Chapter 377 The most important scene(2/2)
With the friendship of comrades and brothers, we came to the big country in the south...
"Action!"
On both sides of the rostrum, the two groups began to whisper again, preparing strategies for the meeting. In the noisy venue, the atmosphere gave Ronald a sense of intimacy.
The camera stared at the two large tables on the rostrum, and both sides were updating the latest situation. Only Garfield didn't seem to care about it, and whenever he had time, he would turn to look at Kate sitting there.
"Cut!"
This kind of scene where the male and female protagonists flirt with each other in the first two camps of the war is really interesting. Especially Tom Hanks, who portrays the loneliness of a person who has a successful career but whose love is gradually drifting away due to conflicts.
It was acted out.
What follows is the most important scene of the movie. Jorgensen and Garfield compare the old version of the American spirit (starting a business, bringing jobs, and promoting community prosperity), and the new and upgraded version of the American spirit (global integration).
resources, cross-border mergers and acquisitions led by Wall Street).
"Action!"
The actors on the scene were well prepared, and everyone suddenly became energetic like an inflated balloon. This kind of scene, just like a real shareholders' meeting, made the actors suddenly sharp.
"Everyone, please be quiet." Dean Jones walked to the microphone stand, "Welcome to the New England Cable and Wire Company's annual shareholder meeting. We all know that the most important agenda today is the election of the board of directors.
vote……"
"Now I would like to introduce to you a figure who can truly be called a legend in the cable industry, the chairman of New England Cable, Andrew Jorgensen..."
Gregory Peck stood up, as he had done countless times as a lawyer, reporter, and politician who turned the tide, and walked to the microphone.
There was a long round of applause, and even Garfield had to applaud. This man's status in the hearts of the workers is unparalleled.
"Go get 'em! Andy!"
Suddenly, an extra who was sitting in the back suddenly stood up and shouted at Gregory Peck on the podium.
"Cut!"
At this time, the first assistant director Marty Ewing couldn't keep his face. This was because there was a problem with his arrangement, so he had to come out and stop it himself, and then rushed towards the actor who had added the scene without permission.
"Hey, hey, what the hell are you doing here? What the hell are you doing? Hundreds of people are watching you act? Are you out of your mind? Do you think you're Marlon Brando?"
This kind of big scene drama is very important to complete it in one go. It is best to pass the first point. Because this kind of speech drama involves the aura between the speaker and the audience.
Anyone who has experience in giving speeches knows that a good speech requires a condescending momentum, like a waterfall, cascading thousands of miles. If it is interrupted midway, it is very likely that the momentum will be like a bulging balloon, which will be blown away by a needle.
It's like it's broken...
Marty Ewing is an old acquaintance of Ronald. He was the second assistant director on the set of "Flashdance". He was very good and responsible, so he was recommended to Ronald as an assistant director. This competition
The person acting in the scene may very well ruin the final quality of the scene and become so angry that he punches the actor.
No one knew how to persuade him, so Ronald had no choice but to step forward and say, "Marty, let him go."
Ronald walked up to the actor. He was a very tall man, a little thin, and had a feminine temperament that Ronald didn't like very much.
"what's your name?"
"William de Acutis"
"Why are you doing this?"
"I felt Jorgensen needed a loyalist, so that's what happened."
"It makes sense, but your play ends here..." Ronald wanted to solve this accident as soon as possible. This person's improvisation may still make some sense, but such an accident made the crew malfunction, and it had to be solved immediately
Clear it out.
"I'm still a screenwriter, please take a look at my new work." Seeing that Ronald was easy to talk to, William de Acutis immediately took out a script from his bag.
With a wink from Ronald, Marty immediately directed the two big-bodied coolies carrying the camera and snatched the troublemaker out of the air.
"Let's take a twenty-minute break..." Seeing that everyone was a little distracted, Ronald couldn't help but feel lucky that this daredevil shouted earlier. It would have been difficult for him to be interrupted when Gregory Peck had already started his speech.
Done.
"I repeat, don't steal the scene on your own initiative, otherwise not only will you not be paid, but all your scenes in the future will be cut, and there is no use stealing the scene." Marty Ewing began to use the microphone to emphasize to the extras.
Ronald sat on the chair with his name written on it, and the drama was full of surprises.
"Ronald, your phone number, just now..."
Richard hurried over and put a mobile phone into his hand.
"Francis, what do you think? Do you agree to direct the Coca-Cola commercial? Yes... the offer is very good. I told them that it would be best to hire you.
The reason why Pepsi's advertising is so effective is not because it hired Michael Jackson as its spokesperson. His most famous MV, Captain EO, was directed by you. They agreed as soon as I mentioned it.
Yes, Marty will also take over the filming of one. If you agree, we can all have fun together."
The chief marketing officer of Coca-Cola has already begun negotiations with Coppola and Scorsese. They want to create a gimmick in which multiple famous directors will appear in a Coca-Cola advertisement. It just so happens that Ronald's agent is also of Italian origin.
Chapter completed!