"Master, I have been here for so long, so you won't introduce it to me. I guess this old man is Master Jin who convened the treasure appraisal meeting today?" Zhang Zhenjun interrupted.

"I am Kim Gwang-in, are you Feiyang's apprentice? Are you learning appreciation or carving from him?"

"Hello, Master Jin. My name is Zhang Zhenjun. My master and I are neither learning appreciation nor carving. What I am learning from my master is martial arts."

"Feiyang is also good at martial arts? I didn't expect that Feiyang is really versatile."

The three of them started chatting.

"Feiyang, why don't you take one of the national treasures in your box and let me see them? These old guys don't know that they will come a while ago. If they don't come again, I will appreciate them first and not wait for them." Master Jin was looking forward to the national treasures in Yun Feiyang's box and could no longer wait.

"Who is cursing behind the scenes? The master can't wait until the agreed time has come. It's not a gentleman to say bad things behind the scenes." An old but loud voice came from the door.

"Some people just have a dirty bone. They don't say they'll come in a while earlier and have to be scolded before they come out."

"You said you are an old guy, but now you are getting more and more unreasonable. Even though others are not late, you dislike others who come late, and say bad things behind them, and are discovered, and you do not admit your mistakes, and you have to make a point."

At this time, three people came in from the door, two elderly people and one middle-aged man. The one who spoke was the tallest.

"Feiyang, let me introduce you to you. The ugly looking person is Huang Qun, the director of the Palace Museum in China. Try to contact this person as little as possible. If he sees those national treasures, he will inevitably be entangled by him."

"This kind-hearted and smiling face is a famous collector, the appraisal master Yu Wenhong, next to him is his disciple Tong Chong. You can contact them more and you will definitely benefit a lot."

"This young handsome guy is Yun Feiyang, the owner of Chongbao, whom we are going to appreciate today. Next to him is his apprentice Zhang Zhenjun." Jin Guangren introduced to everyone.

"Hello, Dean Huang."

"Hello, Master Yu."

"Hello, Mr. Tong."

Yun Feiyang shook hands with the three of them and greeted each other.

"You old man Jin, didn't you just suggest that you donate three cultural relics to the Forbidden City? You voluntarily, and now you blame me again. How can you treat the same kind friends? They are kind-hearted, but I am ugly and are looking for scolding me? If our Forbidden City receives any national treasure in the future, it seems that you can't invite you to appreciate it. It's so sad."

"We still have to give you face. Who made us old friends for so many years? I am sad that the three national treasures I donated have been with me for so many years. Now I don't want to take a look at them again."

"The national treasure that Uncle Huang has taken to his hands will be hidden very tightly. Master Jin, you must appreciate it yourself before donating it." Zhang Zhenjun interrupted.

"I have decided that I will donate it only after I die. I am so old and I don't want to endure the pain of lovesickness anymore."

"Zhenjun, are you Feiyang's disciples? Do you also like to appreciate now?"

"Uncle Huang, my master and I are learning martial arts, not learning appreciation and carving. I am with you masters and have been asked this question all the time. It seems that I have to take time to learn, otherwise I will embarrass the master."

"In fact, learning and appreciation can cultivate feelings and broaden your horizons is indeed a good thing, but it also takes a lot of time. I'm afraid you don't have so much time now," said Dean Huang.

At this time, a noise came from the door. It turned out that all the people who were invited by Kim Gwang-in arrived.

In addition to the three friends Jin Guangren invited this time, there are also: Kong Pinxiang, honorary chairman of the Chinese Calligraphers Association; Liu Xingdong, honorary chairman of the Chinese Artists Association; Qin Wenguang, president of the Chinese Jewelry and Jade Association, and Qian Ming, vice president; Li Guangde, honorary president of the Chinese Jade Carving Association, and Wei Zuo, current president.

In addition, Kong Pinxiang and Liu Xingdong also brought their disciples: Liu Suifeng.

When Yun Feiyang saw Liu Suifeng's eyes lit up, his heart pounding as if he was hit, and a trace of unspeakable strangeness arose in his heart.

