Chapter 44: Picture of the Coffin Mountain House

As we walked into the mountain, our noses were almost choked by the stinky corpse, but at this time we still felt the bloody smell rushing towards our foreheads. The dirty and fishy stench of the "corpse blood" is very different from the normal "blood". Seeing this, people can't help but immediately think of the legendary "corpse fairy" in the Coffin Mountain. Is there a "corpse fairy" buried in the tomb in front of us?

According to Sun Jiuye, the "Earth Immortal" is Feng Shigu. This person worked hard to build a "shade house" in the coffin mountain to achieve enlightenment after death, and to practice and become a "corpse immortal". The concept of "saving corpse and becoming an immortal after death" has existed since ancient times. The corpse of a practitioner outside the world after death is called "relics". If a person "does not dissipate his body" after death, he will still be condensed into the "relics" and undergoes tribulations and refinement, he can transcend reincarnation, go out of existence and non-age, and be as old as the heaven and earth.

So I think the tomb in the back house is likely to be the burial place of Feng Shigu, the "Earth Immortal" Feng Shigu, but I would never believe what kind of immortal he is. I immediately want to dig open the tomb to see what kind of immortality he is.

Shirley Yang said: "Blood seeping in the grave is an unknown sign, and the blood of the corpse must contain corpse poison, so you cannot easily discover it. If you look at the mountain and the bone tower, guard the tomb and look at the tomb, maybe there will be some clues hidden inside, which can let us understand what is buried underground, and it will not be too late to make a decision after you have mastered the details."

When I thought Shirley Yang was indeed reasonable, I asked the fat man and his youngest girl to stay in front of the building so that everyone would be caught in the building. Only Shirley Yang, and Sun Jiuye were in.

The door and disc portal of the triple wooden building are tightly closed, and the door is tightly locked by several wooden locks, so it can be entered. This pavilion is brilliant and exquisite, with beams and rafters and precise splicing. Many craftsmanship seems to have been lost in the present. It can be seen that the wood used in this pavilion is very old and is all dark underground. However, the bricks, wood, earth and stones are well preserved. In ancient times, the weakest thing of a building was wood. Once the wood decays, the bricks, columns and wood in this pavilion are well preserved. In addition to the exquisite materials, this is due to the precise design, strict construction, and tight joints between the components, leaving no gaps. Legend has it that the beams and beams, beams, and ants are difficult to invade, and insects and ants are not close to them, so they can avoid lightning and fire. This underground pavilion is 80% of the kind of building.

The building door is composed of several wooden beams with rigorous and comprehensive structures. The beams, columns, purlins and citrons are connected by tenons and tenons. They are interlocking with many wooden locks, which are as stable as a rock. However, we have craftsmen from the "Honey Wo Mountain" around us. We can help us unlock the lock and pry the door without wasting any force. We saw the young girl take out the "master key" from her treasure bag, poke it a few pokes at the keyhole, hook a few hooks, and the first lock opens in response. We will use what we have learned in our life to avoid heavy weight.

Just lightly, peel it up layer by layer. The basic skill of the Honeycomb Boxer is to repeatedly practice dismantling the "Lu Ban Lock". Since ancient halls did not use iron nails, they were afraid of breaking Feng Shui. They were all precisely combined with tenons and tenons. The young girl was very familiar with Lu Ban Lock with joints such as "Six Sons" and "Three Stars Returning" and other joints. In a short while, she finally broke through several portals in the center of the pavilion. Looking from outside, the building was dark and deadly.

Her proficiency made us stunned for a long time. The fat man said, "The girl's skills are really not fashionable. The most awesome Buddha in Sijiu City is probably not as good as you. Will you open a safe?"

"Bao Lord" is the name of thieves and pickpockets in Beijing, but the boxer in "Hongwo Mountain" has been specializing in various "selling mechanisms" for thousands of years. "Turning the door and picking the lock" is just a trick in it. The young girl has had many real teachings and is naturally clean and neat. However, she doesn't know what the fat man means when he says "Bao Lord" and thinks it is a good thing, and she is quite complacent. After all, these almost lost crafts are not available in remote mountain towns. After all, they know that they are "dragon-slaying techniques" that are not useful. Unexpectedly, they can really have a "place to use their skills".

