She still loved me, and I suddenly felt motivated to make the best movie of Rita's career."

"Maybe it's my family background. I hope to have a complete family life." Ronald briefly talked about himself.

The car drove to the home of Orson Welles. He once lived in Peter Bogdanovich's villa for a long time. The new home here is a small house he bought by participating in talk shows as a guest and saving money.

.

"Ronald, come on, give me a hand." Ronald helped Orson Welles into the house.

"These are the editing and revision suggestions I wrote to Universal back then. There are twenty-four in total." Wells found a copy from the study and handed it to Ronald.

"If, and I mean if, you ever get the chance to re-edit my 'Beautiful Lady,' here's a reference."

Ronald lowered his head and took it. It was handwritten by Orson Welles. He only read it once and then wrote many opinions. Ronald was amazed by this kind of mastery and genius of his own movies.

"Talk to me, I haven't seen an interesting young man like you for a long time." Orson Welles saw Ronald put away the copy and stopped mentioning it.

"Why do you think directors shouldn't watch more movies?" Ronald remembered his comment and began to ask.

"Directing is divided into learning and creation stages. In fact, a smart person can learn all the technical aspects of being a director in a week."

Ronald thought of his own experience and nodded in agreement.

"If you keep watching other people's movies, you will be influenced by them, and then you will never have a way of expressing yourself. When I was filming 'Citizen Kane,' my director of photography was very happy because I didn't understand anything, so he shot it
Chapter completed!