Chapter 50: All Cultural People
The group of people who first arrived at the second floor of the supermarket were led by Privy Councilor Feng Yansi. All the young people were wearing casual clothes, and their every move was elegant and free.
When the group sat down at a round table near the stage on the south side, and a group of people put the appetizers and delicate cold dishes on the table like flowing water, the second group came:
The leader was Li Jingqian, the eldest son of the Li family in the Southern Tang Dynasty, and the King of Chu, followed by a group of young masters in the capital who were inseparable from him in daily life. However, the person on the right hand of Li Jingqian was Zheng Li Yu, who had not visited the supermarket for a long time.
It seems like a pure coincidence that two groups of people can meet in the supermarket.
As early as two days ago, Feng Yansi had already notified all the friends in the capital who were famous for their writing or painting to meet here tonight; while Li Jingqian was encouraged by Wei Shengwen, the nephew of Wei Cen, the deputy envoy of Privy Councilor Wei Cen, and the two brothers Wei Shengwu, who "temporarily started to think about it". They sang and said that the King of Chu had not been to the supermarket for a long time. It was said that several new songs were released there. Wei Shengwen even exclaimed intentionally or unintentionally that it would be better if there were music composition masters like King Zheng who could be on the side, and they would definitely be able to understand these songs better.
The speaker is intentional, and the listener is intentional. Regarding how to have fun and have a good time, King Li Jingqian of Chu always accepted advice. After taking a nap, he rushed to the Zheng Palace early, broke into the study, and forced the precious nephew to come over before the case, preparing to let him be the "music commentary guest" tonight.
The supermarket store manager Fang Hongli had already served on-site as early as Li Jingqian and Li Yu arrived. Naturally, Duan Yu, the owner of Jueweifang, who had already regarded the supermarket as his own, sent someone to inform him urgently.
Seeing Li Jingqian and Li Yu appear, Fang Hongli and Duan Yu ran two steps to meet him. A wealthy and noble customer like Li Jingqian was originally the favorite customers of the big hotel, not to mention that Li Yu, the largest shareholder in the supermarket, was accompanied by Li Yu.
This large group of people also chose to sit down at the last empty table near the stage, which was naturally reserved in the store to prevent the sudden arrival of VIPs. Fang Hongli and Duan Yu personally stepped forward to set up dishes for them, but were interrupted by Li Yu and asked them to go there without asking for help. But Fang Hongli didn't dare to leave, so he just took two steps back and prepared to take a special trip next to him.
At this time, Feng Yansi also looked up at this moment, and suddenly saw Li Jingqian and Li Yu who were crossing the middle stage, and immediately rushed over to salute.
Li Jingqian waved his hand and said impatiently: "Mr. Feng, we are all here to enjoy the music and we are all wearing casual clothes, so don't be polite! I heard that Mr. Feng is all the fun people in daily life. I wonder who are the guests you are treating tonight?"
Feng Yansi immediately bowed and replied, "When I returned to the King of Chu, the people who gathered together today were all the people who recited poems and wrote in the capital, and those who were good at calligraphy and painting. Gu Hongzhong Gu Taizhao, the Tang Dynasty Painting Academy, and Dong Yuan and Dong Guanzhao were all among them."
Li Jingqian was overjoyed and slapped the table and said, "I am thinking of asking Gu Taizhao to freely paint a long scroll of auxiliary characters for my new house! Let's do this, Lord Feng, please invite all the masters here, let's sit together!"
The two brothers Wei Shengwen and Wei Shengwu were so clever, so they immediately stood up to greet the brothers on their side to give way.
In this way, at the suggestion of Li Jingqian and Feng Yansi's intentional cooperation, the original large group of literati and poets immediately moved over. Feng Yansi, Gu Hongzhong and others simply refused each other and sat down with the flow.
Just as the position was determined, Feng Yansi stood up and began to introduce these literati and talented people from the Tang Dynasty to Li Jingqian and Li Yu.
"The King of Chu is already familiar with Gu Hongzhong of the Tang Dynasty Painting Academy, so I won't introduce it in detail." Feng Yansi first pointed to Gu Hongzhong on the left side of his body, first introduced it, then pointed to a middle-aged scholar in his right hand, and then introduced it.
