"This story summary seems to be well written."

With his eyes off the computer screen, Scarlett Johansson turned to Duke beside him and asked, "Can this be leaked by your insiders?"

Duke glared at her, "You're thinking too much."

This version on the Internet looks very reliable, because he was adapted from the plot of the Star Wars trilogy, but it was specially added to the fact that Rey was a descendant of Obi-Wan to prove his point of view.

However, these things are not useless, so Duke continued to watch.

"Rey doesn't want to shoulder such a heavy responsibility, just want to rescue her friends, but Maz told her that the trip would face the most severe test. Maz watched Rey's spaceship leave, and a green shadow appeared beside her."

"Under the guidance of the Force, Rey found Finn. What greeted her was Kyloren, who wanted to avenge her former shame. Ren and Rey fought again. Ren was defeated in Rey's hands and his right hand was cut off by Rey. At this time, the leader Snooker appeared and showed Rey the powerful Dark Force and put forward conditions. As long as Rey surrendered to him and learned the Dark Force, he would let Finn go."

"Rey agreed to Snooker's request. Finn strongly asked to stay with Rey and confessed to her affectionately. Rey told Finn that she had her own mission and that Finn was forever friend in her heart."

"Finn returned to the headquarters of the Rebel Army in depressedly. The war between the Rebel Army and the First Order began again. This was the last chance that the leader Snooker gave Hex and the Storm Legion. The Storm Legion invaded the Rebel Army headquarters. The two sides launched fierce wars between the interstellar and the planet. The flying team led by Bo was unable to destroy the enemy's main ship. Finn returned in time with Chubaka and sneaked into the enemy fleet. Finn persuaded Captain Mafas and more Storm soldiers to take off their masks and break away from the First Order. With the help of the rebellious Storm soldiers, the Rebel Army defeated the Storm Legion, and General Hex was killed by Finn."

"Bo's flight team also made great contributions to destroying the Star Destroyer, but Leia reminded the Rebels that the war was not over. She felt that her son was suffering, and a general of the First Order established a brand new black armor clone unit based on himself and was ready to launch a new war against the Rebels."

"Kelloren's failure made him question the Dark Force, and the regret of father-killing was tormenting him. Snooker told Kelloren that his failure was because of pride. He inherited Darth Vader's dark force. Darth Vader also lost to Obi-Wan because of pride. Snooker believes that Kelloren needs more experience and let him and the Clones eliminate the resistance and the Light Force."

"Finn asked Bo to take him to Luke. He asked Luke to help save Rey. Snooker talks to a weak soul. His Majesty. I have found a more potential Force sensitive person who will help you resurrect if she can fall into the darkness!"

"Take her to the Temple of the Sith to meet me"

After watching the next two Star Wars plots that this fan had imagined, Duke looked at the following comments again, and the views were very large. Although this was a story adapted by the movie fans themselves, to a certain extent, it is also beneficial to the publicity of Star Wars: The Force Awakening.

Duke then hung up the phone to Tinafee and asked her to contact the media and the fan so that this plot, which can be used to promote hype, will appear on the paper media as soon as possible.

Duke, Warner Bros. and Lucasfilm's post-screening promotion has played an extremely critical role in the box office trend of Star Wars: Force Awakening, especially the two-day box office on Saturday and Sunday, without a diving in the box office. The film's single-day box office has never plunged by more than 40%.

For ordinary films, a drop in a single-day box office of over 30% on weekends will make producers and traders nervous, but this rule is not suitable for films like Star Wars: The Force Awakens, everyone knows. The single-day box office of this film cannot be maintained at more than 150,000 US dollars for two consecutive days, and it is even more impossible to create a miracle that exceeds the $100 million mark for three consecutive days.

With the creation of all-round continuous topics, coupled with the appeal of Duke and Star Wars series itself, Star Wars: The Force Awakens have completely risen from media marketing to social marketing.

For most movie viewers, the interest in a movie comes from the attention to selling points such as stars, plots, special effects, etc. Few people care about who is refining behind the scenes and delivering these selling points, which is exactly what movie marketing does.

It is difficult to accurately count the actual investment in the film marketing process, but in the face of such a huge market dividend, the business opportunities in the marketing process are obviously self-evident.

Judging from the current actual situation in Hollywood, small and medium-sized films usually enter the marketing stage after production is completed. Annual commercial blockbusters often introduce professional marketing teams from the project planning stage to formulate complete strategies. For marketing promotion, the core of the work is to work with the crew and the market to extract the marketing selling points of the film at different stages and then pass them to the audience.