At this time, Shirley Yang carried the "golden steel umbrella" and gently pushed the door into the tunnel building. Master Sun Jiu followed him, following him one after another.

I told the fat man to stay outside and keep it carefully and not to break our retreat. The fat man said, "Old Hu, are you doing it? Do you still need to give me some advice if you are so responsible to me? When will I make you feel worried? I also have to tell you, if you see Mingqi after you go in, don't be polite to that Laojiu, he owes us what he owes us, and if you have good things, just go as long as you find Jindan. Although it is a serious matter, one sheep is to drive and two sheep are to put them away. If you can do it, don't delay it."

When the fat man mentioned the word "golden elixir", my heart sank for a moment. Looking at the strange situation in "Coffin Mountain", I was afraid that it would be too much for a sheep to drive it away this time. I secretly scolded Professor Sun for being too disguised. Perhaps it was because he was a loner and rarely contacted people, so he pretended to be a grandson, which was even more grandson than his grandson. I was "a geese all day long, but was pecked by the geese", and was actually frightened by him. Now the possibility of a thousand-year-old corpse pill hidden in the "Dixian Village Ancient Tomb" has reached the lowest point. This time, we accidentally entered the "Coffin Mountain", and we were deeply trapped in a disaster that should not belong to us, and we were dragged deeper and deeper into the quagmire by Master Sun Jiu, who was immortal, and it was difficult to extricate ourselves.

Although I refused to admit it myself, I might have a certain element of "fearing that the world will not be in chaos". In my subconscious, I really want to know the secret of "Daming Guanshan Taibao", but I was lucky and just hoped to find the ancient corpse and elixir cauldron from the "Dixian Village", so I simply decided not to care about the gains and losses. Thinking of this, I randomly explained to the fat man a few words, then came out with a "engineering shovel", passed through the two half-open wooden doors, and touched the dark "Guanshan Zang Bone Building".

Shirley Yang and Sun Jiuye were waiting for me in the second place. When they saw me coming in from outside, they turned on the "tactical spotlight" and pushed open the "Ruyi Gate" in the inner hall. The building was so dark that it was impossible to see the fingers. Amid the sound of the "creaking" wooden shaft, the wooden door of the inner hall on the first floor was opened, and there was a stream of sandalwood medicinal gas in the gloomy air inside. I know that in ancient buildings, there was a long lost process. The built pavilion halls could make "birds not fall, mosquitoes and flies not enter". In addition to the special building materials, the ancient alchemy of "Mo Shi" was also used. This wooden structure building will contain faint fragrance and will not disperse for thousands of years. It is called "Xiaoyao Shenxian Pavilion". Guanshan Zangbang Tower may be a rare "Xiaoyao Shenxian Pavilion". It seems that "Guanshan Fengjia" has some difficult points in construction, feng shui, tombs, etc.

We stood in front of the hall and looked around. We saw many antique sandalwood shelves in the building, all of which were decorated with tortoise shells and keels. I said to Shirley Yang and Sun Jiuye: "The things Guanshan Taibao stole hair in the coffin gorge are probably all here."

Master Sun Jiu nodded and took us forward to check. He found that the bone armor was full of symbols of the sun, moon and stars. Those ancient symbols and maps were somewhat similar to the "He Map, Luoshu" I had seen, but it was even more mysterious and complex. They should have recorded some extremely ancient Feng Shui puzzles, but there was no hexagram of the "Sixteen Hexagrams of Zhoutian". It turned out that the "Zangbang Tower" was used to store this object. Perhaps the "Earth Immortal Feng Shigua" was not in the building.

shirley Yang asked Sun Jiuye: "The technique of Feng's coffin mountain finger mystery is obtained from this?" Sun Jiuye stared at the bone armor and nodded and said: "That's right, there are many ancient hermits and masters buried bones in the coffin gorge. These heavenly book-like oracle bones are all-encompassing and infinite mystery. In addition to the ancient Fengshui witch way, there are many incredible techniques. The way of the Tao is good, and the misfortune is bad, and the misfortune is bad. My ancestors made their fortunes by this, but in the end they were destroyed by the word "tomb robbers". If these hanging coffin bone armors had not been robbed, no one among the descendants would be obsessed with the evil and cause the disaster of destroying the family and destroying the sky." After saying that, he sighed.

