A few days ago, some book friends joined a group for this book, but when they mentioned this book, they directly pointed out a problem: the white book has not been torn up until now, because the protagonist himself talks about philosophy.

I was stunned for a moment, and then replied that the purpose of this book was not to argue, and then made a lot of remarks about how arguing was not the point.

Thinking about it later, it’s really ridiculous for me to say these things. I’m tearing up the Yandere book right now. You’re an author who enjoys writing about robbing, and now you’re saying that you, a fan of Chunwu and wa2, don’t want to write about robbing, you

Why are you pretending to be cool?

But, in fact, when I was writing this book, when I went back and looked at the outline for this book, I found that I had laid out all the foreshadowings of the main lines and all the foreshadowings of the emotional lines.

But during this process, I really never thought about writing about robbing. From the beginning, when I wrote this book, what I wanted to talk about was really this so-called philosophy.

Of course, I don’t mean that I wanted to write philosophy and then wrote this book. In fact, if someone has even a slight impression of these concepts of political philosophy, they will find that the philosophy in my book is full of loopholes and the logic is particularly bad.

.My original purpose of writing this book was actually to write a slightly different Harmono fanfic.

When Duhang was writing about spring things, I think his focus should not be on the final quarrel between the Yukino Party and the Tuanzi Party. He wanted to write about the transformation of several students in different situations who were in the so-called adolescent mentality and had an awkward mentality.

However, due to the rendering of animations, including the shifting of scenes in some novels, many people have ignored these things and misunderstood The Great Teacher as a fierce battle in wa4. This is actually putting the cart before the horse.

Therefore, although I set up a very strange protagonist, I set up a very far-fetched logic for the protagonist's behavior. Compared with the great teacher, this protagonist cannot resonate with anyone, and it can only make people think that this guy is boring.

.very average.

However, I still want to write about a transformation, the transformation of a middle school student. This is the focus I want to focus on. I cannot write a protagonist that people can relate to. Even the protagonist has some templates of Long Aotian in online novels.

But I still hope to write about the changes in people like Chunwu.

Of course, I also have things I want to convey. The various actions of the protagonist. If everyone can clearly find that he did something wrong, then the logic behind what he did at that time is what I objected to. If you think he did the right thing, then

Maybe the values ​​behind it are what I want to convey, that's all.

People may think that the long paragraph of the protagonist's psychological monologue that I often write is incomprehensible, confusing, and skipped. I often recommend that you skip it, but in fact, that is where I spend the most time writing each chapter.

If I just follow the plot and write dialogue, it is really easy to fill up the 4,000 words in each chapter. But it is often the part involving monologues of about 1,000 words that I spend the most energy on. Of course I know

In the end, few people will pay attention to these words or want to string them together, but this can be regarded as a small personal obsession of mine.

To be honest, it’s difficult to write a Harmono fanfic. It’s not difficult to imitate Watanabe’s writing style (except for Chiba’s jokes), and it’s actually not difficult to write about the emotional disputes between the protagonists. However, the difficulty is that I want to express that kind of mentality.

I also want to build a logical system and framework of behavior for this change of mentality, and I also want to find loopholes in this logical system and framework and overthrow it. Then this is what I have been struggling with.

Question. This is also the reason why when I first started writing the book, even though I had plenty of time to write during the summer vacation, I couldn’t write fast.

So I still feel that the chapters in the summer vacation are really good. I often spend two days pondering the wording and writing of a chapter, but now I find that I either use a lot of daily dialogue to get through a chapter.

The content does not advance the plot in any way, or you just use a monologue to advance a plot and then move to the next chapter. This not only makes everyone confused, but also makes people feel that you are just showing off and showing off yourself.

revel.

Of course, there is also a first-person issue involved here. When I was writing about yandere, I complained that the third-person writing method could not allow the protagonist’s psychological activities to be naturally inserted. But now when I write about white, I suddenly find that I have written

Too many psychological activities and dialogue descriptions actually slow down the pace of the plot. This problem has not yet been reflected when writing original plots. Just like when I was writing the plot of Sashi recently, I felt that every time I finished writing a chapter,

There was no change, but I felt all kinds of guilt. I felt like I was too watery.

But it seems there is nothing we can do.

In fact, after saying so much, I just want to talk about a willful idea of ​​the willful author who wrote this book. I think it will be very easy to write the plot into a real conflict. I also like to write this kind of thing, but

I still want to innovate and make changes. Well, everyone understands that I am very pretentious and feel that I will have a sense of superiority if I don’t write the plot.

Of course, in the end, I am actually very grateful to the book friends who have been voting for me. Although I have not done anything like asking for votes for a long time, the current position on the recommendation list is really beyond my expectation. I

I believe that many book friends who voted for me did not come here to see me talk about philosophy, but if you can tolerate the author's petty willfulness, thank you very much.

One thing I always warn myself is that I must not let the author's personal goods surpass the novel story itself. Although it has been difficult for me to find a balance between this kind of personal goods and the storyline of this book, and I have been pouring private goods recently.

But I will still try my best, try to adjust, and try to make this book not so inconsistent. What follows should be the final climax of the second volume, but it will not be as exciting as the first volume, and it may seem
Chapter completed!