Unlike simple brand marketing, the movie itself has rich content resources to feed back to the brand and provide topics.

Of course, when the content of a single video is insufficient, you can also analyze and filter the current social hot topics and link them with the film itself.

Specifically in the marketing process, traditional media, landing activities and new media Internet promotion are prescribed actions that cannot be avoided by movie marketing. The information arrival rate and market conversion rate in actual operation are also the key to considering a marketing team's creative ability and execution ability.

There is no doubt that both Duke’s own team and Warner Bros.’s publicity and PR department have done an excellent job in this regard.

In this way, the quality of the film is sufficiently guaranteed, and with the appeal of Duke and Star Wars as the basis, it is natural that the box office of Star Wars: Force Awakening Weekly is in a big box office.

On Monday morning, in a villa near the sea in Long Island, New York, Natalie Portman took care of his son for breakfast and handed him over to the nanny to the garden, and picked up the New York Times today.

Unlike the past, the front page headlines of the New York Times are not any social current affairs news, but news about Hollywood and the film industry.

"Duke Rosenberg once again broke the record of North American film history. Star Wars: The Force Awakens became the first film in North America to break the $300 million mark in weekly box office!

Sitting on the sand in the living room, Natalie Portman saw this title, and his thoughts not only came to the past, but this is the time when Duke Rosenberg created a record of North American film history? Independence Day, the Matrix, the Lord of the Rings Trilogy, the Dark Knight, the Avengers

There were so many that she couldn't even count it herself.

Thinking of this, Natalie Portman couldn't help but laugh out loud. So many years have passed, and she has always remembered Duke Rosenberg clearly. There are many things that cannot be forgotten until now. Perhaps this is the so-called fate?

She knew what kind of person Duke Rosenberg was, and she also lamented that the girl named Daisy Ridley was really lucky, because she was very similar to her temperament, so she won the favor of the God of Destiny.

"The God of Fate?"

Natalie Portman couldn't help but shake his head. When did he actually equate Duke Rosenberg with the God of Destiny?

But she knew very well in her heart that for Hollywood actors, wasn’t Duke Rosenberg the god of destiny that could change their lives?

Putting aside these thoughts, Natalie Portman's energy turned to the New York Times in front of him.

"The North American film market in the penultimate weekend of 2O14 was completely ignited by Star Wars: The Force Awakening. This powerful force finally broke the downturn in the North American film market in the past month, making a good start for the Christmas box office market. Warner Bros., the space science fiction sequel directed by Duke Rosenberg. Star Wars: The Force Awakening Weekend Opening Weekend Opening Weekend Opening without any suspense, breaking the North American film history record for opening weekend, and greatly increasing the North American box office opening record created by the Avengers by nearly $100 million!"

"Star Wars: The Force Awakens cost $200 million. The film is directed by Hollywood's top director Duke Rosenberg. The iron triangle of the trilogy Mark Hamill, Harrison Ford and Kelly Fisher are fully returned. Daisy Ridley, Daniel Wu, Li Pace, Oscar Isaac and others play a new generation of roles. The script is written by Duke Rosenberg himself."

"This film was screened in Los Angeles at 7 pm on Thursday, with a midnight show of $720,000, breaking the record of the midnight show that Harry Potter and the Deathly Hallows (Part 2) has been held for four years, and greatly doubled the original record. The film expanded to 4,534 theaters across the United States on Friday. With the support of the largest number of North American history in December, the film scored $16.50 million a day, significantly breaking the North American painting day record that was maintained by the Avengers for two years."

"Although the film consumed tremendous power in Japan, its subsequent trend was no sign of fan movies. The film won another $140,000 on Saturday, plus the $75.51 million obtained on Sunday, Star Wars: Force Awakening Weekend finally closed at $344.51 million."

"Based on the reputation of the film and the historical trend of this period, it can almost guarantee that the North American box office of this film will reach the 700 million US dollars mark, and it is not even ruled out that the film competes with Avatar for the title of the most popular film in North American film history."

"The majority of the audiences of the film weekend are 58%, and the proportion is 49%; the group under the age of 25 accounts for 49%, which proves that the Star Wars series has no cultural gap among young people. The film's single-camera income reached 75,000 US dollars on the weekend, which also rewrites the highest single-camera record for large-scale films." (To be continued.)
Chapter completed!