Liu Suifeng looks like he is seventeen or eighteen years old. His skin is as fat as a cream, his eyes are as autumn waves, and his face is as pure and beautiful as a woman who receives modern education. He is clearly a classical lady who comes from ancient paintings, elegant and quiet, and his body is full of books and ink. It seems to be the orchid in the valley, and his reading ability is different from others.

"Hello, my name is Yun Feiyang."

"Hello, my name is Liu Suifeng."

The two of them held their right hands lightly, and they felt inexplicably in their hearts.

"I really envy you for being able to learn calligraphy and painting with Master Kong and Master Liu. If you learn from famous teachers, I believe that Miss Liu's calligraphy and painting skills must be extraordinary. You must appreciate it if you have the opportunity."

"I haven't even started my master yet, and my skills are still far from me. I need to practice more, and I'm afraid I'll disappoint you." Liu Suifeng felt a little nervous, "According to the master, he is a young master of appreciation. Will my works disappoint him?"

"You must be too modest. From the temperament you reveal, you know that you have a deep understanding of artistic conception. Even if you are young and have a shallow foundation, you must be very outstanding in the artistic conception of your works." Yun Feiyang said very confidently.

"Feiyang, your vision is really amazing! It is not easy to be able to see people and know things. Suifeng's calligraphy and painting works are indeed as you said, and have reached a very high level in terms of artistic conception. If it weren't for the youth and poorer skills, the current level would have caught up with us two old men. I believe that as long as Suifeng persists, his future achievements will definitely surpass our current level." Master Kong interjected.

In the field, Yun Feiyang and Liu Suifeng were the youngest and had a common language, so the two started chatting, which was very consistent.

"Okay, let's finish chatting and start appraisal of treasures."

"We are still the same rule. Lao Huang will offer treasures first and everyone will appreciate them."

"What I brought this time was a piece of porcelain - a blue colored landscape painting bowl." Dean Huang took out the porcelain as he said.

"This blue color landscape picture bowl is 5.5cm high, 10cm in diameter, and 3.9cm in foot diameter." Dean Huang began to introduce it.

"The bowl is tilted, with a deep belly, and a circle foot. There is no pattern on the inner wall. On one side of the outer wall, the scenery of the mountains and rivers are painted with blue material, and on the other side, the seven-character poem is written with ink color: "The green surrounds the southern mountains and the same color, and the green is surrounded by vast sea and boundless green". The upper part of the poem is stamped with a rouge colored seal "Shougu" seal, the lower part is stamped with a rouge colored seal "Shan Gao", and the Yang text of "Shuilong" seal, and the blue text of the ring foot is stamped with four characters "Made in Yongzheng Year" in regular script."

"The paintings of this bowl are extremely exquisite and are of the best among the Yongzheng enamel porcelain handed down from generation to generation. In particular, the outer wall of the bowl is painted with blue materials. The tops of the picture are majestic, the pines and cypresses are green, the fishing sails are dotted, the mountains and rivers are the same color, and the artistic conception is profound. The blank space above the river water is written with two seven-character poems, which complement each other's poetry and painting."

"As far as we know, among the Yongzheng enamel porcelains that have been passed down from generation to generation, the porcelain painted with blue material is collected by our Palace Museum, and only the Palace Museum on Taidao collects two blue material color landscape bowls and blue material color landscape plates, and the other blue material color landscape teapot is collected in the Copenhagen Museum in Denmark."

While listening to Dean Huang's introduction, Yun Feiyang used his magical power to analyze this rare and top-quality porcelain in detail.

Soon, the essence of this porcelain was fully mastered by Yun Feiyang. If Yun Feiyang was willing, he could use very ordinary materials to create such porcelain with exactly the same style.

Of course, Yun Feiyang would not make these cultural relics and porcelain at will, but he believed that those cultural relics that were not only circulated abroad could be made. The Chinese people could not appreciate the lost national treasures and they had to go abroad to see them. He wanted them to see them at home.
Chapter completed!