Suddenly I don’t want to talk about this period anymore... It’s different from the previous few periods. I’ve gone through this stage over and over again so many times this year, and I’m so tired of it (melancholy)

It is also divided into two parts, one to fight in the black market, and one to the end.

When I write this, I have run out of inspiration. In the previous paragraph, I couldn't think of how the plot would unfold at this stage.

Almost all the plots in this section were not thought through before writing.

Come on, let’s play a game. If you were me at that time, how would you solve the following card problem?

First of all, and finally, it is necessary to make use of the characteristics of real-life scenes that do not know whether it is true or false, and reflect the 1/2 probability. There is only one chance, and once you lose, you will lose everything. It echoes the foreshadowing of the 100 million all-in casino at the beginning, showing courage, growth, etc.

elements,

How to design a big plot that embodies these elements at the same time?

Secondly, how to design a business problem encountered in the financial field and stocks? Based on the logic of the previously determined financial war, design a problem that is consistent with the stock price, opening time, stock trading rules... logical causality?

How to design the principle of association? How to design how Fangran investigated the process of discovering this principle?

How to design a solution so that they can solve this principle?

How can the bug of [Creating Brand] be reflected again in this plan?

How to design rules for real-life scenarios?

How to design Fangran’s tension at the last second when the scene ends?

How to design a scene that matches the exciting plot development at the climax of this volume?

Hundreds of billions of losses can never be recovered by investigating a few companies and fighting. How can this huge pattern be reflected?

That's pretty much it. There should be many more detailed requirements, but I can't remember them.

The current financial plot is the answer that I have racked my brains for. It’s up to you to think about what you will come up with (laughing and crying)

At that time, the inspiration for me to write this was only the simple and simple idea of ​​[1/2, gambling, real scene, echoing the gambling city at the beginning].

Everything else, stock price shorting, growth markets, brokers, Trojans, counterattack plans, obstruction devices, sages, and so on, all the inherent logical causal relationships,

They were all suppressed by me little by little over the course of a year when my inspiration was exhausted.

---

As for the second half, it was just that the burning emotions couldn’t be overcome.

I basically figured out all the plot arrangements I should think about at that time, but I really couldn’t get over it. Every time I started coding, it took me several days (the ‘bathing and changing clothes’ mentioned above)

Let yourself, who has been burned to ashes, be ignited again.

Let me give you an example so that you can understand how I got stuck in a devilish state.

First, in order to get burned, I would listen to burning music, and then in order to write about that burning feeling,

When the music reaches its climax, I will align it with the line that is about to enter the climax of the story. I don’t know if you can understand what I say.

Just listen to music to get yourself excited, and then match the rhythm of silently reading the words in your mind with the melody of the music. In a state of "unity", you can barely get the words out of your head without enthusiasm.

To give a more specific example,

"Account Cancelled (Violin Version)" starts at 0:56 seconds from the beginning, aligning with the end of Chapter 1207: The early morning is approaching, the stock market crash is imminent, and the 'avalanche' of 650 billion US dollars... This sentence,

Then it reaches the music climax at 1:18 seconds, which happens to be the last sentence of Chapter 1207.

I will look for the kind of burning music that fits the rhythm of the plot, listen to a certain piece of music over and over again, and maybe increase the volume a little bit with the climax, and then use the energy at that time to write it out.

Then in this volume, almost all the climactic battle chapters (especially the last 1207 and onward),

Every paragraph of every picture, I got stuck like this (vomiting soul)

The process is super painful,

But it’s burning up, and I still feel pretty good after writing it (whispering)

One time, a book friend asked about a strange number. It was because I forgot to delete the music time marked when I was writing.

Because the singles are on repeat so much, I even clearly remember which song or burning mix was used for each one.

I have to mention Jockey Girl 2 here (let me watch them all),

I have been holding back watching it just for times like this. Really, the last part of the financial field, thanks to the emotional infection it gave me after watching Jockey Girl 2, and the editing by a certain big up.

