From the perspective of poetry, Kun Yan discussed his ideas and concepts for creating this song with Ye Weiyang, and several other professional critics talked about the song "Ding Fengbo" from the perspective of music.

Zhou Ting said with great exclamation: "We don't know how the ancients sang the name of the lyrics "Ding Fengbo", but it is particularly difficult to deal with short sentences such as modern pop music, two words and three words."

"But these two or three words cannot be deleted or modified. Once these words are deleted, the words "who is afraid", "slightly cold" and "going back" are removed and become neat seven-character poems. It may become easier to sing, but it will also destroy the meaning of Su Shi's original lyrics."

"This is also why the program team strictly requires the guests not to allow any deletion and modification of the original lyrics. After deletion and modification, it will reduce the difficulty of adapting it into pop music, but it will make the original lyrics lose its original meaning."

Ye Weiyang nodded in agreement and deleted and modified the original word at will, which was an act of completely disrespect for this noun.

In fact, in the "Classic Songs and Spreads" in my previous life, there is not only Alan Tam's version of "Ding Fengbo: Don't Listen to the Sound of Fighting the Leaves in the Forest" but also a version of Huang Qishan.

Even Huang Qishan's version was even earlier and was sung in the first season.

But Ye Weiyang personally doesn't like that version.

Just like Zhou Ting, in order to make the original lyrics more integrated into modern pop music, the adaptation of that version directly deleted all the two-character short sentences in the original lyrics, leaving only seven-character sentences.

This kind of singing is really easy to sing. Each sentence has seven words, and any popular chord can be inserted in it, but it loses the soul of the original lyrics.

Alan Tam's version completely avoids this problem. He constantly uses two-character short sentences with the previous seven-character long sentences, which have musical melody and conforms to the original meaning of the lyrics, reflecting the high standards of all parties!

Mei Lan held down her glasses and said afterwards: "If the word "haha" is missing, Teacher Ye's version of "Ding Fengbo" is just an ordinary classic lyrics and new song."

"Before I heard the "haha" in the second chorus, I personally felt that this was just a song with a very good arrangement, which might have been a little bit exciting."

"There are also Cantonese and the original words that sound very consistent."

"But when the "haha" that is very flavorful and full of emotions comes out, the song completely changes at once."

"When this impromptu "haha" appears, the song becomes not only a song, but not only a classic lyric, but also a person, with the protagonist, you and me, he is anyone, with humanity, a sense of substitution, and a sense of picture."

"It's like seeing a poet who was unsuccessful for most of his life, carefully passing through the bamboo forest. The rain suddenly wet his shoes. He did not complain about this for his whole life, but instead smiled shortly, "Haha, who is afraid!"

"I am a poet who has always been optimistic about the ups and downs of the career, and has empathy with us thousands of years later!"

"This song that is completely unrestrained and free and easy shows a breathtaking style, which immediately makes people feel that Su Shi's life is so passionate as a bold and unrestrained Gemini star in the Song Dynasty!"

"It also made everyone feel that the word "bold and unrestrained" should be like this."

Meilan also gave a very high evaluation. The highest praise for a singer is nothing more than "singing out a human touch and singing out a sense of substitution."

Ye Weiyang obviously did it in Mei Lan's eyes.

Indeed, Ye Weiyang almost replicated Alan Tam's singing style with a magnifying glass. Although it was not as high as Principal Tan's level of 100%, it was at least 80% restored.

At that time, Alan Tam added "Haha" in the middle of "Bamboo sticks and straw shoes are lighter than horses, who is afraid" and it was the finishing touch!

If you are recording songs in the studio, this "haha" may be abrupt and will not happen 100%.

But on the stage, besides singing, this one has a more acting taste!

Ye Weiyang naturally replicated it and would not cancel the finishing touch of the whole song.

Fortunately, his reproduction was quite successful, and he could only sing the essence of this seemingly calm "haha".

"A song about the heroic and arrogant song in Cantonese, I got goose bumps when I heard it." Ke Changqiu smashed his mouth a few times and sighed very much.

"When Su Shi was writing this poem, he had not been demoted to Huizhou yet. He must have never heard of the Cantonese Nine Tones and Six Tones, but the whole poem was placed in the chorus and interpreted in Cantonese. It was really heart-stirring and the lingering sound was lingering."

"The mix of Mandarin and Cantonese is not inconsistent. As a Cantonese native, Teacher Ye took advantage of the advantages of Cantonese to fully utilize his climax. Sure enough, ancient poems and lyrics are the most suitable for the nine tones of Cantonese."

"I believe it all said that Su Dongpo has traveled through time and sang it now!"

As a middle-aged man, he can actually better understand the artistic conception of this song, and the attitude in the original lyrics that after experiencing all kinds of storms, he can still look at life with a heroic response to life after experiencing all kinds of storms!

The famous national music master Xu Jiaqi also smiled and said, "Many lyrics were chanted in the Song Dynasty. It is no exaggeration to say that Su Shi was the leader of pop music. Teacher Ye can also be said to be the leader of the Chinese pop music scene today. The cooperation between the two leaders across thousands of years is really wonderful."

"This song is divided into two parts. The Mandarin part can be said to be Teacher Ye's understanding of the original lyrics of Su Shi. Cantonese is Su Shi's lyrics."

"It is indeed a bit short to use ancient lyrics alone, so Teacher Ye chose to supplement this lyrics."

"The most difficult part of supplementing is the harmony between the present and the past and the present in the artistic conception, so the first half of Mandarin is very surprising, because the lyrics produced are indeed very consistent with the original lyrics!"

"Compare the supplementary work carefully with the original verse and the upper and lower verses, and you will find that there is really not much incongruity."

"And Teacher Ye is really talented in handling the two-word short sentences of the original word!"

"After listening to it, my heart was filled with heart-warming, and I felt the feeling of enjoying my life."

"This is a classical song that has excellent lyrics, songs and interpretations!"

"This way of interpreting modern music and ancient Song Dynasty lyrics has a sense of time staggering that blends ancient and modern times."

"I think that for the new generation and children who are just beginning to get involved in Chinese, instead of letting them memorize the poems in the textbooks, we need to combine poetry with modern music."

"This can not only achieve the effect of combining education and entertainment, but also allow children to feel the charm of Chinese classical culture."

"This method of integrating classical into popularity is the direction that Chinese style should try more in the future!"

"Teacher Ye's attainments in pop music can really be said to have run through ancient and modern times. Teacher Ye should be said to be Su Shi of the contemporary era. The two are both talented and both lyrics and musical, but Teacher Ye's life path is much smoother than Su Shi, haha!"

Ye Weiyang smiled and shook his head, not daring to enjoy the title, waved his hand and said humbly: "Where can't I compare with Su Shi and everyone, you are so proud of it."

"I am me, a musician named Ye Weiyang, who loves music."

As soon as Ye Weiyang finished speaking, the scene was silent for three seconds at first, and then there was a burst of cheers and applause that was enough to overturn the studio.

The warm applause and cheers continued until Ye Weiyang stepped down.
Chapter completed!