Whether they felt cheated or were still dubious, everyone was actually relieved and no longer in the mood to stay here.

What follows is the dialogue scene between Tang Ze and Xu Qing.

Psychologist Li Jiejian, who overheard the conversation between the two and learned that Tang Ze might be his father, showed even more hysteria than when he heard that Coconut Su was Tang Ze.

It was really hysterical here, and the original version was also very good. It once made him suspect that the director just wanted to accumulate all the emotions and explode at the end.

In fact, the twist in the story was enough for the final explosion. In his opinion, it was a bit inexplicable for an actor to suddenly soar in his acting skills.

Unlike the version shown by Karasawa, it was a natural splash and everything came naturally.

Later, the psychologist Li Jiejian, who confirmed the fact, could not bear the fright and died, making this outburst even more urgent and natural, because Tang Ze did not have to consider the emotional processing after the recognition.

As for the final ending, in his opinion, the original version was a huge failure. The protagonist had always been very indifferent, but suddenly planned to leave with the heroine, which simply ruined the tone of the entire story.

Therefore, the ending given by Karasawa is to drive away from the empty valley, and the tone has always been loneliness.

But maybe some people like the ending of leaving together. After all, the protagonist is indeed too lonely, and he hasn’t seen anyone complaining about this ending.

As it happens, he has a new playback mode he wants to try.

Therefore, Tang Ze, who has never been said to be stubborn, when he couldn't decide which one was better, he just filmed the two endings together.

Even if the ending of leaving together destroyed the lonely tone he carefully created.

But whether it is good or bad is up to the audience to judge.

Never let yourself decide what your audience likes!

The method of displaying the two endings together is also easy to handle. He wanted to use the interactive movie method appropriately.

Ending.

In order to make the ending more impactful, Tang Ze looked at Xu Qing when he got in the car, and at the same time, the camera angle showed that he was looking at the audience.

Here he borrowed the perspective of the protagonist in "Memories of Murder", but turned the emotion into loneliness.

After freezing for more than ten seconds, Tang Ze got in the car and drove into the distance.
Chapter completed!