But what Master Sun Jiu wanted to find most is obviously the "Earth Immortal Seal of the Ancient Corpse". He casually looked at a few pieces of "bone armor" and then he didn't put it on it. He then kept searching in the back hall with his eyes straight. I winked at Shirley Yang, and the two followed closely from behind. Unexpectedly, as soon as he entered the back hall, he saw Master Sun Jiu kneeling on the ground.

I thought to myself what to do when I kneel down? I was about to fail to get a corpse. I had to reach out and help him up, but when I looked up, I saw many portraits of people hanging in the back hall. Everyone in the paintings had different clothes and colors, and their appearances and temperaments were also different. They were not from the same era. There were tablets in front of the portrait. It turned out that the back hall was actually the ancestor temple of "Guanshan Fengjia".

Shirley Yang and I were curious and couldn't help but look at it a few more times behind us. But we saw that the ancients in the painting had almost one more time. Although they were outstanding in temperament, they were all dressed strangely and had a cold expression. We stood in front of dense portraits, and felt a sense of being stared at by countless dead people, and we felt uncomfortable all over our bodies.

The only one of the most famous families who were granted the imperial title, Sun Jiuye, was left, and he was sent to other surnames. His hunchbacked back seemed even more desolate in front of the halls of the ancestors of the Feng family. I have to sigh that the world has changed and the rise and fall are unpredictable.

After finally waiting for Sun Jiuye’s “unworthy descendants” to worship his ancestors, the three of us saw that there was nothing worth noting on the first floor of the “Bone Tower of Tibetan Bone”, so we went up the stairs and under the illumination of the “tactical spotlights”, we saw that the second floor was a “Cultural Classics”, and the shelf was filled with ancient books, and the content was nothing but the “Huang Lao, Fire” techniques.

There is an ancient painting hanging on both sides of the window pavilion. The scene depicted in the painting is a situation where the tomb robbers stole their hair and hung their coffin on the cliff. This painting has a very good origin. It is the legendary "Bone Stealing Picture of Viewing the Mountain" and an ancient object with a lot of historical information.

I said to Mr. Sun Jiu, "This painting is the treasure of the Guanshan Feng family? If you don't take it back, it will be a pity to leave it in the coffin mountain and rot." Mr. Sun Jiu, said, "It's not just a treasure of the house, it's not an exaggeration to say it is a national treasure. But once this thing is born, it will definitely cause an uproar, because it is related to the secret history of the imperial tombs of the Ming Dynasty, many history may be modified because of it. Do you think the history that has been concluded is so easy to rewrite? Instead of causing trouble, it's better to let it be just a folk legend forever."

I said, "You are so open-minded. I really don't want to be a reactionary academic authority?" Sun Jiuye said, "You speculator, what kind of good intentions can you tell me about taking the bone thief back in the mountain? In fact, it's meaningless to say this now. It was not my alarmist before. I don't think of us climbing out of the coffin mountain and seeing the light of day again." The words were quite desperate.

When I heard him say this, I felt even more angry: "When Mr. Sun Jiu was in Beijing, he kept saying that he had boarded our pirate ship, but in the end we boarded his pirate ship, and it was difficult to get off the boat now." But I didn't plan to be buried with the "Guanshan Taibao" and thought: "I have to go back to Guanshan bone thieves. Otherwise, I would be able to relieve my hatred in my heart." I had a bad idea in my mind, but told Master Sun Jiu: "Let's just go and see. It's not time to think about a way out. It's the most important thing to find a divine immortal to seal Shigu first. But it's strange... In the big coffin mountain, why didn't even see a person who entered Dixian Village back then? It's really impossible to see anyone alive or dead."

Shirley Yang said: "Since the ancestor hall and the treasure of the house, Guanshan Thief, are both in the building, this building must be an extremely important place. Let's look carefully and pay attention to whether there are mezzanines and dark pavilions in the building."

