630 Perfectionism
"Lance." Albert felt a little embarrassed.
The scene just now was a torture for everyone, and Alan and Hayden were the first to be hit. After the filming, everyone seemed to have experienced torture. The same was true for Lance. But Lance asked them to experience the scene again in a blink of an eye, and even examined it from a professional perspective. This was really cruel.
Lance raised his eyes and glanced at Albert. His simple eyes were sharp and sharp, and he swallowed all the words behind Albert. Only then did Lance retract his gaze, "Allen, Hayden, everyone is waiting for you."
Alan wiped the residue at the corner of her mouth, and she was almost spitting out bile just now.
How accurate is the lines of her, but what she can be sure of is: this is Hailey talking.
At this moment, Allen finally deeply felt the magic of Lance, and she finally realized the pervertedness of Lance. But isn’t this what she pursues? In fact, she is more curious about the effect of this scene just now than anyone else, because she is one of them, and she truly makes up the picture.
"Are you okay?" Allen raised his head and saw Emma's eyes that were excited. At some point, Emma actually ran over again. Emma squatted down and kept parallel to Allen's sight. "God, your performance just now was so wonderful, I'm jealous of you."
Alan then saw the bright smile on the corner of Emma's mouth and the eagerness to try, which made Alan laugh. "It's a pity that this character is mine." The answer made Emma burst into laughter, and then she stretched out her right hand. Alan did not hesitate, grabbed Emma's right hand, stood up again, and said to Lance, "I'm here."
Hayden only felt that every muscle and every bone in his body was wailing. He never knew that shooting a ten-minute scene would be even more tiring than shooting a ninety-minute movie. Seeing Alan stand up, Hayden laughed speechlessly and shouted, "Lance, do you know? You are such a complete bastard, I hate you to the bottom of my bones!"
"Thank you." Lance's voice came from the far end. Hayden rolled his eyes, then struggled to stand up straight, walked towards the monitor, and said in a whisper, "I have done my best, you'd better know more." It seemed that as long as Lance said the word "no", he would go up and fight desperately.
Lance ignored Hayden and waited for Allen to come over, then signaled that Percy could start replaying.
Lance must break out of the actor's framework and examine the scene from the height of the director. They have already rehearsed more than a dozen times before, and many details have been adjusted. It can be said that the entire crew devoted themselves to today's shooting with all their might. It should be perfect, but Lance is still not very satisfied.
"Did you notice it? The lights seem a little single." After entering the third playback, Lance whispered to communicate with Hayden, "Is it possible for us to install some light bulbs to follow the lens and make the light change?"
In this scene, the changes in angles and compositions are actually psychological hints. If such results are followed, the effect will inevitably be achieved. Hayden's camera movement is still as excellent, but the deviation of the lighting effect cannot meet the requirements that Reims really longs for - the change in the hunter's perspective and the prey perspective, and it will cause the entire long shot to be slightly monotonous and boring. The shaping of the thriller atmosphere completely falls on the actors, and the depth of the impact is also slightly insufficient.
Although he was stubborn just now, after he really started working, Hayden's concentration was not as good as Lance. He nodded and he also noticed this detail, "Like 'killing someone with a knife'?" At the beginning, they installed the light bulb on the roof of the taxi and then used manual control to create the ideal lighting effect.
Lance shook his head, "The contrast is too obvious." "Borrowing a knife to kill people" is because of the main requirement, which infinitely amplifies the confrontation between Vincent and Max, and infinitely amplifies the sense of loneliness that is separated from reality, so the lighting occupies an important role; although "Fruit Hard Candy" also focuses on the entanglement of the relationship between the two characters, the real protagonist should be the actor's chemistry, and lighting is just an auxiliary means. "What do you think of installing lighting in the four corners of the ceiling and then adjusting the light?"
"Do you want to adjust the light from the overall level?" Hayden immediately understood Lance's intention.
