Actually, I wanted to post this single chapter a few days ago. But the reason why I haven’t posted it yet is because I talked about the male and female protagonists at the end of the chapter. Many readers who had never seen the comments left messages of encouragement, so I just

I didn’t post it. But I saw a comment today, and I felt very moved, so I just chatted with everyone.

Actually, there are only a few things to say.

The first is that there are too many scenes between male and female protagonists. What I want to say is that my entry point is the Olympic Games, and during the Olympic Games, there are really not many movie segments to write about. There are only two, one is "The Golden Armor",

The other...well, you can take a guess.

As for the plot design of this book about the Olympic Games, I actually came up with it after watching the documentary over and over again. In my setting, the proportion of the 2006 Olympic Games is actually not too big, and the focus is on 2007 and 2008. Or

To be precise, it was March 2007 in the real timeline, after the creative team overturned the creative plan with the four major inventions as the core structure.

It was there that the whole Olympics plot began to take hold.

The Olympics is a big plot, and it is also the most important tone of my book. The subsequent plot development is actually an extension of this. So the length is definitely long.

So the question is, what should we do if it is too long? It’s very simple, branch plots and male and female protagonist plots.

My book has a single female protagonist... Many people actually don't understand, nor do they understand... I actually started out as a harem stallion. But after writing a thousand books, I really want to write a book with a single female protagonist.

As the introduction says, if you want to be a light to illuminate others, you must first be clean and pure.

Therefore, in the setting, the ratio of male and female protagonists in this book will definitely be higher, because I cannot have as many branching plots with multiple female protagonists in this book as in other books.

That's why it looks so "sweet".

Because I have to use a rich heroine image to support the subsequent plot of my book. And if the heroine image is not plump enough, it will become the normal "open a movie-high box office-acquire a girl-

-Open the movie--high box office"...or to put it more bluntly, "shocked---shocked---still fucking shocked" kind of plot.

Therefore, I would rather spend more space to describe some... things that may seem irrelevant to the theme. But in fact, I have carefully set up these things. For example, I learned first aid in Hengdian, and used this kind of thing in Baihe...

A series of small lines must be spread out at the front before they can be harvested at the back.

In 2006, it was actually the "sweetness" of the male and female protagonists that ran through it.

What else can we do? Make a movie? You say that the interests of the motherland are above all else, but then you go and make a movie?

What's funny?

How about focusing on the Olympics? Whether it's a dream or a rebirth routine, you can watch the Olympics all by yourself? Then why do you need other supporting characters... The protagonist can play by himself.

The essence of entertainment writing is actually invincible writing. As for all entertainment writing, the first 300,000 to 500,000 words are actually the most important. This is because it determines the character of the protagonist, the introduction of important supporting characters, and the personality of the heroine.

etc.

Of course, I can be original. But before I started this book, I had a conversation with the editor, and I asked if it would be okay for me to create original characters... The editor directly said no, saying no... He suggested that I, a newcomer to Qidian, start here.

A kind of "fan" starts.

Then I'll just be obedient and be done with it. This is why I write about fan entertainment.

So, what I want to say is that I know what everyone wants to see, and I am not saying that the plot remains unchanged. I write every chapter with my heart, whether it is the interaction between men and women, or the plot. It is not water,

There is no water either. I have my rhythm, my outline, and I am a plot-reasonable person.

Maybe my pace is slow, but at least every plot I have... is really carefully crafted.

I have my own settings for when to write, how to advance time, and how to advance the plot. Please rest assured.

Secondly, I just want to talk about the reason why I wrote this single chapter today. A reader just left a message. It probably means that I am playing the role of Shui Zhu Wushuang, saying that I am bragging, and that the character of Zhu Wushuang must really be so deep.

, why is it not popular or something...

I understand what he means, but please allow me to give my own reasons.

First of all, as I said in the book, for actors, there are some roles that are hard to come by. It is the kind of role that when you meet the golden wind and jade dew, it is like dry wood and fire, and the old tree blossoms and flourishes in one fell swoop.

This role may not be very important, but it must be suitable for the actor himself.

There are actually many specific examples to give. Let me just mention one...the origin of the line "I have to add more money".

Is it enough?

Yes, the most popular part of "Wulin Gaiden" is the protagonist group. But at least for me, in terms of the artistic depth of my book, the character Zhu Wushuang is the most worth exploring. I have given the specific reasons in the chapter.