There are many books on this floor, so I can't read them at the moment. I had to search in a row like flowers. When I got to the depth, I saw four ancient paintings hanging on the back wall. Shirley Yang looked at them with the light and said happily: "It's like a detailed topographic map of the coffin mountain."

Master Sun Jiu stepped forward and identified it in detail, pointing to the handwriting in the first scroll in the previous one, saying: ""Coffin Mountain Palace Picture"... This is Feng Shigu's handwriting."

I also looked over and saw that in the first scroll, the "Coffin Mountain" depicted the "Coffin Mountain" hidden deep underground, surrounded by coffin-like cliffs, with a narrow terrain; the undulating hills and valleys in the coffin look like a headless corpse. The entire "Dixian Village" is built according to the mountain. The houses and courtyards in the village are distributed in a regular manner, secretly in the shape of the Nine Palaces and Eight Trigrams.

The painting is carefully depicted, and the architectural features of each house are all in full. Judging from this "Coffin Mountain Picture", the entrance to the secret passage where we entered the mountain is located on the left shoulder of the "Headless Corpse", passed the "Bao God Temple" and then entered the backyard of the "Fengjia Old House" along the street. At this point, we have reached the heart of the "Corpse-shaped Mountain".

At the end of the hills and valleys with headless corpse shape, there is a large stone gate on the top of the hanging mountain. Its style is similar to the magnificent "Wuyang King Underground Palace". It is very different from the overall style of Dixian Village. It should be a historical site left by the ancestors in the mountains. Sun Jiuye said: "Feng Shigu may have entered the coffin mountain through the stone gate. The secret passage we walked on was opened later."

I nodded and went to see the second painting. When I saw it, I was stunned. It was very similar to the first painting, but it was not a "dixian Village", but a large group of ancient tombs located underground in the village, which almost covers all the tomb chambers and tomb passages, which were stacked and intertwined, all vivid in my mind, and the scale and layout were comparable to the house above.

I said, "These two paintings are pictures of the Yin and Yang houses. The paintings are the same as we see, and there is nothing unexpected. We still don't know where Feng Shigu was hiding." Shirley Yang said, "Look at what are on the belly of the Corpse Shadow Mountain?"

Mr. Sun Jiu and I hurriedly looked at the position that Shirley Yang said. The corpse of a giant lying on his back in the coffin mountain was only in shape, not really a dead corpse, but the outline was extremely undulating and similar to a corpse. On the abdomen of the corpse-shaped mountain, there was a wound-like crack painted, just like the corpse in the coffin. It was killed by someone with a sharp blade during his lifetime, and the knife marks were particularly present. The wonder of the creation of heaven and earth is unthinkable.

I couldn't see the mystery, so I had to look at the third scroll. This painting was not a figure of the Yin and Yang house. It depicts a narrow deep valley with a steep and dangerous terrain. There were many strange bronze sacrificial utensils exposed in the soil. Many people were wearing lanterns and torches, lined up in a long queue, passing by the winding bird path on the wall, walking to the deepest part of the ground. People entering the mountain saw their heads but not the tails. Moreover, the characters in the painting were all weird, both men, women, young and old, with the five words "Picture of Walking with Candles at Night" on the side, full of indescribable mysterious atmosphere.

Shirley Yang said: "This is probably the ones who built Yin-Yang Houses in the mountains with Feng Shigu. The deep valley depicted in the candle-like night walking map. Could it be the rift valley on the abdomen of the corpse-shaped mountain?"

I said, "It's almost impossible to get along with it. It seems that Feng Shigu, the old landlord, has a way of mobilizing the masses, but what do those people do when they walk into the belly of the Corpse-Shaped Mountain? Do you really want to seek immortality or have another purpose?" Speaking of this, I suddenly remembered something: "By the way, you look at this deep valley in the mountains, isn't it the dantian leading to the Corpse-Shaped Mountain?" I also thought that the contents in these scrolls were related, and maybe there would be more important information hidden in the last painting, so I couldn't wait to see it now.
Chapter completed!