His answer was so firm that Su Mu could only regretfully extinguish the budding curiosity in his heart.

After she asked her question, the clown suddenly remembered his original purpose of calling Su Mu.

He cleared his throat and confirmed that Su Mu was still paying attention to him. He immediately pulled the screen over, pointed at a pile of model data, and began to explain his speculation and modeling process in detail.

He also very deliberately emphasized his contribution to increasing the popularity of "Doll House".

However, the clown's little plan to show off was doomed to fail, because after knowing the results of the play, Su Mu just nodded very plainly. It seemed that "A Doll's House" might become the top three play because of the performance.

There are only three games in total, which are generally not worth mentioning.

For a moment, the clown even wondered if he was making too much of a fuss.

He shook his head in a daze, responding to Su Mu's question about whether he had anything else to do. Then he felt some kind of coercive force exerted on him, pushing him to the stool step by step.

Without the clown's interruption, Su Mu clicked on the play again.

The progress bar that was fixed on the first day of training for several people started moving again.

To be honest, the plot line in this show is very thin.

Although the main line is relatively clear, it is not profound enough.

There is no foreshadowing or foreshadowing. All the plots of the story are presented at the very beginning.

The character design is also very stereotyped, and there is nothing outstanding about it.

Even the extraordinary abilities possessed by each participant's body are very boring and Mary Sue abilities such as singing, making flowers float, dancing and shining.

The only highlight of the entire play was the cooperation between the two.

Because of the newcomer protection system, Su Mu didn't know their real names, so he temporarily referred to them as "Lin Ling" and "Qu Wuchen" in the play.

What’s interesting about Qu Wuchen is that he deliberately portrayed himself as a buffoon.

It is the cannon fodder that often appears in counterattack novels and is slapped in the face by the protagonist.

This kind of character itself is very unpleasant and can easily conflict with the basic character set out in the script. However, Qu Wuchen has mastered his own character very well.

Not only did it not violate the original cold and arrogant basic setting, but it also revealed all kinds of ugliness in the details, making it look inconsistent between the outside and the inside, constantly solidifying the new character design that was artistically processed in the later period.

In order to make the overall performance more enjoyable, he constantly ignores the excellence of his opponents and deliberately gives others the opportunity to slap him in the face.

The whole play is almost a series of Qu Wuchen being slapped in the face from childhood to being slapped in the face in adulthood.

The amazing thing is that even if it is such a character, when he plays it, with the bonus of that handsome face, it does not appear to be hateful, but is actually a bit funny and cute.

Lin Ling was completely opposite to him. He followed the counter-attack protagonist routine. The conditions of the opening body were mediocre and his performance was very mediocre. It was not until the middle and late stages that he showed his explosive strength.

He and Qu Wuchen sang and cooperated with each other. One person slapped the other in the face, and the other was slapped in the face. It was almost a reappearance of the classic counterattack routine, and he gained a lot of points.

There are all kinds of jokes in it, which adds a lot to the show.
Chapter completed!