Lance nodded, "Well, there is no need for dark contrast, just the highlighted part is highlighted." For example, standing above Haley's head, the light can be slightly more heavy than Haley's side, and subtle changes can lead to a shift in psychological pressure. "Also, we have ignored the outdoor light. During the camera movement, the brightness and brilliance of the outdoors must be aggravated, which increases the indoor depression..."
"...This way, the role of the last shot can be highlighted." Hayden took the conversation, and finally the shot chose to aim at the outdoors, and lasted for two to three seconds. Lance obviously had his own idea.
Lance nodded in affirmation, Hayden raised his head and began to look for Newton-Segel's figure. At the same time, Lance turned to look at Allen, "Go back, Hayley takes the notebook away." He said to Percy. After Percy stepped back, Lance said, "Look, there is mercy in your eyes, I need you to hide it."
Allen frowned slightly, "What do you mean? Do you want me to be a little colder?"
"No, I mean, hide your emotions, and don't need too much interpretation, just calm." Lance looked at Allen seriously, "Do you understand?". At such a cruel moment, Hayley's calmness is actually the greatest coldness, but if Hayley adds too much emotion, it will appear to be superfluous, and no matter which one is redundant. "Hayden, Hayden, you leave this scene for one more second to let Allen's expression enter a stagnant state." After the explanation, Lance looked at Allen again, "Do you understand?"
"I understand!" Allen nodded, but he didn't finish his words, and then said, "No need to joke, no need to disdain, no need to have any unnecessary emotions, just calm."
"Well, relax, pay attention to this. In addition to the eyes, the corners of your mouth also changed due to the ups and downs of your inner emotions. But here Hayley should be unmoved. She did not deliberately tease Jeff because she thought so in her heart: If Jeff is willing to confess to Ginnel, then she will let him go. This is not a game. This is the first chance Hayley gave Jeff. However, if Jeff gave up, she didn't need to be disappointed. She didn't need extra emotions, just follow the original plan."
Lance's explanation made Allen slowly lit his chin and gradually understand.
Alan's eyes remained on the monitor, observing every detail of the performance carefully. Even if he used a microscope to observe, Lance's performance was so perfect that he could not pick up any mistakes at all. This shocked Alan to be speechless, but when he turned to look at Lance, he found that Lance shook his head gently, which surprised Alan a little, "What's wrong? What's wrong?"
Lance pointed to the big screen, "There is no need to shake his head here." He was commenting on his performance. "These small movements of shaking their heads seem redundant, but instead destroy the rhythm of the whole show."
"But, doesn't this little move show Jeff's despair? He is denying the fact that he has been castrated." Michael, who was standing next to him, joined the discussion.
Lance shook his head again, "At this moment, his head shake should be unconscious, and a subconscious denial. Do you know what such a head shake looks like?" At this moment, the performance skills of London's West End and Broadway were revealed, "It's definitely not like this!"
The real unconscious shaking of the head means that you are not shaking your head, but you feel that you are shaking your head, and it is more like shaking your chin, and the upper part of your head will not move.
But during the first shot just now, his shaking head was obviously too large, and he was extravagant.
Michael and Emma exchanged a glance, and both of them were surprised to speak. At this time, Emma had a new experience of Lance's so-called "stage drama skills". When the whole Hollywood was popular in the way of acting, Lance gave the performance acting skills a new life.
"Lance, you don't have to be that harsh." Alan, who was standing next to him, couldn't help but speak. She felt that Lance had reached its peak in the scene just now and could no longer surpass it.
As soon as this sentence came out, everyone around him chuckled, which made Allen look around blankly. But Lance did not intend to answer, stood up again, and said loudly, "Stay ten minutes more, and then start the second time again."
After saying that, Lance walked to the backyard with a cup of water and took a fresh air.
Only then did Allen catch Emma, "Is there anything wrong with what I just said?"
Emma glanced at Lance's back and said in a low voice, "This has nothing to do with harshness. Lance always believes that when you are satisfied with yourself, you stop moving forward. If you are Katherine Hepburn, you can start to be satisfied, but the problem is that even Katherine Hepburn himself is not satisfied."
Chapter completed!