Now that the explanation has been given, I won’t go into details again.

And what I want to express is that when Xu Xin is invincible, Yang Mi also needs some original intention to change her destiny.

As I said before, I am a reasonable person. I tell everyone rashly: Ah, Yang Mi has talent. If Yang Mi polishes her acting skills well, she will be invincible... What are you doing? Playing? What are the causes? Consequences? What are they?

What caused this change? What kind of mental journey did you go through? Have you explained it clearly to the readers? If you haven't explained it clearly, then I, as the author, am fooling, and I am incompetent.

Therefore, "Golden Armor" is introduced by the master, but how to practice next, doesn't it need to be described?

Secondly, regarding the character of Zhu Wushuang... I actually resonate with him.

Why do you want to write about her in particular? Not about Yang Mi and Guo Furong? First, I think "Wulin Gaiden", like all sitcoms, is particularly easy to stereotype an actor. Before the role of "Su Mingyu" appeared...

In other words, even now, when many people mention her, who has the deepest impression on them? Or Guo Furong.

This chapter is not finished yet, please click on the next page to continue reading the exciting content! And this impression... will basically stay with her for a lifetime and will be difficult to eradicate.

This is not the plot I want, and I don’t want my heroine to be trapped in this role. So from the beginning, I never thought that she would play Guo Furong.

Secondly, why does it have to be Zhu Wushuang?

It's very simple. I dedicate this plot to my wife.

Regular readers all know that my wife was adopted. She was the second child in the family. Her brother beat her when she was young, and her sister looked down on her. The reason why she was adopted was very simple. Before the third child came out, her parents thought they would never have a child.

I just brought one back. Then the third child showed up as a biological child, so the adopted second child was... you can imagine, right?

She dropped out of school at the age of 14 and moved from her hometown to Zhengzhou to start a street vendor. I don’t want to repeat the hardships and sins she suffered. But if you come to the book club and see the story picture in the group photo album, you can actually

Understand what kind of environment my wife and I are in our families.

All I can say is that the only person in Wulin Gaiden who made my wife cry after watching it was Zhu Wushuang.

Because they are both the same.

No home.

only myself.

She would be called a "bastard" by her parents, and would be choked by her brother when she was fighting with her. When she turned to her parents out of breath, she would receive an indifferent look. After being kicked out of the house at the age of 14, she set up a street stall.

At that time, her biggest dream was to never become like her parents when she got married...

There are many, many. A girl who was originally adopted. When asked about her biological parents since she was a child, she will get the reason "your mother is a young lady and she had you with an old man" from others... I don't know how to treat her.

I feel the same pain. But according to her...she understands the mentality of an orphan like Zhu Wushuang very well.

Whoever gives me the stutter and lets me live, I can follow.

Really, it's that simple and pure.

But when I saw her secretly crying while watching Zhu Wushuang in Wulin Gaiden, I gradually came up with the idea for this plot.

This idea has been in my mind for several years, but the previous books...were not very appropriate to use it, so it has been put away until now.

Therefore, in this plot, I actually just hope to use words to express a feeling of distress to my wife that I don’t know how to describe, and to allow Yang Mi to board the ship of "Wulin Gaiden".

Yang Mi cannot be trapped in this drama, and similarly, I also use this plot to remind myself to be a good husband.

It's that simple.

And what I said is not to express how much I love my family or to win the sympathy of everyone.

The reason why I am posting this single chapter today is just to tell you why this book has 500,000 to 600,000 words and not even a single movie has been made. That’s all.

I know that my way of writing may have a gap in expectations from readers who initially expected to watch the Olympics and watch the main character in a movie.

But what I want to say more is that I will work conscientiously and down-to-earth to bring you a book that is unconventional. When I think about it after dinner, I still think, "Ah, there is an old dog who wrote a book with this kind of plot."

That's all.

It’s 2:10 in the morning and there’s only so much I want to say.

Thank you all for your persistence all the way.

Those who scold me and those who praise me are readers who support me.

Picking up the bowl of porridge and putting down the chopsticks, I remember your kindness.

My abilities are generally limited, but my father-in-law can tolerate me and prevent me from causing evil in the world.

Write books in a down-to-earth manner, be a down-to-earth person, do not ghostwrite, do not write superficial essays, and take every story and character in the book seriously.

This is the promise I can give.

Thank you all for your tolerance, advice, suggestions and care.

The old dog paused.

bow.

Thanks.
Chapter completed!