"Your art design is very difficult..." Polly Platt said bluntly.

"Of course, if it's not difficult, I won't look for you..." Ronald made the coffee himself and handed over the cookies baked by his aunt. This master art director had to take good care of him.

The story of Forrest Gump spans a very large space and time. The life in a small town in Alabama when I was young is a typical warm tone of the South. Green plants will also be paved with

A layer of warm golden light spread by the setting sun.

When I graduated from college and joined the army, and finally went to fight in Vietnam, I had to have the tone of a typical Hollywood Vietnam War movie. The green plants there were dim, covered by dust, and hidden under the chaotic weeds and trees.

, the ANBU hides the Viet Cong who seem to be pouncing at any time...

And when Jenny and Washington were briefly reunited, there was a cold New England tone. Green was green, white was white, and the temperature made the colors psychologically farther away than the dark, warm colors in the South.

A sense of solemnity and solemnity emerged spontaneously in the political center.

The biggest challenge is those historical news lenses. The graininess of different lenses, black and white or color, and the color temperature of the film taken are all different. These are also different from the use of special effects lenses to make Forrest Gump shake hands with previous commanders, before and after.

The image should be adjusted so that there are no abrupt differences in tone, which would affect the audience's sense of immersion.

This chapter is not over yet, please click on the next page to continue reading! After telling her request and challenges, Polly Platt was also a little moved. Ronald also assigned her an assistant, Lay, a long-time art designer.

Sly MacDonald. His previous performance in "Bugsy" showed a similar image quality.

In terms of photography direction, the filming of this film was not difficult. The important challenge was the post-production special effects. In the end, Ronald found a cinematographer in Don Burgess, who had shot a road-themed film last year.

The movie "Josh and Sam" is a comedy about two kids driving on the road.

Thinking of the many children's scenes, and the indispensable Forrest Gump's iconic running scene, Ronald, a photographer who has been tested, works well with young actors, and can also take beautiful photos of the road, after passing and

After other people's verification and interviews, he was hired.

"I'm glad to have the opportunity to work with you, Ronald..."

Don Burgess was very happy when he heard that he had been selected. In the past ten years, he had made many movies, but he lacked the experience of working with big-name directors. This time, he was selected from several competitions by Ronald.

He was chosen among the best and felt very satisfied with himself.

"You have to get busy, Burgess. I still have some things to deal with in Los Angeles. You go to Bayford, South Carolina first. Although this movie tells the story of Forrest Gump in Alabama, South Carolina gave

The conditions are much better, and there are many old southern-style houses in Bayford. You can go and view the scenery first. Once you have a good choice, take photos and send them over..."

Ronald gave Burgess a stack of descriptions of scenes, describing what each scene required, describing them with a director's vision, and asked Burgess to go to the front station first.

"Oh, okay..." Don Burgess looked at the form and found that there were scenes of the Vietnam War, Ping Pong Diplomacy, and the scene of Savannah reunited with Jenny in the end. He couldn't help but admire it.

Now that Nader is such a big director, he still does things as he did back then, and he doesn't spend a penny of money that shouldn't be spent.

If other directors were to film this, they would at least have to go to Southeast Asia to film the Vietnam War, while Ping Pong Diplomacy would have to be filmed in China? No wonder all the films they make make money.

"Oh, okay, how could that happen? Will that affect the use of CCR's songs in my film?"

Burgess was sorting out the information that needed to be revealed, and Ronald received another call over there. John Fogerty, the soul of CCR, had sued the record company owner who defrauded him, Saul Zaenz, demanding that
Chapter completed!