"The King of Chu must have an impression of Zhongzhi and Zhang Yifang? This is Zhang Yifang, a scholar of the Qinzheng Hall of the Tang Dynasty, who was named Yuanda, and he was the predecessor of the Censor. The former king relied on the name of Wang Yifang, a censor who was known for his loyalty, benevolence, righteousness and integrity in the previous dynasty, and changed his name to Wang Yifang, the censor who was famous for his loyalty, benevolence, righteousness and integrity in the previous dynasty. Zhang Xueshi's masterpiece is the world-famous "Commentary on the Responsibility"; the poem also includes "The Great Snow Climbing Tower on the Day of the Fenghe Shengzheng" which is famous!"
Zhang Yifang quickly stood up to greet him. Li Jingqian waved his hand to signal him to sit down, shouting that no one was allowed to politely politely during the meal.
"'It is not only the king who is alone, but the low-ranking officials fear the crime and do not speak, and the noble one holds the salary but does not advise.' The article is like the person. Master Zhang's words are truly upright!" Li Yu interrupted, recounting the famous saying in Zhang Yifang's "Commentary on Advice". Zhang Yifang did not expect that Li Yu would remember his humble article. He stood up excitedly and bowed solemnly to Li Yu.
Feng Yansi pointed to a thirty-year-old young man and whispered: "This is the right hand of our dynasty, Xu Kai, a scholar in Jixian Palace, and is also the younger brother of Xu Xuan, an edict in the dynasty. He is good at poetry and calligraphy, and is especially good at writing and exegesis. He can be said to be a master of this!"
The next few were all painters who were well-known in Jiangnan. Dong Yuan, the Taoist Academy of the Tang Dynasty, was the founder of the Southern School of Landscape Painting. He was good at painting landscapes, and also worked on figures and animals. Later, he used real scenes of real mountains in Jiangnan to paint, but was not a strange and steep brush. He had sparse forests and distant trees, and was flat and deep, and his texture was like hemp skin. Later generations called it "Pimaima Cun".
Wei Xian, one of the famous scholars of the Southern Tang Painting Academy, was good at the characters of the building and watching the palace. He was able to "reduce no difference" according to the proportion, with correct perspective, rigorous composition, fine carving, and no vulgar craftsmanship. He was later known as the number one expert in the Tang and Five Dynasties. Wei Xian was also skilled in landscapes, high cliffs and huge rocks, thick and solemn, and never old. It is said that Wei Xian once wrote "Spring River Fishing Old Man" Picture, and Li Yu's two famous works "The Poems of Fishing Father" were specially titled for him.
Wang Qihan is also one of the famous scholars of the Southern Tang Painting Academy. He is good at painting figures, Buddhist, Taoist and religious paintings, and is also good at landscapes, flowers and birds. He is famous for painting apes and deer. He is good at making mountains, hills and valleys, hidden rocks and valleys, and has no style in the city. His paintings are characterized by fine brushwork.
Finally, Feng Yansi pointed to an old man with a little gray eyebrows and said loudly: "This is Xu Xi, a friend of Gu Dizhao, who is highly praised by Gu Dizhao. He is good at painting flowers, bamboo, forests, cicadas, butterflies, grass and insects, and outlines the color. His purpose is rich and beautiful, and his wonderfulness is no different from nature. What's even better is that Brother Xu is generous and open-minded, with high ambitions and high ambitions. He does not want to enter the Tang Dynasty Painting Academy at all. He is ashamed to be with us. I am not as good as I wait!"
Xu Xi was also an outstanding painter of the Southern Tang Dynasty in the Five Dynasties. He never served in his life. Later generations were hailed as the first flower and bird painter in the history of Chinese painting to understand and be content with his own heart and nature. Guo Ruoxue, a famous calligraphy and painting connoisseur and painting history critic of the Northern Song Dynasty, called Xu Xi's painting style "wild and elegant" and respected him as a "Jiangnan Master". The Northern Song Dynasty scientist and reformer Shen Kuo respected him as a "Jiangnan Buyi". The "Xu School" that continued Xu Xi's painting style was not only one of the two major schools of flower and bird painting in the Five Dynasties, but also one of the famous Chinese painting schools, which influenced the flower and bird painting world for more than a thousand years in the Song, Yuan, Ming and Qing dynasties.
When Xu Xi heard the introduction of himself, he didn't care at all. He arched his hands casually in the air, and he turned his attention to the musicians who had already started to take the seat.
At this time, everyone stared at Xu Xi's white and simple clothes, and then looked at his thin face that was so calm that he couldn't help but secretly called himself a little surprised.
Chapter completed!