More importantly.

[ShiCong] is not just a [Silver] character card, but behind Solomon's seventy-two demons are represented by seventy-two powerful demons.

[Scope] is only ranked 61 among the seventy-two pillars of demon gods, which means that there are a large group of character cards of [silver] and even [gold] above it, waiting for Zhao Yuan to create, not to mention the first among the seventy-two pillars of demon gods, the king of hell who commands the 66th legion of the Hell, and the ruler of Barr in the east of hell.

This king of hell, which was formed by the Canaanite god Sun God, the God of Thunderstorm and the God of Richness, is enough for Zhao Yuan to design a wonderful story background for him.

Of course, with the current [world evolution rate], it is too early to make Barr appear.

Therefore, after suppressing the thoughts that he was ready to move, Zhao Yuan's eyes turned and fell back to the back panel of the system in front of him.

[Wine at the Price] As a prop that appears in the last part of the script, the effect is very simple and clear.

The effect of eliminating the cost of use is obviously a very powerful ability.

It can be said that only Zhao Yuan exchanged it out, and when he obtained the items that were difficult to distinguish between good and bad, he could completely ignore its side effects and use it directly. However, compared with the [Price Wine] that appeared in the backend of the system, what Zhao Yuan hoped to get was the other wine in his hands [Sai Gong].

Unfortunately, I don’t know if it’s because the appearance time is short and there is no deliberate description.

In the end, the system only chose this prop for redemption.

Putting aside this regret in my heart, continue to look down. [Harry Houdini's Candle] is a good prop in some ways, especially when it does not have much side effects during use, and it can communicate with the spirit that Zhao Yuan once visited.

Unfortunately, the entire real world [spiritual world] was designed by him.

And Zhao Yuan himself has no object to communicate with.

Therefore, the prop [Harry Houdini's Candle] is not very attractive to him. Even if it is redeemed, it will be at most a collection of props with [Music Box] at a glance.

Looking down one by one from the background list, Zhao Yuan's eyes soon fell on the last prop of the system.

To be honest, if you throw away the last [remark] in the system, it is just from the perspective of ability.

[Crutch] This prop is undoubtedly an excellent prop. It has a powerful distortion curse given by the circus, but it has no side effects and is also very convenient to carry. It basically doesn't require too much concealment to take it out directly.

Once you encounter danger, the ability to directly activate the [Crutch] can fully guarantee Zhao Yuan's daily safe life.

From this point of view, Barnum is a qualified tool man. Even if he leaves the script, he does not forget to present a gift to himself, the creator.

While redeeming the [Crutch] in the list, Zhao Yuan touched his chin.

I was wondering whether it would be a return to designing an easter egg that day to let Barnum show up again.

After all, such excellent tools are rare, and it would be a bit of a pity to just leave the market like this.

Of course, even if you really design the script that appears in Barnum, it will be something that happened later.

At present, the script of "The Circus is Coming" has just ended, and the impact caused by the script still needs time to settle down.

More importantly, Zhao Yuan also needs time to relax after just finishing the creation of a script.

As the plot of the script continues to deepen, the more he, as the creator, needs to think and control. He finally achieved results after completing a script, so there is no need to immediately devote himself to the creation of the next script.

One of the benefits of system failure is that there is no one who is above and forces Zhao Yuan to complete various mission goals behind his back.

He can write evolutionary scripts as he pleases whenever he wants.

...

abc, talk show scene.

Accompanied by the audience's warm applause, Jimmy Kimmel, the host of "Jimmy Chicken Feather Show", appeared to show off.

Standing in the middle of the stage, I quietly enjoyed the audience's enthusiastic cheers in the music of the band behind me.

It took a few seconds before Jimmy Kimmel got his place and began to introduce the guests who appeared today: "Tonight, "Jimmy's Chicken Feather Show" was honored to invite the famous Hollywood director. Every movie he filmed has achieved amazing results at the box office. Now his new movie "Hero Out of Control" will be officially released in a week. Let us welcome the director of the film, Zhao!"

Cooperating with the introduction of Jimmy Kimmel by the host "Jimmy Chicken Feather Show", there was another burst of fanatical applause on the scene, and then Zhao Yuan appeared on the talk show in the agitation music.

As a director and screenwriter, although Zhao Yuan's popularity is not as eye-catching as those of Hollywood stars, he is already considered a famous figure.

Especially his achievements in film, although they are not popular in the Oscars.

However, film production companies and theaters favor him.

With the release of several consecutive "pseudo-record" movies, Zhao Yuan also attracted some genre film enthusiasts.

"Hi, Zhao!"

Sit down amid the cheers.

Jimmy Kimmel, who was in charge of the stage, immediately greeted Zhao Yuan.

"Hello, Jimmy."

“Welcome to the Jimmy Chicken Feather Show.”

"Thanks."

After a few simple and polite words, host Jimmy Kimmel immediately brought the topic to the new movie "Hero Out of Control" filmed by Zhao Yuan this time. In fact, this is also the purpose of Zhao Yuan participating in the talk show to promote the upcoming movie.

"I've seen the trailer for the movie, it's great, Zhao, but I found one problem in it, that's it's another unique documentary, so you can tell me if it's another real story and you've found a video that no one can find?"

Jimmy Kimmel's words made the audience burst into laughter.

With the continuous emergence of "pseudo-documentary", the publicity methods used by Zhao Yuan in "The Witch" and "Ghost Records: Athletic" have gradually lost their effect. After all, this novel publicity method is not bad once or twice. When it is frequently used, the marginal benefits are naturally decreasing.

Globally, this is exactly what we consider.
Chapter completed!