The next scene may be the death of the protagonist, or it may be survival, like preparing to open the box of "Schrödinger's Cat". Life and death are in a quantum state.

It even somewhat subverts his long-standing philosophy.

But at this moment, Chen Jingxing's movie seems to be a mockery of the grievances he has been feeling.

This bold one-shot format also creates an unprecedented sense of urgency and immersion.

Or maybe he fell into the river during a chase with the soldiers of the Southern Dynasty and escaped, then swam to the shore and found the corpses of the enemy soldiers within reach.

This is the top quality for commercial film directors.

But no one could imagine that these so-called long lenses create a one-shot-to-shot effect.

Long shots or one shot are usually unique challenges for literary films, and they have a distinct artistic avant-garde flavor.

The production team of "1951" gathered the elites of DreamWorks and National Film Group. This circle is not that big, so even if DreamWorks' confidentiality measures are very mature, the industry will still get some information.

But "Interstellar" changed him a lot.

The audience is always wrapped in the fear of the behemoth "war", and they are looking forward to and afraid of what will happen in the next scene of the movie.

But Zhu Wenjiu naturally understands that although he has the reserve and self-awareness of a literary and artistic worker, he is not an art director after all. As the biggest producer of Beijing Film Academy, it is impossible for him not to understand this truth.

I can't do this position.

It is precisely because the structure and logic are too strict and sophisticated, and the playing with the narrative structure is almost like showing off skills, so it is a bit overwhelming. In layman's terms, it is too craftsmanship.

Even the one-shot format makes the story even more stunning.

In an office of Jingying Film Company, head Fu Sheng's face was calm, but anyone with a discerning eye could sense the anger and a bit of disappointment hidden beneath his calm surface.

The theme of anti-war and respect for life, the pursuit of hope, the desire for victory, and the belief in the justice of this war are like two sides of the same coin, which Chen Jingxing tossed out with ease.

And this also made Zhu Wenjiu's reserved arrogance as a literary and artistic worker and his dissatisfaction with the audience's hatred for the audience collapse in an instant when he faced the criticism of thousands of people in Beijing.

This was the hardest blow to him.

This young man who had caused great harm to everyone at Jingying seemed to be murdering them.

It seems to be saying that you people have been awkward all these years, thinking that you are Don Quixote, full of the biggest private thing you want to convey that is not understood by others and want to educate the people - anti-war, what's the matter?

Difficult?

I will teach you now what anti-war is!
Chapter completed!