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073 City of God

"A photo can change my life, but in the City of God, you will be caught when you escape, and you will be caught when you stay. ╬╋┢┡You have to read the book┢w-w·w·.,1·k`a`n-s`h-u·..cc It has been like this since I was a child!"

The boy standing in the middle of the street was at a loss, and then the picture began to turn around, allowing people to see the panoramic view of the confrontation that was tense and suffocating to the point of confrontation on the entire street. But after another turn, the picture came to the 1960s with yellow sand everywhere. The boy also turned into a child, standing in front of a goal-like airplane, with a confused look on his face.

The child is the goalkeeper and is defending the penalty kick. The opponent's player scored in one go, and the child rushed to the opposite direction in a mess, and even almost fell down.

In an instant, the street fighting that was so tight that it was suffocating to turn into a child who played football and had fun in the slum playground. The plot connection was so huge that there was no sense of incongruity, which was really amazing.

"Sorry, I forgot to introduce myself, my name is A Pao." A big child snatched the football from the confused child, "his name is A Mao, and the story of God's City must start with him." The camera left the narrator's protagonist and moved it to A Mao. This is another interesting phenomenon - the camera did not follow the male protagonist according to common sense. "But if you want to talk about him, you have to mention the three young heroes.

A Mao showed off his skills in the ball-pushing circle surrounded by a group of children. Two older children of the same age as A Mao walked over swaggeringly, which made A Mao kick the football into the sky, then pulled out a pistol from his waistband and pointed it directly at the football. With a "bang", the football was penetrated. Want to read a book╣w·w-w`.-1/k=>

The camera is frozen, and a line of subtitles appear next to the broken football, the story of "Three Young Men".

"The Three Young Heroes are very famous in the City of God. Ah Mao, Ah Jia and Ah Dai. Xiao Douzi and Ah Mao's younger brother Benny are followers, and I don't have the courage to follow my brother Ah Dai." Ah Pao's narration introduction brought the audience into the story of the Three Young Heroes.

The three teenagers, with two children following the class, held three pistols in their hands, not only hijacked a gas car, half of the slums were out, and snatched up the gas in the car; but also snatched all the cash on the driver. Xiao Douzi beat the driver violently and rampantly. The cheerful laughter was unscrupulously under the sky, and even the police arrived in time, he was helpless.

Ethan felt that the movie was becoming more and more interesting. Although the director used the "pulp novel" to explain the story, and the narration connection added a bit to the dramatic feeling of novel legends, the construction and editing of the shots were full of profound meanings. Ethan could vaguely feel the contradiction and depression that the world was infinitely broad but was trapped in a cage and had nowhere to escape, especially in the children's natural, used to, and cheerful expressions, the darkness of crime and violence became insignificant, but became intriguing.

Ethan subconsciously turned his head to look at Joel, and then he saw Joel supporting his chin with his right hand, his eyebrows slightly moved to the middle, revealing a look of deep thought. ┡╋┣╬╬╬╬┝┠book┡┢w/w=w, Ethan's gaze did not stop, then he took it back and devoted himself to the movie again, but a playful smile appeared on the corner of his mouth.

"I used to think that the three young heroes were the most cruel characters in Rio de Janeiro, but they were just half-toned. My brother was the same." Apao's plain and simple commentary made the audience's emotions fluctuate in the cheerful samba melody. "We came to God's City to seek heaven. Many families were destroyed by floods, and there were the most common arson cases in slums. The senior government officials were not kidding, homeless? Go to God's City! There was no electricity, no paved roads, and no buses, but the powerful people didn't care about our lives and death. Rio de Janeiro has long forgotten us."

The three young heroes felt that the gains from grabbing gas cars were too little, so at Xiaodouzi's suggestion, they decided to go to the motel to grab the couples who were checking in the room.

The three young heroes agreed to rob and not kill. Then they ignored Xiao Douzi's strong protest and asked Xiao Douzi to stay at the hotel door to catch the wind. In order to comfort Xiao Douzi, Amao gave Xiao Douzi a pistol and let Xiao Douzi shoot and warn when he saw the police. The robbery went very smoothly. They did not even hurt any passenger, and successfully completed the most glorious goal worth writing in their rogue career.

Then they heard the warning gunshots of Xiao Douzi and fled in panic.┢┝┢╠ to read the book w·w-w,.,1=k-a= But when they returned to the door, they could no longer find Xiao Douzi. The continuous gunfire from the motel made the three young heroes have no time to continue searching, so they could only escape in panic.

However, when the police arrived at the scene, all the hotel staff and passengers were found to be cut off, which made the three young heroes a suspect in the concentrated pursuit of the police.

In this chaos that I haven't been asleep all night, Xiaodouzi, who stayed at the door, disappeared, and the fate of the three young heroes also went in completely different directions.

Ajia saw through life and death and decided to return to the church and no longer be a hooligan. Ironically, Ajia was calm and bravely killed in the face of the police's pursuit, but the police directly skipped him and caught up with another figure who ran away with guilt. In the end, the escaped man was shot dead, but in fact he was just an honest worker who ran away out of natural fear of the police. However, he was accidentally killed by the police and falsely accused of being a robber, ending his life. Ajia threw himself into the arms of God.

