In order to create a painting in an instant, the knife must be drawn extremely quickly, and the ink must be controlled with spiritual thoughts so that it matches the energy and intention of the knife to draw a complete pattern.

Two months later, "Kun in the Water" was completed.

The sword unfolded, and blood and black ink poured forward.

In the black sea, a bloody kun came chasing the waves. It twisted its body and beat up huge waves with infinite power.

The unintentional runes from the outside world brought him an unexpected surprise. Those characters actually had the ability to move through space.

This part of the ink will break free from the entire painting and teleport to where the mind reaches, with super lethality.

The runes are equivalent to the vanguard. After one round of attack, the large army will follow.

This group of characters is very strange. If you only write one paragraph, it cannot be moved.

This will only work if you add the rune on Leng Yue after the small fish tank rune.

Moreover, if the order of the two characters is reversed, it will also fail.

Jin Ziming began to paint the second painting "Peng of the Wind".

He closed his eyes and recalled Chen's soaring; and sitting on his back to understand the way of wind and power.

In the ancient battlefield, there was a bloody battle between Chen's father and the human race; there was also the miraculous scene when Chen experienced thunder tribulation and nirvana.

These four scenes left a very deep impression on him, and he planned to use a painting to express each of them.

After the painting was completed, he began to mix it.

The first was the fusion of the first and second paintings, which was quickly successful.

It is then integrated with the scene of Chen's father's battle, showing the flight of Jin Peng and his use of wind and power in the bloody battle.

The scene of Chen achieving nirvana through thunder tribulation was thrilling and shocked him the most.

He wants to replace the fighting roc with the nirvana chen.

Finally, the four paintings were completely integrated, and the sketch of "Peng of the Wind" was completed.

The evolution of this painting into a sword technique is "The Peng of the Wind".

The sky was hazy and the cold wind was biting. A bloody roc covered in the light of thunder and calamity marched towards the battlefield with the power of destruction after being reborn from the ashes.

The power of Peng can be seen in splashing ink.

The third sword created by Jin Ziming is derived from the dream of the fog sword and is called "Yunwu".
Chapter completed!