Axiang inexplicably felt that Su Mu was so handsome at this time.

She drooled from the corner of her mouth and her voice became weird.

"Why?"

The tail note can even turn into two small waves, rippling against people's ears.

"Hold your saliva."

Su Mu seemed to have eyes in the back of his head and warned: "If it drips on my clothes, be careful and I will send you to see Granny Hu."

"Hey, no, no."

Axiang wiped Su Mu's back collar guiltily and denied.

Feeling the cautious force at the collar, Su Mu sighed inwardly and chose to let her go.

She went on to explain: "The changes in the lantern are references, hints and metaphors."

"If we had to give it a specific meaning, then I think it should probably correspond to the change in our understanding of Benzuki."

From an ordinary lantern, that is, a little pitiful person who was persecuted by others, to a mastermind behind the octagonal palace lantern level, the play hinted at this subversive image transformation through the changes of the lantern before and after.

It's a pity that the method is too naive and the expression is too simple.

Su Mu twitched the corner of his mouth, feeling like he was watching an old TV series.

She naturally showed a critical expression.

From a screenwriter's perspective, truly high-level hints and metaphors that can penetrate people's hearts should be the kind of details that appear inadvertently in a certain scene and may not be noticed at the first time, but are worthy of careful appreciation by the audience.

Their appearance makes the plot of the play richer, filling in the content of the story and also playing a role in echoing the previous and later episodes.

The skillful application of this technique can make the audience want to watch it again, and when the audience expresses this mood, it means that the technique has been used successfully.

If you want to be more advanced, you can also use multiple metaphors to give it more meaning and create a more confusing atmosphere.

It will make the overall look and feel and the value of the show rise again.

As for the theater, let alone meeting the standards, it didn't even touch the edges of the standards.

Su Mu could guess what tactics they would use with just a quick glance.

But there is nothing to be disappointed about.

Su Mu already knew what level the Theater of the Absurd was.

It may be a bit narcissistic to say this, but so far, among the plays that Su Mu has seen, the only one that is acceptable is the one that is suspected of plagiarizing her work, and the level is barely up to standard. From Su Mu's perspective, the others

Look, they are all lackluster.

Although she doesn't want to save face for the theater, she has been in the theater all the way to this day. Many viewers may think that Su Mu is a person who is good at reasoning, observation and analysis, and can always quickly find loopholes in the play and respond to them.

.

But in fact, Su Mu asked herself that she had never been a person who was very good at reasoning. She was able to enjoy herself in many plays. Most of the reasons were attributed to the theater itself.

These routines are so old that she can even predict the future development. There are no surprises at all.

For example, Benzuki escaped from the lantern.

Su Mu raised his head and looked at the girl in the light.

Different from the image that appeared in the previous images, the eyes of this real Benzuki are not the round eyes that lack a sense of threat and look pitiful, but the eyes are extremely long and narrow, with the ends of the eyes raised upward.
Chapter completed!