Ah Dai returned home and was detained at home by his father. He had no chance of living with a hooligan since then. In helping his father sell fish, Ah Dai fell in love with the wife of a man nicknamed Dwarf and had an affair with her. As a result, he was caught in bed by a dwarf and had to run away in a hurry. During the escape, Ah Dai unexpectedly appeared in Xiao Douzi - they all thought that Xiao Douzi was killed by the police, and Xiao Douzi was with Benny, and even took a lot of money. Ah Dai snatched Xiao Douzi's money and then disappeared from then on. ╋┣╋ To read the book╬┣┞╬┟w`w^w/.,1·k·a-n=s`h=u-

While avoiding the police, Ah Mao fell in love with a girl. Benice. Benice always hoped that Ah Mao could find a job and live an ordinary life, but Ah Mao was unwilling to do so until something happened to the dwarf. After the dwarf discovered the affair between Ah Dai and his wife, he knocked his wife to death with a shovel in anger. Then the incident caused a sensation. The entire City of God was surrounded by police and reporters. In a panic, Ah Mao decided to take Benice away.

Amao and Benice stopped a car casually, pointed a pistol at the driver's head, and asked him to take them out of the City of God. But there was a problem with the car, and Amao had to go down and push the car forward so that the driver could move the engine. The short man arrested by the police saw this scene and was angry and told the police about Amao's true identity. While chasing Amao, the police hit Amao in the abdomen.

In order to attract the attention of the police and allow Benice to leave smoothly, Amao began to flee and escorted Benice all the way away. But in the end, Amao was shot all over and died tragically on the street.

The story of the three young heroes ended like this.

Joel fell into deep thought. What was surprised by him was not only Lance's mastery. The story of three lines was handled without panic. The documentary-style legend and plot-style narrative were perfectly combined, with appropriate details, strong storylines and distinct styles. The most important thing was the proper rhythm control, and the progress process was fast without losing its bright spots. What was even more surprised by Lance's clear thinking and clear idea, and the detailed descriptions that were pointed to the end in the narrative process polished the characters and the story.

The most memorable scene is that after Ah Dai was caught/raped, she escaped from the dwarf's house, but she was naked and just took a top to cover the important part. So Ah Dai asked Ah Pao to take off her shorts and gave it to him. However, Ah Pao did not realize the seriousness of the matter at all and laughed at Ah Pao. But in the end, Ah Pao took off his shorts and gave them to Ah Pao.

This is the last time A Pao saw Ah Dai.

The innocence of the boy, the friendship of brothers, and the endless yellow sand in the camera make the story shine with a touch of simplicity in the panic cruelty and ferocity. When I saw this scene, there was even a chuckle in the cinema. That kind of comfort was almost impossible for works of the same type of theme.

In the last scene, Ah Mao staggered on the wide street, the policeman was chasing while shooting, and the residents on the roadside stood curiously and calmly watching. The sad and desolate music seemed even more ironic, and it actually produced a kind of magnificence and poetry of Shakespearean tragedy.

Next, Joel attracted all his attention by the movie. When the story entered the 1970s, A Pao had become a little adult. A Pao, who became interested in photography because of frequent news events when he was a child, began to embark on the road of photography with the most basic and simplest equipment. A Pao's first photographer was his sweetheart, Angelica, who hoped to dedicate his/her body to Angelica.

But unfortunately, Angelica has a boyfriend, Tiago.

Despite this, Apao was willing to work hard to get close to Angelica. Angelica smoked big/ma, while Tiago was even more serious and sucked white/powder. In order to please Angelica, Apao took the initiative to say that he could go to Heizai to get high-quality big/ma at a low price. When he arrived at Heizai's apartment selling big/ma, he encountered a visit from a distant guest. Xiao Douzi and Benny came to the door with a large group of younger brothers and came in full force.

So, this enters the second story, "The Story of this Apartment".

The whole story is very simple. In less than four minutes, the story of the apartment gradually evolved into a fixed selling point for big/ma in just under four minutes, witnessing the process of Hongmao growing from a younger brother to dominate the drug/owl, and then handing the apartment to his trusted subordinate Heizi. However, Xiao Douzi came to seize the territory at this time.

At this time, Xiao Douzi is no longer Xiao Douzi, but Xiao Bawang. This has entered the third story, "The Story of Xiao Bawang"!

A Pao's narrator took the audience back to the night of robbing a motel in the 1960s and revealed all the truth. Xiao Douzi, who had always longed to be the leader of the City of God, betrayed the three young heroes, including his brother A Mao, and ruthlessly created a murder of more than a dozen lives in the motel! He is the real murderer!

"Oh!" The entire cinema exclaimed. Even though the cheerful Samba music still had a dramatic romance effect, the cruelty behind the extreme contradiction slowly penetrated out. Seeing the eight-year-old Xiao Douzi killing everyone in the hotel like playing games, she even laughed proudly. The cruelty was chilling.
Chapter completed!
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