women shine. They can't stand a movie where the male protagonist does not kill everyone and is above the female protagonist. They can't stand a movie where the male and female protagonists do not burst out in love, but the friendship between comrades is easy to see and make people explode.

Perhaps, these 'racists' will gradually change, maybe not; perhaps the 'Raging Road' will be ignored again like last year's 'Brokeback Mountain' and robbed all the light by another unknown work; perhaps the box office of 'Raging Road' will be defeated by a crushing defeat, not only because the cult style is unacceptable, but also most male audiences who are the main force of the summer season cannot accept it. However, Strello took this step, unswervingly, showing a mind and vision that is far more advanced than the times.

This reminds people of the far-reaching criminal trilogy.

It is hard to imagine that a complete summer popcorn commercial work, a simple and crude visual blockbuster has discovered such connotations. The background is wasteland, but the core is hope that hardcore action movies, independent women, really support half of the sky - this is such a powerful counterattack for filmmakers who think that a few action actresses who can put on the big screen can reflect feminism.

Max, Ferosa, and Nucks, three characters support the wasteland world conceived by Strello, while Angarard becomes the dark line connecting the story. Based on George Miller, it truly forms a complete worldview and develops vigorous vitality. This is "Mad Max", this is not "Mad Max", this is "Rampant Road" belonging to Strello.

Lancelot-Stralo, a director, an actor, a screenwriter, and a master. His work "Rampage Road" has truly pushed himself to the throne of master level. How fortunate are we one of the witnesses."

This is from the comments from "Variety Show" magazine, which focuses on the feminism lacking in Hollywood film works. Every film industry practitioner knows that this is "a man's, a man's, a man's world". From the college's tendency to award awards to actors, actresses, male supporting roles, and female supporting roles, to the differences in different rewards between men and women, to the female vase of commercial films, all aspects of the entire industry reveal the essence of patriarchal society that has been inherited for thousands of years.

Even though feminist rights have gradually risen in recent years, there have been successively feminine fight movies such as "Tomb Raider", "Catwoman", "Kill Bill", "Charlie's Angelica", "Magic Woman", "Resident Evil", and "Operation Smith", Angelina Jolie has become the representative of the new generation of female fighters. But as "Variety" magazine and Roger Ebert said, these works are all works that are wearing the cloak of feminism and lock in the male market with the visual effect of sexual/sensory figures. In the final analysis, these female characters are still weapons to please men.

However, the "Raging Road" is completely different. It not only gives Ferosa a complete personality, but also strips away the gender differences, truly put Ferosa and Max on the same level. Both sides trust each other, help each other, and move forward together. This is the real breakthrough - equality, slogans that have been shouting for more than half a century, but it is the first time that it has appeared on the big screen of the movie like never before.

This can definitely be called a milestone in film history, just like the "Brokeback Mountain" last year.

Therefore, the "Variety Show" magazine also left behind the prejudice and differences between them and the "Hollywood Reporter" for the first time, conveying the same idea and identity. The full score of 100 is not conspicuous among all the praises, but it has added a full score team, truly sending the "Rampant Road" to the classic throne.

Suddenly, people realized that all mainstream media, all authoritative media, and all professional media were incredibly united, which was incredible for a commercial film.
Chapter completed!