Chapter 546 Sanmao in the interweaving of real shots and historical images(2/2)
Then, the movie still remained in black and white. A child with three hairs on his head was chased by a bad policeman. The rhythm of the action was as fast as the original silent film. The child escaped and the policeman chased him. Neither of them were done yet.
The asphalt road was stuck.
A dialogue subtitle is inserted in the middle of the picture editing, coupled with a fun soundtrack, a very pure silent film technique.
"Is this a pseudo-documentary? Or a pseudo-silent film?" Ronald picked up the tea and took a sip. He didn't expect that Xujiahui Film Factory had such a pioneering director.
Then when the picture switched to color, it was still the same actor who played the policeman and Sanmao's child, but the rhythm became normal, the characters could speak, and it returned to the normal rhythm of a fast-screen color movie with sound.
In the middle, the film will return to the black and white silent film in many places. Ronald can also see that many places are documentary images from that year and newly shot images, seamlessly combined. This director's creativity is very interesting.
Finally, Sun Feihu, who played the role of leader, delivered a victory speech under a light with the "V" symbol for victory in the background. Everything in the picture, the same V character, appeared in the cemetery of the soldiers who died in the battle. The Sanmao child, in
Here we remember our fallen comrades.
The last live-action shot of the movie shows Sanmao looking back with a sad look on his face. Then it cuts to a cartoon scene. Sanmao's cartoon image sheds tears on the screen...
Ronald was also touched. This creative combination of real shots and historical shots really allowed people to blend into the historical emotions very well. However, due to technical and budget constraints, the director's performance was limited.
Chapter completed!