Only then did I have the mood to write out the last paragraph,

---

Finally, to summarize the financial field,

I want to write about the kind of complicated and tense developments that take place at the last stage, at the last moment, when the wind and clouds are surging, and when the storm is about to come,

It feels like it suddenly breaks out after a certain point, and then all kinds of waves change, and characters appear one after another and all explode.

Finally, after everything is over, let’s finish with a shocking secret that we can look back on

I don’t know if it’s been written down, but anyway,

I really tried my best

\u003d\u003d\u003d\u003d\u003d\u003d\u003d\u003d\u003d\u003d

Then talk about the characters

In this volume, there are a lot of new characters but also a lot and a little,

The sidekick should be the last one in the history. After all, this volume is about North America, the place where night battle participants are most active.

Can you still remember to ask how many extras were there?

By describing various participants, it is used to show the world of night battles more fully and richly, and the inspiration that has been forgotten,

To express this feeling,

I have carefully designed the abilities of each of the supporting characters (as long as you look carefully at the two lines describing them)

Such as the initial counterattack, black beam (this comes from an episode of Luo Xiaohei's Gate of All Living Beings), mercury, mechanical bird, spiral, elemental bow, lock with unlimited bullets, neutralization, attachment, etc... .

When I finally wrote about the battles at each node, my imagination was running out (sweat)

Moreover, if you think about these basic abilities carefully, they all have something to offer, but I really don’t have the pen and ink to write them down in detail.

As for the lack of people, it is true that there are not many new main characters in this volume.

Basically Adeline, Celica, Lynn, Annabelle,

There is nothing to say about the special identities of the latter two, but the first two are characters I set up for reality and night battles.

Selika is a senior and powerful B-level high-ranking rogue who embodies all kinds of information, common sense, and sights about the night battle world.

A female character who is clearly a technologist but has super close combat skills. She can climb out of a chaotic neighborhood, can control things like leather pants, and has a dashing and handsome figure.

But about her, it's a pity that I didn't write it well. Fangran had too little interaction with her.

I didn't realize this until later,

The plot she introduced was the coast, and then the Houston black market, the tavern, that part of the scene,

To be honest, regarding Celica, I actually originally imagined a plot in which she takes Fangran to a female technician-mechanic she knows to stay that night to find information. (I thought of the character's name as Luo Jie. Creator of Regal Explosive Gem)

But when I was writing it, I really didn’t know where to put this plot, there was no room.

Otherwise, originally, there were several scenes of Fangran and Celica interacting with each other as team mates. I even thought about the scene of Touma opening the door,

It is a pity that Kavin was in great pain at that time and did not have the extra energy to realize it.

This is my regret for this volume.

As for Adeline,

Hum, interesting woman

As the chief administrative officer of Fiseld, it is used to reflect the reality, business, and luxury upper class side of the story.

Compared to Celica, she really has more plots and fuller characters.

I feel very satisfied with the writing and have no regrets.

He is the main character who interacts with Fangran in the daily transition plot, whether it is character design, character, or lines.

I like this character very much, and even thought about a series with her participation.

And besides the two of them, there are Veronica and Ophia, who I always love,

Osphia really is, after the European volume, midnight leads to Kerim's reunion, and the North American volume leads to her reunion,

I don’t know if I can write about the feeling of meeting my good partner again in a foreign country, and then starting an adventure together again and overcoming difficulties.

But really, in the end, when Fangran was in a desperate situation, Ophia suddenly appeared to lend him a hand.

I like this kind of energy very much, maybe it’s because I play too many jrpgs hh

And as for Veronica...

I am really scared of this aunt. All the chapters where she appears are super difficult to write, similar to a witch, because the character design is too high.

She really is, every line she speaks, every word she expresses, every outfit she wears, her jewelry, her eyes, every detail of her movements,
To be continued...