It would be a second disappointment for Tess."

Kevin Wade's mouth is wide open. This is not a character trait of Jack Traynor at all. It is a character trait of Han Solo and Indiana Jones.

"I think what you described is the character image that our lovely screenwriter Kevin tried his best to create." The big light in Ronald's mind has completely illuminated the road in the fog, and at the end of the road is a Harrison Ford.

The villain yelled at Ronald:

"I'm a star. Stars can't do this kind of dishonest behavior. Please change Traynor for me. Maybe we can call him Jack Solo, or Indiana Traynor."

"Very good, eh. I like Jack Traynor, and the reason why I agreed to play the role is also because of his temperament as a natural leader. He is a pure American leader. Those who we can rely on and the country relies on to compete.

The winner. He was not at all impressed by those nasty office politics, and became cowardly, sacrificing the opportunity of his good partner Tess in exchange for his own future."

"Pure leader, that's right. When you say that, it reminds me of the President's speech in the Oval Office." Ronald figured out what Harrison Ford needed.

After all, stars are stars. Although when he first came here, Harrison said a lot that he didn't feel like he was limited by Han Solo and Dr. Indiana Jones in Star Wars. He didn't want to be like this forever.

Playing a tough guy role, I hope to broaden my acting career and try some roles that rely not on action but on my mind.

But in the final analysis, stars are not actors. They need one hit movie after another to maintain their existing star image.

"Maybe I'm too slow. Kevin just explained to me that Jack Traynor's inner world is a successful man who came to Wall Street from a small town, a place with fierce competition on the earth. If he betrayed his friends like this

If you have such a character, you will not be able to achieve success on Wall Street."

Harrison Ford is as humble as ever and speaks nicely, but he will never give up until he achieves his goal of modifying the character to suit himself.

Kevin Wade's mouth opened even wider. This scene really broke through his psychological defense. Just now he said that his script was a work of genius, why has the setting of the male protagonist been changed now?

"Even if you say so, I still don't want to change the ending of the story..." Ronald said with a smile. Although everyone knew that the final outcome of this matter would have to be to accommodate Harrison Ford, but since the other party did the matter in a very face-saving manner,

In place, Ronald also had to act according to the script.

As soon as these words came out, Kevin Wade happily nodded to Ronald. This is what a great director does. The ending of his script is logically reasonable and is the inevitable ending of the plot. Wouldn't it be different if it were changed?

Are the characters separated from the front and back?

Harrison Ford's manager, Patricia, frowned and wanted to say something that was inconvenient for her client.

"But, Harrison, the last thing I want to do is disrupt an actor's thoughts and ideas about creating a character..." Ronald continued.

"I just think it's necessary to speak out about things that don't go well with you, and actors should be honest with directors and screenwriters... After all, we..." Harrison said, glancing at screenwriter Kevin who was almost dislocating his mouth.

"Wait a minute." Suddenly, Ronald's tone became high-pitched, as if an actor was inspired by the genius performance of his opponent's actor and was excited and eager to perform.

"What?" Harrison Ford turned to Ronald, his eyes bright, as if Han Solo was listening to Luke Skywalker's wonderful "new idea" inspired by the Force.

"I have an inspiration. What if Jack Traynor sides with Tess in the end? His support finally shakes the client and gives Tess a chance to explain? In this way, the two of them can finally be happy.

A happy ending, moving in together and becoming a couple?"

"What do you think? Harrison?" Ronald also looked at Harrison Ford with keen interest.

Harrison turned his head, thought for a while, then turned around and said:

"This is an unexpected idea... I like it very much, but I still need to try the result of acting like this."

"Kevin..." Ronald turned to screenwriter Kevin Wade, "Can you rewrite the ending of Jack Traynor in this direction?"
Chapter completed!