Chapter 110 Never change a word

After returning from Yanjing Film Academy, Lin Weimin's mind occasionally flashed that unforgettable face.

"What are you thinking about?" Liu Yin waved his hand in front of Lin Weimin's eyes before calling his soul back.

"nothing."

Liu Yin put the sample magazine in his hand on his desk, "They asked me to bring it back to you when I went to the front building just now."

Lin Weimin took a closer look and saw that it was the latest issue of "People's Literature".

"Thank you, Sister Liu."

Lin Weimin put away the sample magazine. It was now time to get off work. Lin Weimin had nothing to do and prepared to write a few letters to request manuscripts.

"Brother Zilong:

Hello, it has been nearly half a year since I left the Institute of Literature and Literature, and I am still studying. After training and studying at the Institute of Literature, I came to work in the editorial department of "Contemporary" and have gradually adapted to the work rhythm here. In my spare time, I created several works.

works.

When other editors ask for manuscripts, they look at reputation when composing them, while Lin Weimin plays with probability.

In the past two years, some good people have called him, Ma Jicai, and Hang Ying the "troika" of Jinmen literary circles.

Everyone's eyes were focused on Lin Weimin, and he cleared his throat.

“We are a people’s theater, and the content of our plays must be of universal value, and we must not promote any concepts that contain feudal dross and harmful values.

He wrote more than one of the same letter, and except for Qu Xiaowei, who had given up halfway, he sent a letter to almost every student in the class.

Lin Weimin didn't know why he came to see him, but he said hello after all, so it wouldn't be a good thing if he didn't come.

"I understand the teachers' opinions very well. If you look at it from a public perspective, some of the plots and viewpoints in the script "Farewell My Concubine" are indeed very bold, avant-garde, and pioneering.

For example, "Intouchable" is a drama script created for Yanjing People's Art Theatre. It was premiered a few days ago and received acceptable reviews. There is also a short novel "Farewell My Concubine", which will be published in "People's Literature" in the near future. Above

Brother Zilong, if you have time, I would be very grateful if you could read it and write to criticize and correct me later.

Lin Weimin had encountered this problem when "Farewell My Concubine" was about to be published in People's Literature. Although he understood it, he still felt unhappy.

"Contemporary" has been revised for two issues. With the increase in the number of manuscripts, the difficulty of compiling manuscripts has suddenly increased. Colleagues in the editorial department have been under great pressure recently, otherwise he would not have been shameless enough to write letters to his classmates.

.

Lin Weimin wrote several letters requesting manuscripts every day after work. For a week, his colleagues in the office knew that he was writing letters to classmates asking for manuscripts, and they were all looking forward to the effect of his widening net.

When it comes to who was the most popular in the domestic literary world in the early 1980s, Jiang Zilong should be considered the most popular.

Lan Yinhai said: "The drama "Farewell My Concubine" focuses on the relationship between Cheng Dieyi and Duan Xiaolou. The current plot is reasonable and reasonable. If it is changed rashly, the drama will be useless."

Everyone instantly heard Lin Weimin's determination and dominance from these words.

"Contemporary" was changed from quarterly to bimonthly in January this year. The volume of manuscripts has increased significantly, and colleagues in the editorial department have worked hard to compile manuscripts. I am still relatively new in "Contemporary" and do not have many author resources at hand. I hope Brother Zilong can use his busy schedule

Can you provide me with some help in writing my manuscript..."

Lin Weimin wrote to him purely with the idea of ​​​​hitting three poles first if there was a date or not.

…

If Teacher Yu asks me for my opinion, I will tell everyone openly and honestly."

But it was impossible for him to change the script. The classic and contradictory conflict of "Farewell My Concubine" lies in Cheng Dieyi, a deviant character. Once he changed it, the soul of the script would be gone.

At this time, an old screenwriter named Qiao stood up, feeling a little excited.

I personally hold an objection and the script must be revised."

The people in the conference room today, apart from the academy leaders, the rest are senior directors and screenwriters from Renyi. The focus of the discussion at the meeting was whether to make appropriate modifications to the plot of "Farewell My Concubine".

As a pioneer of reform literature, Jiang Zilong is indeed a busy man. He is the target of many literary newspapers and magazines across the country, and he also has to gather energy for the creation of novels.

If it were to be revised, as Teacher Lan said, the play would be useless!

If that's the case, I'd rather not modify it.

Two old comrades talked for a long time, and their opinions were very clear. They wanted to attribute the relationship between Cheng Dieyi and Duan Xiaolou to brotherhood.

Lin Weimin got up and left the Chinese Literature Society. Today he had to go to Renyi to hold a discussion on "Farewell My Concubine".

"The Taking of Factory Director Qiao" became a blockbuster and became the pioneering work of reform literature. Later, he wrote many novels with industrial production as the background, which were well received by critics and readers.

However, the quality of the script does not represent whether the concepts promoted by the play are correct.

Ouyang Shanzun and Lan Yinhai have worked with Lin Weimin and understand his strength and character.

Entering the conference room, Lin Weimin nodded to everyone, found a seat and sat down.

Looking around at the people in the conference room, Lin Weimin said in a sonorous voice: "Either this play will not be performed! Or not a single word will be changed!"

Ouyang Shanzun also said: "I agree with Yin Hai's view. Everyone has read the script, and it is a rare and good script. Regarding emotional issues, it may cause some discomfort to a certain part of the audience. But I want to say

This phenomenon is not caused by the characters, but by the specific historical environment in which they live. The audience will only sympathize, understand, and pity the characters more, and will not feel disgusted with them. So I feel that the changes are not necessary at all.

necessary."

At the beginning of the meeting, the first vice president Yu Zhi gave a speech. He briefly explained the situation of the script, and then everyone began to speak freely.

Lin Weimin shook his head after hearing this. It seemed that in the 1980s, the plot of "Farewell My Concubine" was indeed too bold.

You all have read the script, and you should understand that this script is good because of these aspects.

After the old screenwriter surnamed Qiao finished speaking, someone else raised objections.

After everyone had finished speaking, he called by name and said, "Wei Min, you are the original author of the script. Please tell me your opinion."

After writing the three letters, it was time to get off work.

I admit that the quality of the script "Farewell My Concubine" is very high. I thought that I could not write a work of such high quality.

When Lin Weimin said this, everyone's eyes paid attention to it.

Several old comrades who had objected just now shook their heads and were very dissatisfied with Lin Weimin's statement.

Lin Weimin didn't say anything. He put the sample of the next issue of "People's Literature" that Liu Yin handed him on the table, then turned and left.

Lan Yinhai stood up, took a look at the sample magazine, and handed it to Ouyang Shanzun, who read it and handed it to the person next to him.

The sample magazine was passed around the conference room in this way, and the message Lin Weimin wanted to say to them was also conveyed.

The Chinese Literature Society has agreed to publish the novel, you are so scared!
Chapter completed!