After a heart-warming performance of combining opera and pop, the audience was already shocked and their chins could not be closed.

Compared with the opera singing in "Cheng Ling", the coordination between opera singing and pop music in "Blue and White Porcelain" is actually more amazing.

The opera in "Cheng Ling" is more of a supporting role to highlight the actors in the story.

However, Ye Weiyang's opera is the protagonist in the opera song, and his share accounts for almost half of the entire song, especially the second half. When the chorus is repeated continuously, Ye Weiyang and Liao Jie have been singing duets in the opera song.

Moreover, the opera style of "Blue and White Porcelain" is actually more inclined to popular opera style than professional opera style.

Simply put, it is more popular and pursues the stunning feeling that hits people's souls.

This opera style is also a more common type in pop music and is more popular among the public.

Because of this, the impact of this game "Blue and White Porcelain" on the audience is far greater than that on the stage!

Ye Weiyang has truly made a breakthrough and presented everyone with a performance that surpasses the first performance.

He was so happy that the audience was also very happy, but the five remaining guests in the backstage looked like they were losing their parents.

Ye Weiyang is a direct dimensional reduction attack!

Originally, the song "Blue and White Porcelain" was enough to subvert the music scene and redefine the song "Chinese style" with a cross-generational significance.

In addition, Ye Weiyang sang the second-modified version.

Let me put it this way, in "Blue and White Porcelain" in previous life, it has been sung for more than ten years, and it is a household name. No one has ever heard of it, and even a little tired of listening to it.

A small onion opera version of "Blue and White Porcelain" can still be like thunder thunder on the ground, and all the audience was stunned. They re-examined the song "Blue and White Porcelain" and were shocked again.

How shocking is the audience who have never heard of "Blue and White Porcelain" in this life?

Anyway, not only the audience, but also the staff in the backstage, and several guests were all stupid.

So this is how songs can be written?

"Okay! It's so well written!" Mei Lan's hands were almost red, and she said excitedly: "Teacher Ye's creative ability is really amazing."

"By using ancient inlays and fragmented collage, modern people's love experience experience is sewn into the charm of classical culture for thousands of years, thereby inspiring contemporary youth to imagine cognitive impulse for traditional culture. This technique is really wonderful!"

"Teacher Ye uses the cultural heritage hidden in Chinese symbols to build a poetic and picturesque musical world for all audiences!"

In human terms, Ye Weiyang digs out the charm of Chinese characters, and uses the cultural heritage of the Chinese people that has been passed down for thousands of years, and uses some simple words to mobilize the meaning behind the words, making a song that is clearly very modern, full of the poetic meaning of ancient poems.

Very magical.

Zhou Ting also praised with amazement: "To be honest, this song is perfectly impeccable from orchestration, tune to rhythm and melody."

"And in the lyrics, there is a series of words that contain a strong Chinese cultural charm, which makes people unconsciously fall into the classical poetic space created by the song."

"This song that is classical in music and translucent in traditional music can be regarded as a new chapter in Chinese-style songs."

"From today, the Chinese style category may be divided into the former Ye Weiyang era and the latter Ye Weiyang era."

"Teacher Ye, it's really amazing."

This song "Blue and White Porcelain" only has Gongshang Jiao Zheng Yu Wuyin, which is indeed a very, very authentic Chinese-style song.

If you just watch the music, it actually does not surpass the current Chinese style composition. After all, Chinese style composition is just Gongshang Jiao Zhengyu, and it will never leave its roots.

"Blue and White Porcelain" cannot be said to be cross-age.

However, the lyrics of this song can be said to be completely beyond all Chinese-style songs in the current music scene.

Before "Blue and White Porcelain", the lyrics of Chinese-style songs in the music industry usually chose to write antique styles. Specifically, the lyrics are mostly in classical Chinese.

Another type is to directly borrow some well-known ancient poems and stories to create secondary creations, such as writing Chinese mythological stories, Chang'e flying to the moon, etc.

Or use nouns like "Shuituo Getou" to modify and re-edit.

The second most common type is that the song is composed in the palace mode, but the lyrics are written directly in vernacular, which is very popular.

However, the emergence of "Blue and White Porcelain" completely changed the lyrics creation of Chinese-style songs!

This is the first song in the Chinese music scene that can truly write the charm of ancient poetry in modern language.

After the sentences of classical poetry were cut into pieces, they were reborn using modern language carriers.

It was not until "Blue and White Porcelain" that Chinese-style songs began to truly pay attention to lyric culture.

Later, Xu Song took over and truly carried forward the creative situation of "words contain poems".

From "Above the Qingming Rain" to "The Moon of Luzhou", "Half of the City of Smoke and Sand", "Thousands of Bread", "An Enemy", "Demolition of the East Wall"...

No complete Chinese ancient poems have been borrowed directly from these songs.

However, when each lyric in the song is separated, a few famous Chinese poems can be extracted from it.

For example, the first sentence of "Luzhou Yue": When I was a child, I stole the light from whose house I had dug a wall.

The audience can immediately think of the allusion of "chising a wall and stealing light".

The main song part is "March, the smoke and smoke are flying and the grass grows, and the catkins are flying, and I see my hometown in the flying catkins."

It is also the result of the modern lyrics of the lyrics in "Book with Chen Bo" in Liang Dynasty, Qiu Chi of the Southern Dynasty, "In late spring in March, the grass grows in the south of the Yangtze River, mixed peanut trees, and groups of orioles fly around."

After the lyric creation form of "Poetry in Words" appeared, the lyrics of Chinese-style songs have become truly charming with Chinese classical poetry.

Instead of clumsy imitating the antique, or bluntly copying and copying ancient poems, or simply making a splash of vernacular words.

...

At this time, the emergence of "Blue and White Porcelain" will change the Chinese music scene again like in the previous life!

Starting from today, any musician who creates Chinese-style music will be influenced by "Blue and White Porcelain". Learning and imitating this way of writing lyrics with "poetry in words" is no longer a simple copying.

Chinese-style music will truly change from focusing on the Chinese-style elements in the music and the use of classical instruments in arrangement to focusing not only on melody and music, but also on the creation of lyrics!

It is necessary to integrate from song to lyrics and artistic conception with Chinese classical culture, which is a truly perfect Chinese-style song!

Starting today, the Chinese-style songs in this world will be maturing!

From now on, a Chinese-style song that cannot be regarded as a Chinese-style song that can't be regarded as a Chinese-style song, but can only be regarded as a modern pop song with ancient tunes!

Ye Weiyang redefines what is a true "Chinese style" song!
Chapter completed!